A Noise Within (ANW), the acclaimed classical repertory theatre presents critical and audience favorite Man of La Mancha by Dale Wasserman, music by Mitch Leigh and lyrics by Joe Darion, original production staged by Albert Marre, originally produced by Albert W. Selden and Hal James, and based on Cervantes' Don Quixote. ANW Artistic Director Julia Rodriguez-Elliott directs. La Mancha performs August 16 - September 9, 2018 (Press Opening August 18).
With sold-out houses, standing ovations, and extensions added, Man of La Mancha earned A Noise Within's 25th anniversary season a host of accolades and inspired renewed faith in the impossible dream. Chosen as a 2017 Critic's Choice by the LA Times, the production's previous stagings won rave reviews from critics whose praise include "a stunning, modernistic, most entertaining take...Run, don't walk to see this" (Broadway World); "Uplifting...one of the best shows in town" (Hollywood Progressive); "An extraordinary piece of theater that is beyond compare" (Tin Pan LA); "edgy, contemporary rethinking...stunningly staged and strikingly redesigned" (StageSceneLA); and "Daring...a crackling re-imagining" (South Pasadenan).
"Though many often associate Man of La Mancha with elaborate set pieces and fanciful costumes," says Rodriguez Elliott, "Its earliest stagings were sparse, encompassing the spirit of a rag-tag band of prisoners putting on a play with found objects. The play celebrates the power of make believe, and I want to go back to those roots. This production is fueled by an almost childlike sense of 'play' - where an ordinary object can seamlessly become a horse simply because we endow it as such."
"My goal is to evoke that magical, improvisational quality we have as children but is often lost as adults. The modern-day setting - a bleak, destitute 'holding tank' for prisoners - is intentional. Reminiscent of third-world prisons and military detention centers, and populated with empathetic characters, I want this La Mancha to feel personal to our audiences. The stakes are real, and I want the transformation from hardened criminals to true believers to be palatable to our audiences. "
"This is a real-world fairy tale: despite the dire circumstances, through the power of art, these prisoners have the ability to transform their claustrophobic existence into the vastness of Cervantes vision."
Julia Rodriguez-Elliott references this quote by Pablo Picasso: "We artists are indestructible; even in a prison, or in a concentration camp, I would be almighty in my own world of art, even if I had to paint my pictures with my wet tongue on the dusty floor of my cell."
Rodriguez-Elliott points out that ANW's state-of-the-art theatrical space - 283-seat house with a thrust stage - is the perfect playground on which to explore the epic and intimate nature of these two plays.
"La Mancha is about the power of imagination - and how important it is onstage and in our own lives. It's a play that truly represents the transformative power of the theatre," says Rodriguez-Elliott.
Tickets for Man of La Mancha starting at $25 are available online at
www.anoisewithin.org and by phone by calling 626-356-3121.
About Man of La Mancha
In Man of La Mancha, playwright
Dale Wasserman takes a more meta-approach to the source material,
Miguel de Cervantes' Don Quixote, also originally published in the early 1600s. The fictionalized author 'Cervantes' is the main character of Man of La Mancha. While in prison during the Spanish Inquisitions, he is forced to act out parts of Don Quixote for the other inmates.
This story-within-a-story of Don Quixote's musical misadventures - rife with love, chivalry, and of course, four-armed giants - unfurls into something more transcendent: a beacon of hope in a dire world. One of the most important hits of Broadway's golden age, audiences have been dreaming "The Impossible Dream" for the past half century with the wandering hidalgo in this quintessential tale about the resilience of the human spirit, and the power of storytelling when faced with insurmountable odds.
First performed in 1965, Man of La Mancha is based on an earlier teleplay I, Don Quixote that Wasserman wrote for television. It won five Tonyâ Awards and has subsequently become one of the most enduring works of musical theater. It started its life in New York on a thrust stage, much like the ANW's Redmond Stage, at the ANTA Washington Square Theatre in Greenwich Village before moving uptown to Broadway in 1968. A Noise Within first performed Man of La Mancha in 2007.
In summing up La Mancha's achievements, The New York Times said, "It was a harbinger of the concept musical - Cabaret would open the following year - and a pioneering effort in what could perhaps be called the musical-theater counterculture." Critic Gerald Bordman in his encyclopedic American Musical Theatre said, "its excellent reviews and favorable word of mouth from audiences that no longer demanded the well-mannered niceties of an earlier era soon made it the 'hottest' ticket in town...it could be considered the last major hit to emerge from Broadway before rock and roll overwhelmed the nation."
The Man of La Mancha cast includes
Geoff Elliott* as Don Quixote,
Cassandra Marie Murphy* as Aldonza,
Kasey Mahaffy* as
Sancho Panza,
Gabriel Zenone* as Innkeeper/Governor, Cynthia Marty* as Innkeeper's Wife Maria,
Michael Uribes* as Dr. Sansón Carrasco/Duke/Juan, Jeremy Rabb* as Padre/Paco,
Andrew Joseph Perez* as Pedro/The Barber,
Jordan Goodsell as Anselmo, Nick Bruno as Tenorio/Ensemble, Marc Leclerc as Jose/Ensemble, and
Cassie Simone* as Antonia/Fermina.
* Denotes member of
Actors' Equity
Scenic Design by Fred Kinney, Costume Design by Angela Balogh Calin†, Lighting Design by Ken Booth, Music Direction by Dr. Melissa Sky-Eagle, Sound Design by Martín Carillo, Sound Engineer Christopher Bosco, Make-Up Design by Klint Flowers. Props Master is Erin Walley, Fight Choreographer is Kenneth R. Merckx, and Additional Casting is Amy Lieberman. †Designer is represented by United Scenic Artists Local USA-829 of the IATSE
About Wasserman, Leigh, and Darion
Dale Wasserman, born in 1914 in Wisconsin and after riding the rails as a hobo in his youth, wrote for theater, television and film for more than 50 years and is best known for the musical Man of La Mancha, a multiple Tony Award winner. He also wrote the stage play One Flew Over the Cuckoo's Nest, based on
Ken Kesey's novel, which has won several Tony Awards. Both shows continue to be produced nationally and internationally with an estimated 300 productions a year. In 2008,
Dale Wasserman passed away at age 94 at his home in Paradise Valley, Arizona.
Mitch Leigh (born Irwin Michnick in 1928 - died 2014) was an American musical theatre composer and theatrical producer best known for the musical Man of La Mancha. He was the composer of several popular commercial jingles as well as the ill-fated musical Halloween.
Joe Darion (1911-2004) wrote lyrics for several shows besides Man of La Mancha, including Shinbone Alley and Illya Darling, as well as some early 1950s pop hits.
Symposium, Conversations, Pay What You Can
The run of Man of La Mancha includes a Pay What You Can performance on Thursday, August 16 at 7:30 pm and a Post-Show Conversation on August 24, August 31, and September 7.
LET ME IN - MAN OF LA MANCHA
Man of La Mancha is the first show announced for ANW's 2018-19 Season, themed Let Me In.
"All of our 2018-19 offerings feature characters who are outliers - people who have blazed their own trail but nevertheless struggle for acknowledgement and acceptance," says
Geoff Elliott. "Let Me In isn't about a physical space, it's about the deeply human passion to be understood for who we are."
ABOUT A NOISE WITHIN
A Noise Within, which celebrated its 25th Anniversary in the 2016-17 Season, was called "an oasis for those who love classic stories" by The Los Angeles Times, and is a leading regional producer based in Pasadena, CA. ANW's award-winning resident company practices a rotating repertory model at their state-of-the-art, 283-seat performing space. This venue, established in 2011, has allowed ANW to expand its audience, surpassing its previous box office, subscription, and attendance records each year.
In addition to producing world-class performances of classical theatre, the organization runs robust education programs committed to inspiring diverse audiences of all ages. Helmed by Producing Artistic Directors
Geoff Elliott and
Julia Rodriguez-Elliott, who hold MFAs from San Francisco's American Conservatory Theatre, A Noise Within truly delivers CLASSIC THEATRE, MODERN MAGIC.
http://www.anoisewithin.org.
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