A Groundbreaking, Mind-expanding Exploration of Afrofuturism
“This is not a play.”
The latest new work from Houston writer, actor, and director Candice D’Meza is a multidisciplinary, immersive theatre piece that blends live performance, music,
video, and omniscient cosmic forces to travel the future-telling visions and seizure-fever
dreams of heroic abolitionist and conductor of the Underground Railroad, Harriet Tubman.
Led by The Maroon Frequency, the unembodied consciousness of freedom-making African people across all times and dimensions, A Maroon’s Guide to Time and Space invites audiences to board and deboard the time-ship that surrounds them, transcend science as we understand it, and escape their own linear timelines to experience true, abiding, and eternal access to freedom.
Along the way, learn the secret workings of the multiverse, dance to DJ Harriet, attend a live taping of popular talk show host Harriet’s popular talk show, play chess with (but not
against) genderless fish people The Nommo, sign after-the-fact release forms, and follow
Tubman’s enslaved young self, as she learns her significance to the freedom she imagined and thereby invented for all oppressed peoples across the space-time continuum—for Harriet Tubman was not dreaming of freedom, freedom was dreaming of her. It was, it is, and it always will be.
A Maroon’s Guide to Time and Space is not a play. It is a groundbreaking, mind-expanding exploration of Afrofuturism, an artistic and cultural movement that combines elements of science fiction, fantasy, and African and African American culture.
A MAROON’S GUIDE TO TIME AND SPACE runs May 26 -June 17, 2023, at the Midtown Arts and Theater Center Houston (MATCH). Tickets are on sale now and can be purchased at matchouston.org or by calling the MATCH box office at 713-521-4533.
Performances are Thursdays at 7:30 p.m., Fridays and Saturdays at 8:00 p.m., and Sundays at 2:30 p.m. Special Monday performance June 12 at 7:30pm.
ALL TICKETS ARE PAY-WHAT-YOU-CAN!
About The Catastrophic Theatre
Formed in 2007 by Jason Nodler and Tamarie Cooper, TCT is Houston’s premier creator and producer of new and underproduced work for the theatre. Catastrophic’s original work and innovative partnerships have drawn acclaim in local, national, and international theatre, music, literary, visual art, and even sports publications, including American Theatre, The New York Times, USA Today, The New Yorker, Theatre Journal, and Art in America, helping to bring global attention to Houston’s vibrant art scene.
All Tickets Pay-What-You-Can
Every Seat. Every Show. Since 2009
The Catastrophic Theatre is committed to making its productions accessible to all who wish to attend. It is the only theatre in Houston that offers self-selecting Pay-What-You-Can ticketing for every single performance, ensuring that anyone can attend for a price they can afford, including for free.
Videos
LOVE BOMB
The Catastrophic Theatre (11/15 - 12/7) | ||
Mamma Mia!
Hobby Center for the Performing Arts (4/8 - 4/13) | ||
The Book of Mormon (Non-Equity)
The Hobby Center for the Performing Arts [Sarofim Hall] (1/7 - 1/12) | ||
Mai’s Long Journey
Trini Mendenhall Community Center (12/16 - 12/16) | ||
12 Ways of Christmas
Ensemble Theatre (11/15 - 12/22) | ||
Ain't Too Proud (Non-Equity)
Grand 1894 Opera House (1/17 - 1/18) | ||
Hadestown (Non-Equity)
Lutcher Theater (4/21 - 4/22) | ||
December: a love years in the making
Alley Theatre (1/17 - 2/2) | ||
VIEW SHOWS ADD A SHOW |
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