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WATCH ON THE RHINE Submission - The Guthrie Theater and Berkeley Repertory Theatre Auditions

Posted May 23, 2017
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WATCH ON THE RHINE - The Guthrie Theater and Berkeley Repertory Theatre

WATCH ON THE RHINE - NYC Appointments

Various Producers


APPOINTMENTS

NYC auditions to be held 06/06/2017, 06/07/2017, 06/08/2017, 06/09/2017 by APPOINTMENT only.

CONTRACT

LORT Non-Rep LORT B; $861/week current min

SEEKING

4 available roles.

Seeking submissions from AEA members. AEA members must submit themselves directly in order to be considered via this posting (no agent or third-party submissions).

INSTRUCTIONS

Email picture and resume ASAP for consideration.

Deadline: Mon, Jun 5, 2017

SUBMIT TO


submission.mccorklecasting@gmail.com

PERSONNEL

Producer/Theatre Company: Guthrie Theater & Berkeley Repertory Theatre
Artistic Director- Guthrie: Joseph Haj
Artistic Director- Berkeley: Tony Taccone
Director: Lisa Peterson
By: Lillian Hellman
Casting Assistant: Tracy Kaczorowski
Casting Director: Pat McCorkle, Katja Zarolinski

OTHER DATES

Guthrie Theater
First Rehearsal: August 15, 2017
First Preview: September 9, 2017
Open: September 15, 2017
Close: October 29, 2017

Berkeley Repertory Theatre
First Rehearsal: November 9, 2017
First Preview: November 18, 2017
Open: November 21, 2017
Close: January 7, 2018

OTHER

This co-production is committed to equity, diversity and inclusion in all areas of our work, including the casting of our plays. We seek to hire actors who reflect our world to tell the stories we put onstage, and therefore strongly encourage people of underrepresented groups and diverse backgrounds to audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

BREAKDOWN

[FANNY]
Fanny – female, 60’s, the matriarch of the Farrelly family. A handsome woman; powerful, with an incredible dry wit. Likes an argument. Big heart buried under sharp edges. Opinionated, intelligent, independent. Constantly hosting. Not a push-over. Blunt. Funny. She’s spikey; she “likes to disturb folks”. ACTORS OF ALL ETHNICITIES STRONGLY ENCOURAGED TO SUBMIT.

[TECK DE BRANCOVIS]
Teck de Brancovis – male, 40’s, political, smooth, a bit mysterious. Forceful, maybe dangerous. There’s something scary about him, though he’s a charming house guest. Tells good jokes. He might be a Count from the Balkans, an air of mystery surrounds him. Broke, but fancy. ACTORS OF ALL ETHNICITIES STRONGLY ENCOURAGED TO SUBMIT.

[ANISE]
Anise – female, 60’s, has a French accent, thin, intense, works as a secretary/housekeeper in the Farrelly household, seems humorless but actually has a very wry sense of humor. She has a wonderfully complex relationship with Fanny, the lady of the house. Patient, caustic, long-suffering. ACTORS OF ALL ETHNICITIES STRONGLY ENCOURAGED TO SUBMIT.

[KURT MULLER]
Kurt Muller – male, 40’s, German, intense; once powerful, but he’s moving slowly and carefully now, as he’s been through some kind of hell. Bullet scars on his face and broken bones in his hands. A sensitive soul, now haunted. A man of conscience. ACTORS OF ALL ETHNICITIES STRONGLY ENCOURAGED TO SUBMIT


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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