With the current theatre world on hiatus, I have created a Spotlight Series on Broadway World which features interviews with some of the many talented artists who make our Los Angeles theatre community so exciting and vibrant thanks to their ongoing contribution to keeping the Arts alive in the City of the Angels. And just like all of us, I wondered how they are dealing with the abrupt end of productions in which they were involved. This Spotlight focuses on Holly Baker-Kreiswirth and Bill Wolski, the dynamic duo lovebirds who call Little Fish Theatre in San Pedro their "home away from home."
Shari Barrett (SB): What would you like readers to know about your theatrical background?
Bill Wolski (Bill): I'm a veteran of over a hundred plays and a whole host of other projects and performances. I cut my teeth on the small theatre circuit in greater Cleveland, Ohio, where I grew up. I'm primarily known for my work at Little Fish Theatre, which has been my artistic home since 2007, and for being the husband of the equally talented and prolific Holly Baker-Kreiswirth.
Holly Baker-Kreiswirth (Holly): I started out in television before I worked in theater; the very first paid job I had was in the acting category on Junior Star Search which led to various roles in shows such as Chicago Hope, Gia (HBO), and Private Practice. I studied theater in college, but took a 10-year break to work on a career in TV production, and then had my kid. In my early 30s, I started with Palos Verdes Players as a sound tech, then worked my way up to directing, producing, and finally acting again.
(SB): What production(s) were you involved with when word went out you needed to immediately postpone/cancel the show?
(Bill): I was working on a show called Becky's New Car, written by Steven Dietz, and directed by my wife. It was scheduled to open on April 9th. I was playing Becky's steadfast, not-as-dumb-as-he-looks husband, Joe.
(Holly): We were both deeply into rehearsals for Becky's New Car. I pre-block the shows I direct before rehearsals even begin; we had ten rehearsals under our belt with our lead actress, Amanda Karr, already off book. Costumes/props were bought, lights/sound were being designed... everything was in motion. Our stumble-through was the last rehearsal we had, and the show was already in great shape.
(SB): How was the shutdown communicated with the cast and production team?
(SB): Are plans in place to present that production at a future date, or is the cancellation permanent?
(Bill): Becky's New Car will open at a later date, once we've been given the all-clear.
(Holly): We're thrilled that the work we've already put into the show will be seen by an audience someday. I believe the message will resonate with them.
(Bill and Holly): We are involved at LFT all the time in a volunteer capacity. The shutdown has affected our entire season. Shows and special events that have not yet been cast or started production may be canceled entirely to give the shows that were already in progress a chance to be performed.
(SB): I know Bill is an avid hiker, but how are the two of you keeping the Arts alive while at home by using social media or other online sites?
(SB): What thoughts would you like to share with the rest of the L.A. Theatre community while we are all leaving the Ghostlight on and promising to return back to the stage soon?
Here's how to stay in touch with Little Fish Theatre:
Production photo credit: Miguel Elliot
Holly Baker-Kreiswirth and Bill Wolski in "Panache" at Little Fish Theatre
Holly Baker-Kreiswirth and Bill Wolski in "Sea Marks" at Little Fish Theatre
Holly Baker-Kreiswirth in "Sea Marks" at Little Fish Theatre
Bill Wolski and Holly Baker-Kreiswirth in "This Kiss" from Pick of the Vine at Little Fish Theatre
Holly Baker-Kreiswirth and Bill Wolski in "Sea Marks" at Little Fish Theatre
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