BWW Reviews: BroadHollow's MEET ME IN ST. LOUIS

BroadHollow Theatre Company's latest musical, Meet Me in St. Louis, indeed has a talented cast. However, it seems that when I saw it at Studio Theatre, any magic that was there had vanished.

Based on The Kensington Stories by Sally Benson and the classic Judy Garland led movie, the story follows the Smith family on the eve of the World Fair. Love and arguments abound among the family members, but they are a strong unit and support each other.

In an otherwise mostly bland showing by the cast, Cristina Faicco is a highlight. Portraying Esther Smith - Judy Garland's character in the movie - her voice is perfect for the Hugh Martin/Ralph Blane score. Although the iconic "Trolley Song" could have more vivacity, her rendition of "Have Yourself a Merry Little Christmas" is stunning.

Matthew Paredi is also wonderful. He portrays Warren, the well-to-do businessman and beau of Esther's older sister, Rose (Jenna Kavaler). One would probably expect Warren to be a few years older, but Paredi gave a wonderful performance. He actually looks like he is enjoying his time on stage.

Bob Butterley's set was also very innovative for the small stage. Basically, he took one side of the stage and made that the Smith's beautiful living room. Then on the left side of the stage was the front of the Smith house. The three-person band was also on stage with the cast in costume.

Meet Me in St. Louis is not one of BroadHollow's usual top notch shows. It has its moments, but proves a lackluster fete. Their Winter season is shaping up nicely, however, with It's a Wonderful Life; A Live Radio Play and Little Shop Of Horrors among other shows, so stay tuned.

Meet Me In St. Louis is presented by the BroadHollow Theatre Company at Studio Theatre in Lindenhurst, Long Island. Book by Hugh Wheeler, Songs by Hugh Martin & Ralph Blane, Directed by Glen Beck, Scenic Design by Bob Butterley, Lighting Design by Hemraj Budhram, Stage Management by Alex Vartanian, Costume Design by Jason Allyn, Musical Direction by Ronald Armanini, Choreography by Melissa Spinelli.

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