The first show of 2011 on the Hubbard Stage is Yasmina Reza's Tony Award- winning God of Carnage, directed by Wilson Milam. The four cast members include Hans Altwies as Michael Novak, Denis Arndt as Alan Raleigh, Bhama Roget as Annette Raleigh, and Amy Thone as Veronica Novak. Director Wilson Milam and all four cast members are making their Alley debuts. This production is produced in association with Seattle Repertory Theatre.
Hans Altwies (Michael Novak) is making his Alley Theatre debut. At Seattle Repertory Theatre, Hans appeared in God of Carnage, An Iliad, The Three Musketeers, The Cure at Troy, The Lady From Dubuque, Misalliance, Romeo and Juliet, Light up the Sky, The O'Conner Girls, Design For Living, and Sharky in The Seafarer. Some other roles include Macbeth, Iago, Henry V, Mercutio, Richmond (in Richard III directed by Bartlett Sher), Costard, Valentine in Two Gentlemen of Verona, Tybalt, Demitrius, and Posthumous. He has worked in Seattle at New Century Theatre Company, ACT, Intiman, Seattle Children's Theatre, Seattle Shakespeare Company, Wooden O, and Book-It. Hans is Co-Artistic Director of New Century Theatre Company. Hans is the proud father of Stella Blue and Charlotte and is married to actress Amy Thone.
Christopher Hampton's (Translator) plays, musicals and translations have garnered three Tony Awards, two Olivier Awards, four Evening Standard Awards and the New York Theatre Critics Circle Award. Prizes for his film and television work include an Academy Award, two BAFTAs, a Writer's Guild of America Award, the Prix Italian and a Special Jury Award at the Cannes Film Festival. His plays for the Royal Court include Treats, Savages, The Philanthropist, Uncle Vanya, Total Eclipse, Marya and When Did You Last See My Mother? Other plays include Embers, Three Sisters, Art, Sunset Boulevard, The Talking Cure, Alice's Adventures Under Ground, White Chameleon, Tales from Hollywood, Don Juan Comes Back from the War, Tales from the Vienna Woods, An Enemy of the People, The Wild Duck, Hedda Gabler, Life X 3, Tartuffe, Les Liaisons Dangereuses, The Unexpected Man and Conversations After a Burial. Hampton's plays have been performed at the Royal Shakespeare Company, the Almeida, the Royal National Theatre, and both on West End and Broadway. His television credits include "The Ginger Tree," "Hotel du Lac," "The History Man" and "Able's Will." He has written the screenplays for "Atonement," "Imagining Argentina," "The Quiet American," "The Secret Agent," "Mary Reilly," "Carrington," "Total Eclipse," "Dangerous Liaisons," "Wolf at the Door," "The Good Father," "The Honorary Consul," "Tales from the Vienna Woods" and "A Doll's House."
Eugene Lee (Scenic Designer) designed Treasure Island at the Alley. He has been the production designer at "Saturday Night Live" since 1974. He is currently represented on Broadway and internationally by the musical Wicked. He holds BFA degrees from the Art Institute of Chicago and Carnegie Mellon, a MFA from Yale and three honorary doctorates. He has received the Tony Award, American Theatre Wing's Design Award, Outer Critics Circle Award, Drama Desk Award, Lucille Lortel Award, Elliot Norton Prize for Sustained Achievement, and Pell Award. He was recently inducted into the New York Theatre Hall of Fame. He is an associate artist at the Long Wharf Theater in New Haven where he is designing the new Athol Fugard play The Train Driver. He is also designing at Trinity Rep, Berkley Rep, The Public Theater, Huntington Theater, and the Arena Stage this season. Mr. Lee worked with Wilson Milam at the Seattle Repertory Theatre on The Seafarer and Glengarry Glen Ross. He lives with his wife Brooke, in Providence, where they raised their two sons.
Deb Trout (Costume Designer) has recently designed ACT Theatre's The Female of the Species, Seattle Opera's The Marriage of Figaro, The Brementown Musicians at Seattle Children's Theatre, and Picasso at the Lapin Agile with director Penny Metropulos at Syracuse Stage. She has also designed The Seafarer and Glengarry Glen Ross at the Seattle Repertory Theatre. Past collaborations include shows at Atlanta's ALLIANCE THEATRE, Actors Theatre of Louisville, The Denver Center Theatre, Intiman Theatre, Manhattan School of Music, Minneapolis Children's Theatre Co., The Oregon Shakespeare Festival, Portland Center Stage, Juneau's Perseverance Theatre, and Shakespeare Santa Cruz, among others. Co-founder of the New York-based millinery company Mackey and Trout, she is a graduate of the Yale School of Drama and a member of the design faculty at the University of Washington's School of Drama.
Geoff Korf (Lighting Design) has designed lighting for about 300 productions over the past 25 years. His work has been seen on Broadway, at Seattle Repertory, Oregon Shakespeare Festival, The Mark Taper Forum, La Jolla Playhouse, South Coast Repertory, The Old Globe, Actors Theatre of Louisville, Trinity Repertory, The Guthrie Theatre, The Goodman, Children's Theatre Company, Minneapolis, Seattle Children's Theatre, Long Beach Opera, and San Francisco Opera. He is a member of the Ensemble of Cornerstone Theater in Los Angeles, and serves as the Head of Design at the University of Washington in Seattle. He is a graduate of California State University, Chico and the Yale School of Drama.
Matt Starritt (Sound Designer) is a freelance sound designer for both theatre and dance and a writer from Seattle. A founder of the Washington Ensemble Theatre, he was the resident sound designer for the company's first four seasons. He has designed the sound for Glengarry Glen Ross, Speech & Debate, Opus, Breakin' Hearts & Takin' Names, The Seafarer,
boom! and The Imaginary Invalid for Seattle Repertory Theatre. Other notable designs include: The Thin Place for Intiman Theatre; Washington Ensemble Theatre's BlahBlahBlah:BANG! at On the Boards; pro re nata for LAUNCH dance theatre; Waxie Moon's Extreme Boylesque at the OTB Northwest New Works Festival 2008; The K of D for Pistol Cat Productions; Confederacy of Dunces, Even Cowgirls Get the Blues and Persuasion for Book-It Rep; Iphigenia in Aulis, Crumbs Are Also Bread, Museum Play, CRAVE and Finer Noble Gases at the Washington Ensemble Theatre; Henry V and Swansong for Seattle Shakespeare Company; and Ring Round the Moon for the University of Washington School of Drama.
God of Carnage, by Yasmina Reza, translated by Christopher Hampton, directed by Wilson Milam, produced in association with Seattle Repertory Theatre, begins previews Friday, January 7, opens Wednesday, January 12 and runs through Sunday, January 30, 2011 on the Hubbard Stage. God of Carnage is generously sponsored by Lead Sponsor Cameron and Supporting Sponsor KPMG LLP. The Alley Theatre is supported by the 2010-2011 season sponsor Continental Airlines, the official airline of the Alley Theatre. TICKET INFORMATIONSALVATION ARMY $10 TIX
Saturday, January 8
The Alley Theatre continues its efforts to make the theatre affordable to patrons. Partnering with other social non-profit organizations, the Alley seeks to generate in-kind donations and reward patrons with $10 Tix for select performances. The $10 Tix are available in person only on Saturday, January 8 and are limited to two tickets per person. With your donation, you can purchase two $10 tickets for either Saturday January 8 at 2:30 PM, Tuesday January 11 at 7:30 PM or Thursday January 13 at 7:30 PM. Donate and purchase in person at the box office (615 Texas Ave.) on Saturday, January 8th only. Limited availability. The $10 Tix partner for God of Carnage is The Salvation Army. The date to donate and purchase is Saturday, January 8, beginning at noon. The donated item is toiletries.
CAPTIONED AND AUDIO DESCRIBED PERFORMANCE
Sunday January 9, 7:30 PM
The Alley Theatre is pleased to offer open captioning and audio description for many of our productions throughout the season. To ensure that your seats will accommodate your needs, please call the box office 713.220.5700 when ordering tickets to this performance. Discounted tickets are available for groups of ten or more.
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