Review: MTW Plays it Cool, Real Cool With Fine Revival of WEST SIDE STORY

West Side Story/book by Arthur Laurents/music by Leonard Bernstein; lyrics by Stephen Sondheim/directed by Joe Langworth/choreographed by Hector Guerrero/Musical Theatre West (MTW), Long Beach/through February 28

Ask musical actors/actresses what is their favorite Broadway musical of all time and they most often concur, West Side Story. Why? It has phenomenal music by Leonard Bernstein, with concise poetic lyrics by Stephen Sondheim and a tight and gripping book by Arthur Laurents, and brilliant choreography established in 1957 by Jerome Robbins. It is one of the most powerful love stories ever, next to Romeo and Juliet. With all these elements complementing one another, from the first downbeat of the orchestra and the appearance of the Jets creeping in one by one on a half-lit stage, the show pulls you in and doesn't let go of you for its two and a half hours ... and its message and images of love linger long after the curtain falls.

Arthur Laurents' revival in 2009 was certainly more realistic than others. First, the score was sung with some lyrics in English and some in Spanish. Also, more Spanish was spoken within the dialogue of the scenes. Sondheim gave his approval for this to draw contemporary Hispanic audiences to the show, and it makes sense, for Puerto Ricans arriving in the US still spoke Spanish. Also, the ending of this revival is less theatrical, as the opposing gangs do not carry Tony's body off. It would never be allowed in a modern CSI (Crime Scene Investigation). Without that overpowering piece of staging to conclude, it is left solely to the power of Maria's riveting speech against violence to encourage hope for any possible reconciliation between the warring gangs. Many argued against this version particularly because the ending showing hope for the future in a total sense of community was dimmed.

Thankfully the current production at Musical Theatre West in Long Beach is the original, traditional staging with the theatrical ending in tact. The ensemble, under the sturdy direction of Joe Langworth, is quite remarkable. It is such a joy to see such young triple threats throughout the ensemble, in which there are no weak links. If these guys aren't dancer dancers, they sure could fool me with their unbounded energy and athletic jumps.

Ashley Marie and Michael Spaziani as Maria and Tony connect and sing quite gorgeously together. Marie has a beautiful vocal instrument; Spaziani has the sweet nature of Richard Beymer who played the role on film, but also a fierce intensity in his acting style that drives the action forward. Lauren Boyd makes Anita passionate and humane. Although possessing a good singing voice, it is not quite as strong as that of Marie and sadly, gets drowned out by the orchestra at times. Tyler Matthew Burk is pure electricity as Riff. He is riveting to watch throughout. Adam Trent as Action,Kristin M. Morris as Anybodys, Julian Marcus De Guzman as Chino, Cooper Howell as Bernardo and Dylan Hoffinger as Baby John and the other Sharks and Jets are incredibly focused, as are the adults: Paul E. Zegler as Doc, Gregory North as Lt. Schrank, and Kevin F. Story as Krupke.

Director Joe Langworth has staged superbly. His "Gee, Officer Krupke", popular and fun to watch, is one of the best, most energetic versions seen recently in regional theatre. Guerrero's choreography, especially the dance mix in the gymnasium and the rumble are superlative. The dark scenic design is riveting. I love how the bridal shop, Doc's pharmacy and Maria's bedroom all open out when necessary for a full view. Kudos to Karen St. Pierre for period costuming, as well to musical director David Lamoureux conducting a 30-piece orchestra. This entire show is Class A Number One. It is a perfect representation for both fans of the stage version and for those first-timers, familiar only with the ten time Academy Award-winning 1961 film. Don't miss MTW's fine production through February 28 only!

http://musical.org/MusicalTheatreWest/shows.html

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