DER ZWERG at The Theatre at Ace Hotel

May 30 and June 2, 2019

Numi Opera
Presents
DER ZWERG
By Alexander Von Zemlinsky
Directed by Executive Director Gail R. Gordon
Musical Direction by Christopher Luthi
Tickets ($35 - $75): https://www.numiopera.org/performance-expanded
Use code DZ20 to SAVE 20% on tickets. Discount available by online purchase only.

Zemlinsky adapted this powerful opera from the short story "The Birthday of the Infanta" by Oscar Wilde. The story depicts a nightmarish fairy tale wherein the protagonist is rejected by his love interest, only to discover for the first time that he has bears a gruesome appearance. The story is loosely autobiographical, and through allegory, explores themes of discrimination, rejection, and romantic infatuation. After fleeing Nazi Germany and finding a home in America, Zemlinsky’s career ended and he and his work remained unknown in his new country. Der Zwerg has been performed only a handful of times since its debut in Cologne, Germany in 1922.

This rarely performed opera will have two performances on Thursday, May 30 at 7:30 p.m. and Sunday, June 2 at 2:00 p.m. at The Theatre at Ace Hotel (The Theatre at Ace Hotel, 929 South Broadway, Los Angeles, CA 90015).
The production will feature acclaimed singers Shana Blake Hill, Oriana Falla, Roberto Perlas Gómez and Rodell Rosel.

For tickets, please visit https://www.numiopera.org/performance-expanded or call (888) 929-7849. For more information, please email Founding Director Gail R. Gordan at gailrgordon@numiopera.org.
CAST
Rodell Rosel, Tenor

Tenor Rodell Rosel is a guest of the major opera companies in the U.S. Following his debut at the Lyric Opera of Chicago as Remendado in Carmen, he has appeared on their stage as the Prince and Man Servant in Lulu, Spoletta in Tosca, the First Priest in Die Zauberflöte, Borsa in Rigoletto and as Faninal’s Major-domo in Der Rosenkavalier, Altoum in Turandot and the Second Jew in Salome,Bardolph in Falstaff, Ruiz in Il Trovatore, Benvoglio in Roméo et Juliette, Dr. Blind in Die Fledermaus, the Four Servants in Les Contes d’Hoffman, Monastatos in Die Zauberflöte and Valzacchi in Der Rosenkavalier. For the Metropolitan Opera, he has appeared as Valzacchi conducted by James Levine and as Nathaniel and Franz in their new production of Les Contes d’Hoffman.
Shana Blake Hill, Soprano

Soprano Shana Blake Hill is known for creating and premiering new roles, operas, and contemporary works. Critics such as Opera News and The Philadelphia Enquirer have described her as a “fearless actress…” “floods of glorious sound…”and as “…visually and vocally voluptuous.” Hill sung principal roles with: The Los Angeles Opera, Savonlinna Festival Opera (Finland), Dayton Opera, Cincinnati Opera, Long Beach Opera, Santa Barbara Opera, and Opera Southwest. She has been a soloist with: The Philadelphia Orchestra, The Los Angeles Philharmonic, The Hollywood Bowl Orchestra, The Seattle Symphony, The Pacific Symphony, The Naples Philharmonic, The Pasadena Symphony, The Louisville Orchestra, and The Colorado Symphony. Hill is a Naxos recording artist, and is featured on Sony’s Favorite Film Score Compilation. Her latest world premiere as Dona Angela in the first Flamenco Opera Llantos 1492 with the Tucson Desert Festival of Song made opera history, and her upcoming performance of the title role in Carlisle Floyd’s Susannah with Festival Opera is widely anticipated.
Oriana Falla, Soprano

Soprano Oriana Falla -- Colombian-American Oriana Falla made her professional concert stage debut as the soprano soloist for Orff’s Carmina Burana with the Long Beach Camerata Singers. Oriana attended UCLA where she studied with renowned baritone, Vladimir Chernov. There she was the featured soprano soloist for Vaughan William’s Dona Nobis Pacem in Royce Hall as well as Orff's Carmina Burana with the UCLA Philharmonia. She frequently sings with the Palm Springs Opera Guild and made her Zipper Hall debut in 2016 with The Opera Buffs. Most recently, Oriana sang the role of La Fée in Massenet’s Cendrillon and Frasquita in Bizet’s Carmen.
Roberto Perlas Gomez, Baritone

Roberto Perlas Gomez has performed his extensive repertoire of over one hundred roles with many of the international and regional opera companies throughout the United States. He sings many of the standard leading baritones roles in Italian and French opera especially his signature role of Figaro in Barber of Seville. Mr. Gomez made his international debut as Marcello in La Boheme in Shanghai and created Rizal in Manila during the centennial year of the Philippine National hero. He recently made his Kennedy Center debut as Elias in the Philippine national opera, Noli me tangere. He made his European debut at the Arena di Verona as Chou en-lai in the Italian premiere of Nixon in China. He has been a frequent leading artist at Long Beach Opera where among his many roles are the American premiere of Vivaldi’s long lost Motezuma and Emperor ofAtlantis. He has made a specialty of modern operas.
ABOUT NUMI OPERA

Numi Opera is a Los Angeles based opera company. The 2019/20 Season will be the company’s Inaugural offering. Conceived by Founding Director Gail Gordon, Numi Opera is a company inspired by her desire to stage works like the company’s debut productions, Alexander Von Zemlinky’s Der Zwerg, and Erich Wolfgang Korngold’s Die Tote Stadt. These works not only share a connection to Los Angeles but also share the fate of having been suppressed and banned by the Nazi regime due to the Jewish Heritage of the composers. Ms. Gordon, the child of Jewish Immigrants, feels deeply that the neglect of works of art such as these due to Nazi suppression over the greater portion of a century must be rectified in order to heal a portion of the many injustices perpetrated on the underrepresented and oppressed throughout music history. Zemlinsky and Korngold are just two of the many lost voices that deserve a new audience in the present day.