JEWELL GLASS HOUSTON ACADEMY

by Brett Cullum - June 30, 2024

This company is just really strong at putting on funny-as-hell musical sketch comedies. It’s as if SATURDAY NIGHT LIVE were written by Kander and Ebb. ...

by Brett Cullum - June 20, 2024

The playwriting talent on display here is awe-inspiring, and I found myself sucked in shortly after each set change and new scenario. What fascinates me most about this year is that the subject material has shifted a bit overall. FADE TO BLACK has always addressed racial issues, but now the works ar...

by Brett Cullum - June 18, 2024

BETRAYAL is everything you want from a REC ROOM production. It is thoughtful, well-acted, and designed especially for a small space. Sophia Watt and her company drive home the conflicts and the feelings of confusion and loss when an affair falls apart messily and mercilessly....

by Brett Cullum - June 10, 2024

The audience I saw DIAL M FOR MURDER with roared to their feet after all was said and done. This is a charming production with plenty of technical eye candy and sublime campy takes on characters. These kinds of shows fit what THE ALLEY THEATRE does best: entertain and thrill us with a summer mystery...

by Miranda Keating - June 02, 2024

Despite my critiques of the show’s content itself, OTHELLO: THE REMIX is certainly a fun night out due to the catchy songs, exciting dance moves, and wonderful performances. I believe that everyone should watch the show, take in the exhilarating music and theatrical pictures, and see for themselves ...

by Brett Cullum - June 01, 2024

Intimacy is one of STAGES THEATRE’s core values. And they should point to this anytime they want to proclaim proof of it. You can’t do this in a larger space. Nobody else in town could pull this off. It is a prime example of what this company does best....

by Brett Cullum - May 25, 2024

It is a tense Southern psychodrama about family and the results of abuse on members of it. Cicadas, verbal sparring, racism, and outright brawls all make appearances as one would expect. Yet the show is still surprising in many turns and should have audiences laughing and gasping often simultaneousl...

by Brett Cullum - May 12, 2024

Sometimes, it’s fun to watch a theatre company let their hair down and have fun. And with ON MIDNIGHT, FRIDAY THE THIRTEENTH, the Ensemble Theatre does just that. This is a giggle-filled, fast-paced murder thriller in the vein of Agatha Christie being spoofed at every turn. It is high-energy, camp, ...

by Brett Cullum - May 01, 2024

It is not a flashy musical with special effects and huge dance numbers, but rather a somber meditation on Depression Era America and deep cuts of Bob Dylan’s songbook. It’s brilliant, and it will make you think. It’s akin to watching ghosts sing Americana arias, something you will never quite shake....

by Brett Cullum - April 18, 2024

I am unsure if I know of any other music diva who needs three different actresses to play her, but Cher seems to have required that. We have not one, not two, but three Chers in this show. And do they trot on, do their part of life, and leave? Heck no! They all talk to each other, advise each other,...