As a teenage aspiring composer with a modernist ear, Esa-Pekka Salonen idolized composer and conductor Pierre Boulez and has become one of the biggest champions of his music. Salonen writes, “It can be complex without ever losing its clarity, it can be aggressive or delicate, hypnotic or kaleidoscopically flickering, ritualistic or virtuosic. But most importantly, it is often hauntingly beautiful.”
Salonen contrasts Boulez’ serialist voice with fellow French composer Debussy’s impressionism—a pairing critic Mark Pullinger compared to “glaring sunburst [and] smudgy haze” or “Monet and Jackson Pollock.” Boulez’ solo piano Notations (each only 12 bars) flow into a version for orchestra that explodes the original musical idea with orchestral colors.
Like Salonen, Boulez was not only a renowned conductor of Debussy’s music, but also of Bartók’s. Teaming up with pianist Pierre-Laurent Aimard, Salonen leads one of Bartók’s most lucid and lyrical creations and Debussy’s conversation between wind and wave.
For the finale, L.A. Dance Project takes the stage for Rituel—“the most sensuously appealing score of Boulez’s career” (The New Yorker)—in a new dance choreographed by Benjamin Millepied.
Song of the Night (2/27/25-3/1/25)
To the Fullest: The Music of Julius Eastman and Arthur Russell (3/4/25-3/4/25)
Gustav and Alma (3/6/25-3/9/25)
Midori (3/13/25-3/13/25)
Tchaikovsky & Schubert (3/14/25-3/16/25)
Haïm Leads Handel & Bach (3/21/25-3/23/25)
Le Concert d’Astrée Ode for St. Cecilia's Day (3/25/25-3/25/25)
Le Concert d’AstréeOde for St. Cecilia's Day (3/25/25-3/25/25)
Le Concert d’Astrée The Triumph of Time and Disillusion (3/27/25-3/27/25)
Chamber Music & Wine: Shostakovich and Ravel (4/8/25-4/8/25)
Shostakovich and Ravel (4/8/25-4/8/25)
Rachel Mahon (4/13/25-4/13/25)
Carlos Simon’s Gospel Mass with Dudamel (4/17/25-4/17/25)
Chamber Music & Wine: From Armenia to Denmark (4/22/25-4/22/25)
Chamber Music & Wine: Mendelssohn's Octet (4/22/25-4/22/25)
Chamber Music from Armenia to Denmark (4/22/25-4/22/25)
Evgeny Kissin (4/24/25-4/24/25)
Mozart & Nielsen (4/25/25-4/27/25)
Vocal Dimensions (4/29/25-4/29/25)
Beethoven & Dessner with Esa-Pekka Salonen (5/2/25-5/4/25)
Patrice Rushen (5/2/25-5/2/25)
All-Brass Chamber Music (5/13/25-5/13/25)
Chamber Music & Wine: All-Brass Chamber Music (5/13/25-5/13/25)
Ravel & Adolphe (5/16/25-5/18/25)
Mozart, Shaw & Schumann (5/20/25-5/20/25)
Chamber Music & Wine: Mozart, Shaw & Schumann (5/20/25-5/20/25)
Gershwin & Strauss (5/23/25-5/25/25)
Tchaikovsky & Pereira (5/29/25-6/1/25)
New Voices from Korea (6/3/25-6/3/25)
Seoul Festival with the LA Phil: Night 1 (6/6/25-6/6/25)
Seoul Festival with the LA Phil: Night 2 (6/7/25-6/8/25)
Walt Disney Concert Hall is at 111 S Grand Avenue , Los Angeles, CA.
Hector Olivera (2/16/25-2/16/25)
Ravel & Brahms (2/13/25-2/16/25)
Seong-Jin Cho (2/11/25-2/11/25)
Tchaikovsky & The Mermaid (2/7/25-2/9/25)
KODO (2/4/25-2/4/25)
Celebrating MTT (2/1/25-2/1/25)
Schubert, Strauss & Saariaho (1/30/25-2/2/25)
LA Phil Etudes with John Adams (1/28/25-1/28/25)
Elements and Energy with John Adams (1/28/25-1/28/25)
Rachmaninoff & Muhly (1/24/25-1/26/25)
Videos
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RENT in Concert
Segerstrom Center for the Arts, Segerstrom Hall (3/15 - 3/15) | |
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Avenue Q
Wisteria Theater (1/24 - 3/2)
PHOTOS
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RACHMANINOFF AND THE TSAR
South Coast Repertory (2/19 - 3/2) | |
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Song of the Night
Walt Disney Concert Hall (2/27 - 3/1) | |
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C A B A R E T
Jaxx Theatre (3/13 - 3/29) | |
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DOT by Colman Domingo
The Box Riverside (2/27 - 3/2) COMEDY NEW PLAY
PHOTOS
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Gustav and Alma
Walt Disney Concert Hall (3/6 - 3/9) | |
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Porn Rock: The Obscenity Trial of Jello Biafra
Eastwood PAC (3/1 - 3/23) | |
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3Girls Theatre’s 2025 New Works Festival: Seen and Heard
KALW Event Space (3/7 - 3/16) | |
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Barbara Williams’ Leaving – A Life in Words and Music - a BFF ’24 in ’25 Free Musical Event
Santa Monica Playhouse - The Other Space (3/1 - 3/1) | |
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Cabaret23 Sings the Classics
Theatre 40 (3/15 - 3/15) | |
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Beethoven & Dessner with Esa-Pekka Salonen
Walt Disney Concert Hall (5/2 - 5/4) | |
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Rhinestone Cowboys
Saban Theatre (3/22 - 3/23) | |
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