As a teenage aspiring composer with a modernist ear, Esa-Pekka Salonen idolized composer and conductor Pierre Boulez and has become one of the biggest champions of his music. Salonen writes, “It can be complex without ever losing its clarity, it can be aggressive or delicate, hypnotic or kaleidoscopically flickering, ritualistic or virtuosic. But most importantly, it is often hauntingly beautiful.”
Salonen contrasts Boulez’ serialist voice with fellow French composer Debussy’s impressionism—a pairing critic Mark Pullinger compared to “glaring sunburst [and] smudgy haze” or “Monet and Jackson Pollock.” Boulez’ solo piano Notations (each only 12 bars) flow into a version for orchestra that explodes the original musical idea with orchestral colors.
Like Salonen, Boulez was not only a renowned conductor of Debussy’s music, but also of Bartók’s. Teaming up with pianist Pierre-Laurent Aimard, Salonen leads one of Bartók’s most lucid and lyrical creations and Debussy’s conversation between wind and wave.
For the finale, L.A. Dance Project takes the stage for Rituel—“the most sensuously appealing score of Boulez’s career” (The New Yorker)—in a new dance choreographed by Benjamin Millepied.
Le Concert d’Astrée The Triumph of Time and Disillusion (3/27/25-3/27/25)
Shostakovich and Ravel (4/8/25-4/8/25)
Chamber Music & Wine: Shostakovich and Ravel (4/8/25-4/8/25)
Rachel Mahon (4/13/25-4/13/25)
Carlos Simon’s Gospel Mass with Dudamel (4/17/25-4/17/25)
Chamber Music & Wine: Mendelssohn's Octet (4/22/25-4/22/25)
Chamber Music & Wine: From Armenia to Denmark (4/22/25-4/22/25)
Chamber Music from Armenia to Denmark (4/22/25-4/22/25)
Evgeny Kissin (4/24/25-4/24/25)
Mozart & Nielsen (4/25/25-4/27/25)
Vocal Dimensions (4/29/25-4/29/25)
Beethoven & Dessner with Esa-Pekka Salonen (5/2/25-5/4/25)
Patrice Rushen (5/2/25-5/2/25)
Chamber Music & Wine: All-Brass Chamber Music (5/13/25-5/13/25)
All-Brass Chamber Music (5/13/25-5/13/25)
Ravel & Adolphe (5/16/25-5/18/25)
Chamber Music & Wine: Mozart, Shaw & Schumann (5/20/25-5/20/25)
Mozart, Shaw & Schumann (5/20/25-5/20/25)
Gershwin & Strauss (5/23/25-5/25/25)
Tchaikovsky & Pereira (5/29/25-6/1/25)
New Voices from Korea (6/3/25-6/3/25)
Seoul Festival with the LA Phil: Night 1 (6/6/25-6/6/25)
Seoul Festival with the LA Phil: Night 2 (6/7/25-6/8/25)
Walt Disney Concert Hall is at 111 S Grand Avenue , Los Angeles, CA.
Le Concert d’Astrée Ode for St. Cecilia's Day (3/25/25-3/25/25)
Le Concert d’AstréeOde for St. Cecilia's Day (3/25/25-3/25/25)
Haïm Leads Handel & Bach (3/21/25-3/23/25)
Tchaikovsky & Schubert (3/14/25-3/16/25)
Midori (3/13/25-3/13/25)
Gustav and Alma (3/6/25-3/9/25)
To the Fullest: The Music of Julius Eastman and Arthur Russell (3/4/25-3/4/25)
Song of the Night (2/27/25-3/1/25)
Hector Olivera (2/16/25-2/16/25)
Ravel & Brahms (2/13/25-2/16/25)
Videos
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A Fabulous 50th: Chicago and A Chorus Line!
Renée and Henry Segerstrom Concert Hall (4/18 - 4/18) | |
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Two Rooms
Zephyr Theatre (4/25 - 4/27) LIMITED TICKETS REMAIN | |
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Romeo and Juliet
2nd Story Theatre (3/28 - 4/6) | |
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Amelia Earhart
FreeFall Stage - performing at EPIC Bible College (4/4 - 4/13) | |
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Step Forward For All The Poor People
Frida Kahlo Theater (4/4 - 4/13) | |
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Jane Eyre
A Noise Within (3/23 - 4/20) | |
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Schlitzie: Alive and Inside
Rogue Artists Ensemble (3/13 - 3/30)
PHOTOS
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Carlos Simon’s Gospel Mass with Dudamel
Walt Disney Concert Hall (4/17 - 4/17) | |
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Unlimited: A Wickedly Wonderful Celebration of Oz
Palm Springs Cultural Center (4/19 - 4/19) | |
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