Miscellaneous
Sarah Ruhl, one of American theater’s most exciting young playwrights, adapts Virginia Woolf’s gender-bending novel about sex, love, and history. Often called the longest love letter in literary history, Woolf’s Orlando tells the story of an English nobleman, Orlando, who lives for hundreds of years before falling asleep and waking up as a woman. Directed by longtime Ruhl collaborator Jessica Thebus (The Clean House at Goodman Theatre, Dead Man’s Cell Phone at Steppenwolf), Orlando demonstrates Court Theatre’s ongoing commitment to contemporary translations and adaptations of classic works.
Der seltsame Fall der Prudencia Hart (2/20/25-2/20/25)
Anne-Marie die Schönheit (2/22/25-2/22/25)
Theater am Leibnizplatz is at Schulstraße 26, Bremen, 0.
Der Kampf um Entschädigung (2/17/25-2/17/25)
Die Welt zwischen den Nachrichten (2/9/25-2/9/25)
99 Schritte zum Meer (2/8/25-2/8/25)
Maß für Maß (1/31/25-2/16/25)
Geflüchtet, unerwünscht, abgeschoben (1/28/25-1/28/25)
Viel Lärm um Nichts (1/25/25-2/2/25)
Medea (1/18/25-1/18/25)
99 Schritte zum Meer (1/17/25-2/8/25)
Anne-Marie die Schönheit (1/16/25-2/22/25)
Videos
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Once Upon A Mattress
Marian University Theatre (4/3 - 4/6)
PHOTOS
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Jersey Boys
Beef & Boards Dinner Theatre (2/14 - 4/13)
PHOTOS
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7. Philharmonisches Konzert - Ein Hoch auf die Leidenschaft
Die Glocke (Großer Saal) (2/24 - 2/24) | |
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Come From Away (Non-Equity)
Emens Auditorium (3/24 - 3/24) | |
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SPECTRUM CONCERTS BERLIN III.
Philharmonie (Kammermusiksaal) (11/27 - 11/27) | |
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Trio à la française (6. Kammermusik am Sonntagmorgen)
Tabakquartier Halle 1 (3/30 - 3/30) | |
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Florian Schroeder - Schluss jetzt!
Gustav-Heinemann-Bürgerhaus (1/14 - 1/14) | |
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SPECTRUM CONCERTS BERLIN II.
Philharmonie (Kammermusiksaal) (6/10 - 6/10) | |
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Derek Klena
The Cabaret (4/25 - 4/26) | |
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