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Broadway Grosses: Week Ending 12/24/23

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Dec. 26, 2023
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Click below to access all the Broadway grosses from all the shows for the week ending 12/24/2023 in BroadwayWorld's grosses section.

Also, you will find information on each show's historical grosses, cumulative grosses and other statistics on how each show stacked up this week and in the past.

Of note this week: APPROPRIATE opened at the Hayes on 12/18. PRAYER FOR THE FRENCH REPUBLIC began previews at the Friedman and opens on 1/9. Please note that several shows had 7 scheduled performances this week rather than their usual 8.                                                                           Christmas Eve fell within this week; it also fell within this week (Week 31) last season. Last season, Week 31 also included Christmas Day; this season, Christmas Day will fall within Week 32.

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Up for the week by attendance (% of capacity) was: BACK TO THE FUTURE: THE MUSICAL (8%), HARRY POTTER AND THE CURSED CHILD (7.7%), CHICAGO (7%), & JULIET (6.1%), SOME LIKE IT HOT (6.1%), SPAMALOT (4.3%), MJ THE MUSICAL (3.8%), ALADDIN (3.3%), HADESTOWN (1.8%), SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (0.9%), THE BOOK OF MORMON (0.4%), SIX (0.3%), HAMILTON (0.1%),

Down for the week by attendance (% of capacity) was: PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (-14.5%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (-11%), APPROPRIATE (-11%), HOW TO DANCE IN OHIO (-6.6%), SHUCKED (-4.5%), KIMBERLY AKIMBO (-3.2%), HARMONY (-2.6%), GUTENBERG! THE MUSICAL! (-1%), MOULIN ROUGE! THE MUSICAL (-1%), THE LION KING (-0.7%), WICKED (-0.1%),

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This week, 27 shows played on Broadway, with 226,167 tickets sold and a total gross of $33,479,026. The average ticket price was $148.03.

This was up the number of shows as last week. Compared to last week, attendance was up 0.26%. On the sales front, overall grosses were up 6.40% vs. last week. This week's average ticket price of $148.03 is up $8.54 compared to last week.


Top 5 by This Week Gross
THE LION KING: $3,104,271
WICKED: $2,525,966
HAMILTON: $2,316,949
HARRY POTTER AND THE CURSED CHILD: $2,037,202
ALADDIN: $1,931,383


Bottom 5 by This Week Gross
HOW TO DANCE IN OHIO ($323,468), HARMONY ($390,003), KIMBERLY AKIMBO ($462,875), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH ($465,719), APPROPRIATE ($524,863)


Top 5 by This Week Gross vs. Last Week Gross
THE LION KING: $594,938
HARRY POTTER AND THE CURSED CHILD: $521,403
ALADDIN: $355,551
HAMILTON: $328,472
WICKED: $216,726


Bottom 5 by This Week Gross vs. Last Week Gross
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL ($-302,070), HARMONY ($-153,628), SHUCKED ($-151,034), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH ($-131,538), SIX ($-110,632)


Top 5 by Average Ticket Price
MERRILY WE ROLL ALONG: $241.46
THE LION KING: $240.45
HAMILTON: $216.29
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET: $178.32
MJ THE MUSICAL: $171.62


Bottom 5 by Average Ticket Price
HOW TO DANCE IN OHIO ($64.93), SHUCKED ($89.64), SOME LIKE IT HOT ($93.40), HARMONY ($97.26), SPAMALOT ($98.01)


Top 5 by % of Total Seats Filled
HAMILTON: 101.1%
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET: 100.1%
MERRILY WE ROLL ALONG: 100%
WICKED: 99.9%
HADESTOWN: 99.6%


Bottom 5 % of Total Seats Filled
PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (52.4%), HARMONY (55.7%), A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (61%), HOW TO DANCE IN OHIO (63%), KIMBERLY AKIMBO (73.8%)


Top 5 by Total Attendance This Week vs. Last Week
HARRY POTTER AND THE CURSED CHILD: 997
BACK TO THE FUTURE: THE MUSICAL: 940
SOME LIKE IT HOT: 715
SPAMALOT: 575
& JULIET: 506


Bottom 5 by Total Attendance This Week vs. Last Week
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (-1722), PURLIE VICTORIOUS: A NON-CONFEDERATE ROMP THROUGH THE COTTON PATCH (-1161), SIX (-976), HARMONY (-783), HOW TO DANCE IN OHIO (-525)

That's all for this week... Note: All data presented for informational purposes only. BroadwayWorld makes no guarantee as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway League..







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