TheatreSquared 2024-25 Season - Fayetteville, AR EPA
TheatreSquared | Fayetteville, AR
Friday, April 5, 2024
12:00 PM - 8:00 PM (C)
Break 4:30 PM - 5:30 PM
To schedule an audition appointment please go to the following link begining on March 25th:
https://forms.gle/RB3BXA4bNdC4tBmn8. Appointments must be requested by Thursday, April 4th, 2024 at 10am CT. If you are unable to attend, please fill out our EPA
Season Interest Form:
https://docs.google.com/forms/d/e/1FAIpQLScxUMamNUiFQtrOlXRcWhmjigLfm1J7nYLPH4vic3AwUVjKlw/view form.
LOA
$800 weekly minimum (Ref. to LORT) plus
travel and accommodations.
Equity actors for roles in TheatreSquared's 2024-25 Season (See breakdown). TheatreSquared celebrates diversity and commits to creating an inclusive environment for all employees. Actors of all backgrounds are strongly encouraged to audition.
Please prepare two contrasting pieces. You may also perform a song of your choice. Songs are optional. All presentations are not to exceed THREE MINUTES. For those auditioning with a song, we strongly encourage choosing a selection that you feel best showcases your work and what you can do. We will have an accompanist available during the audition, please bring in sheet music for your audition song. Do NOT bring a physical copy of your headshot/resume. We will be requesting digital copies through email after your audition appointment is scheduled.
TheatreSquared
477 W Spring
Fayetteville, AR 72701
Expected to attend:
T2 Artistic Director, Robert Ford
Associate Artistic Director, Amy Herzberg
Senior Artistic Associate, Rebecca Rivas
Director of New Play Development, Dexter Singleton
See breakdown for production specific personnel.
See breakdown for production specific dates.
OTHER
For questions and/or more information, please contact our casting team, by phone at (479) 777-9802 or via e-mail at casting@theatresquared.org.
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
By Lorraine Hansberry
Rehearsals begin: Tuesday July 30th, 2024
Performances: August 21st - September 15th, 2024
Student Matinee Performance Dates: September 11th, 2024
Possible extension through September 21st, 2024
SYNOPSIS: Set on Chicago’s South Side, Lorraine Hansberry's celebrated play concerns the divergent dreams and conflicts in three generations of the Younger family: son Walter Lee, his wife Ruth, his sister Beneatha, his son Travis, and matriarch Lena. When her deceased husband’s insurance money comes through, Mama Lena dreams of moving to a new home and a better neighborhood in Chicago. Walter Lee, a chauffeur, has other plans: buying a liquor store and being his own man. Beneatha dreams of medical school. Hansberry's portrait of one family’s struggle to retain dignity in a harsh and changing world is a searing and timeless document of hope and inspiration.
WALTER LEE YOUNGER: Male. 30-40 Ethnicity: Black / African Descent. The protagonist of the play; Walter is a dreamer; he wants to be rich and devises plans to acquire wealth with his friends, particularly Willy Harris; when the play opens, he wants to invest his father’s insurance money in a new liquor store venture; he spends the rest of the play endlessly preoccupied with discovering a quick solution to his family’s various problems.
BENEATHA YOUNGER ('BENNIE'): Female. 19-25 Ethnicity: Black / African Descent. Mama’s daughter and Walter’s sister; Beneatha is an intellectual; twenty years old, she attends college and is better educated than the rest of the Younger family; some of her personal beliefs and views have distanced her from conservative Mama; she dreams of being a doctor and struggles to determine her identity as a well-educated black woman.
LENA YOUNGER ('MAMA'): Female. 55-65 Ethnicity: Black / African Descent. Walter and Beneatha’s mother; the matriarch of the family, Mama is religious, moral, and maternal; she wants to use her husband’s insurance money as a down payment on a house with a backyard to fulfill her dream for her family to move up in the world.
RUTH YOUNGER: Female. 29-37 Ethnicity: Black / African Descent. Walter’s wife and Travis’s mother; Ruth takes care of the Youngers’ small apartment; her marriage to Walter has problems, but she hopes to rekindle their love; she is about thirty, but her weariness makes her seem older; constantly fighting poverty and domestic troubles, she continues to be an emotionally strong woman; her almost pessimistic pragmatism helps her to survive.
TRAVIS YOUNGER: Male. 9-12 Ethnicity: Black / African Descent. Walter and Ruth’s sheltered young son; Travis earns some money by carrying grocery bags and likes to play outside with other neighborhood children, but he has no bedroom and sleeps on the living-room sofa.
JOSEPH ASAGAI: Male. 24-34 Ethnicity: Black / African Descent. A Nigerian student in love with Beneatha; Asagai, as he is often called, is very proud of his African heritage, and Beneatha hopes to learn about her African heritage from him; he eventually proposes marriage to Beneatha and hopes she will return to Nigeria with him.
GEORGE MURCHISON: Male. 29-36 Ethnicity: Black / African Descent. A wealthy, African-American man who courts Beneatha; the Youngers approve of George, but Beneatha dislikes his willingness to submit to white culture and forget his African heritage; he challenges the thoughts and feelings of other black people through his arrogance and flair for intellectual competition.
MR. KARL LINDNER: Male 35-50 Ethnicity: White / European Descent. The only white character in the play; Mr. Lindner arrives at the Youngers’ apartment from the Clybourne Park Improvement Association; he offers the Youngers a deal to reconsider moving into his (all-white) neighborhood.
BOBO: Male. 30-40 Ethnicity: Black / African Descent. One of Walter’s partners in the liquor-store plan; Bobo appears to be as mentally slow as his name indicates.
MRS. JOHNSON: Female. 40-60 Ethnicity: Black / African Descent. The Youngers’ neighbor; Mrs. Johnson takes advantage of the Youngers’ hospitality and warns them about moving into a predominantly white neighborhood; nice cameo role.
MOVING MEN/CREW: Male. 18-99 Ethnicity: Any Ethnicity. The two moving men appear at the end of the play to assist with the move; they will also work with the Stage Manager as members of the backstage crew; age open.
By Tony Meneses
Rehearsals begin: Tuesday September 10th, 2024
Performances: October 2nd - November 3rd, 2024
Student Matinee Performance Dates: October 9th & October 23, 2024
Possible extension through November 17th, 2024
SYNOPSIS: Andres Salazar is running for office. By this time, Latinx people have been assimilated into the (white) majority of the United States, but race issues are far from resolved. In this tricky political environment, Andres must decide whether identifying himself as a Mexican-American will help or hinder him on Election Day, and whether losing some of his own identity is worth the potential benefits. When a mysterious stranger appears at Andres' house, his family rallies around him to save his imperiled campaign.
ANDRES SALAZAR: Male identifying 40s, Latino
IRENE SALAZAR: Female identifying 60s, Latina
JENNY SALAZAR: Female identifying 18, Latina
SEBASTIAN: Male identifying 30s/40s, Latino
LYDIA AGUILAR: Female identifying 30s/40s, Latina
MONTY: Male identifying 30s/40s, Black
OSCAR: Male identifying 20s, Latino
by Charles Dickens
Adapted for the stage by Amy Herzberg & Robert Ford
Rehearsals begin: Tuesday October 29th, 2024
Performances November 20th- December 24th, 2023
Student Matinee Performance Dates: December 3 & December 4, 2024
SYNOPSIS: A T2 Original. Brimming with stage magic and holiday cheer, TheatreSquared’s adaptation of A Christmas Carol boldly reimagines Dickens’ classic ghost story and sets the stage for a new Northwest Arkansas tradition. Three spirits come to visit the miserly Ebenezer Scrooge and take him on a fantastic journey through past, present, and future. But will it be enough to save him?
For all ages.
TRACK 1 (Female, any race/ethnicity):
LIBRARIAN: a bit of an introvert but still very caring
MRS. CRATCHIT: Cratchit’s wife and mother of 4 children, she has set up the house for Christmas Dinner
TRACK 2 (Any gender, any race/ethnicity, YOUTH Age: 11-14):
BOY/GIRL: a curious child left at the library on Christmas Eve
MEDIUM SCROOGE: how Scrooge’s youth is represented in his second trip to the past
PETER: a son of the Cratchits, he sets the table for Christmas dinner
SAILOR: one of many celebrating Christmas on a ship
TURKEY BOY: a boy tasked with buying a turkey for Scrooge
TRACK 3 (Male, any race/ethnicity) :
SCROOGE: a grouchy man whose lack of compassion draws the attention of ghosts who teach him how to restore his kindness
MAN: The boy’s father who comes to pick him up from his day at the library, present in hand.
TRACK 4 (Male, any race/ethnicity):
CRATCHIT: Scrooge’s clerk, a man who’s good at his job even with who he works under
ANDY: A boy leaving the schoolhouse in great spirits because there will be no homework over the holidays
DICK: a fellow apprentice and a fan of Young Scrooge
BELLE'S HUSBAND: the man who ends up with the woman that Scrooge once loved, a father to her children
KEEPER TWO: one of two men who are working in the light house on Christmas eve but still manage to share some cheer
SAILOR: one of many celebrating Christmas on a ship
MALE GUEST: a member of the party at Fred’s house for Christmas ever
BUSINESSMAN TWO: one of the people who find Scrooge dead in the future
UNDERTAKER: he brings in some items to Old Joe to sell.
ENSEMBLE
TRACK 5 (Male, any race/ethnicity):
FRED: Scrooge’s nephew, a kind, generous, love-filled man, he tries to spread Christmas cheer to Scrooge
CHILD: (SLEDDING)
PAT: A boy leaving the schoolhouse in great spirits because there will be no homework over the holidays
YOUNG SCROOGE: Scrooge at apprentice age
POOR UNCLE: a man trying to get his food home to his family while it’s still warm, he tries to protect his spot in line along with his niece until some Christmas magic is shared.
MINER: a man who works hard labor but still celebrates Christmas by giving his sister a gift
BUSINESSMAN THREE: one of the people who find Scrooge dead in the future, he then goes about his business as usual
ENSEMBLE
TRACK 6 (Male, any race/ethnicity):
GENTLEMAN 1: a man in hopes of collecting financial support for the poor who asks Scrooge what he will offer.
CHILD: (SLEDDING)
MICHAEL: a child leaving the schoolhouse in great spirits because there will be no homework over the holiday
BUSINESSMAN FOUR: a person who is going through the typical motions of business
TRACK 7 (Any gender, any race/ethnicity, YOUTH height: under 4ft tall):
LITTLE SCROOGE: a younger Scrooge who was left alone at the schoolhouse before the holidays, a parrot his only friend
BELLE'S CHILD: a son of the woman that Scrooge once loved
TINY TIM: a son of the Cratchits, their disabled youngest
IGNORANCE: a boy as representation for the child of humanity “ignorance”
TRACK 8 (Female, any race/ethnicity):
CHILD: (SLEDDING)
PAST: The ghost guide for Scrooge, to show him who he’d been on Christmas before.
BELLE: one of the Fezziwig’s daughters, she draws Scrooge’s attention, and they have a romantic relationship that is ruined by Scrooge’s growing greed
POOR MOM: A woman in line to get her food warmed to bring home to her 5 children, defensive of her spot until some Christmas magic is shared.
MINER'S SISTER: the sister of a miner who receives a handmade Christmas present
CELIA: Lydia’s sister, who visits for Christmas eve dinner
LAUNDRESS: she brings some items to sell to Old Joe that she has because of Scrooge’s death
CAROLINE: someone who was in debt to Scrooge, who celebrates when discovering his death
ENSEMBLE
TRACK 9 (Female, any race/ethnicity):
CHILD: (SLEDDING)
CHILD: (LEAVING SCHOOL)
MRS. FEZZIWIG: A cheerful woman and mother who invites her husband’s apprentices to Christmas Eve
BAKER: The baker helping families without ovens heat their food for Christmas dinner
SAILOR: one of many celebrating Christmas on a ship
LYDIA: Fred’s wife, Scrooge’s niece-in-law,
CHARWOMAN: a woman who regularly visits Old Joe in his parlor to sell goods, she took possession of objects in Scrooge’s home
PASSERBY: one of the first to witness Scrooge’s change
TRACK 10 (Female, any race/ethnicity Age: 16+):
CHILD: (SLEDDING)
MARY: a girl leaving the schoolhouse in great spirits because there will be no homework over the holidays
FEZZIWIG GIRL ONE: one of the Fezziwig’s daughters
BELLE'S CHILD ONE: A daughter of the woman Scrooge once loved
POOR NIECE: a girl who was brought along with her uncle to get their food warmed for Christmas dinner,
MARTHA: a daughter of the Cratchits
MAID (FRED'S): Fred’s servant who lets Scrooge in on Christmas
TRACK 11 (Any gender, any race/ethnicity, YOUTH Age: 9-12)
CHILD (SLEDDING),
URCHIN: a child spreading Christmas cheer who has the unfortunate event of crossing paths with Scrooge
FAN, Scrooge’s sister in a past Christmas;
FEZZIWIG GIRL TWO: one of the Fezziwig’s daughters
BELLE'S CHILD TWO: a daughter of the woman Scrooge once loved
BELINDA: The Cratchets’ daughter
WANT: a girl as embodiment of the child of humanity ‘want’
ENSEMBLE
TRACK 12 (Male, any race/ethnicity):
GENTLEMAN 2: a man in hopes of collecting financial support for the poor who asks Scrooge what he will offer.
MARLEY: Scrooge’s former partner, he acts as a warning in death to Scrooge of the upcoming visits
from ghosts and what his fate may look like if he doesn’t follow them
FEZZIWIG: the man under which Scrooge apprenticed, a family man.
POOR DAD: a man who tries to get his food warmed and back home for his 5 children, defensive of his spot until some Christmas magic is shared.
KEEPER ONE: one of two men who are working in the light house on Christmas eve but still manage to share some cheer
PRESENT: the ghost of the current future, he shows Scrooge what is going on in the current Christmas that he has the power to impact, should he choose.
SAILOR: one of many celebrating Christmas on a ship
TOPPER: a friend of Fred’s in his home on Christmas eve.
BUSINESSMAN ONE: one of the people who find Scrooge dead in the future
OLD JOE: he acts as something of a pawn man buying objects and goods off of people
By Eboni Booth
Rehearsals begin: Tuesday December 31st, 2024
Performances: January 22nd - February 23, 2025
Student Matinee Performance Dates: February 5 & February 19th, 2025
Possible extension through March 9th, 2025
SYNOPSIS: An orphan and one of the only Black people in this upstate town, he was connected to the bookstore through social services 20 years ago and has never held any other job. At 38 he has opted out of the rat race and settled into his little life of books and tiki cocktails. But when he learns the bookstore is about to close, he is forced to take several risks that push him out of his comfort zone, including applying for a new job at Primary Trust Bank.
KENNETH: Male identifying, late 30s, Black. Kenneth has lived in a small town his whole life. He is smart and sensitive, with an active imagination. Kenneth has a desire for a life bigger than the one he's living, but fear of the known has kept him sheltered. He spends his days working at the local bookstore, and his evenings at happy hour with his only friend, Bert. When Kenneth loses his job, he finds himself forced to confront his own loneliness and move past his comfort zone.
BERT: Male identifying late 30s - early 40s, Black. Bert is Kenneth's best friend. solid and steady, Bert has a practical way of looking at the world. but he's also sensitive and highly attuned to people's needs, but his warmth and lack of warmth and lack of judgment is a comfort to Kenneth. When Kenneth is pushed to try something new it is Bert who encourages him along the way.
WALLY’S WAITER / CORRINA / BANK CUSTOMERS: female, Black, 30s – 40s. Doubles as a variety of waiters, including Corrina, at the local Tiki bar, ranging in age and ethnicity. CORINNA: sensitive waitress who befriends Kenneth. Corrina is smart and not terribly concerned with other people's opinions; she has a sense of humor and marches to the beat of her own drum. Corrina's openness and willingness to try new things helps Kenneth as he tries to find his way.
CLAY / SAM / LE POUSSELET BARTENDER: male, any race, 50s – 60s. SAM: Gruff owner of the town's only bookstore. Sam chain-smokes and yells at customers but beneath his grizzly surface is a tender side. Sam wants to do right by Kenneth. CLAY: a former college football champion. Clay worries that his best days are behind him. A jock with the sensitive side. Clay's existential curiosity makes him an unexpected Ally to Kenneth.
Written by William Shakespeare
In a modern verse translation by Alison Carey
Rehearsals begin: Friday February 7th, 2025
Performances: March 5th - March 30th, 2025
Student Matinee Performance Dates: March 19th, 2025
In Partnership with the National Asian American Theatre Company as a part of the NNPP (NAATCO National Partnership Project) with a focus on creating an all AAPI production.
SYNOPSIS: Shakespeare’s Twelfth Night centers on power and love. One of the most perennially produced of Shakespeare’s comedies, it talks about shipwrecked twins, gender-bending romance, and a bumper crop of fools, from the wise to the ridiculous. Modernizing the language of the play, Alison Carey’s translation revives the joy of this comedy, taking the archaic humor and renewing it for a contemporary audience.
This translation of Twelfth Night was written as part of the Oregon Shakespeare Festival’s Play On! project, which commissioned new translations of thirty-nine Shakespeare plays. These translations present the work of “The Bard” in language accessible to modern audiences while never losing the beauty of Shakespeare’s verse. Enlisting the talents of a diverse group of contemporary playwrights, screenwriters, and dramaturges from diverse backgrounds, this project re-envisions Shakespeare for the twenty-first century. These volumes make these works available for the first time in print―a new First Folio for a new era.
VIOLA: Female identifying, 20+, AAPI. Cunning, intelligent, driven; a young woman of aristocratic birth, who decides to make her own way in the world. Spends much of the play disguised as Cesario.
OLIVIA: Female identifying, 20-50, AAPI. A savvy, smart, wealthy countess of Illyria, who refuses romantic notions, until meeting Cesario. Dramatic; unafraid to show emotions.
COUNT ORSINO: Male identifying, 20-50, AAPI. Intense, intelligent, and quickly emotional. In love with the idea of love. Vibrant and enjoys life.
FESTE: Any Gender, 20-50, AAPI. A professional fool who is the wisest character in the play. Makes a living through razor-sharp wit, zingers, songs, and offering sage advice. Sings and plays guitar.
MALVOLIO: Male identifying, 20-50, AAPI. Olivia's highly efficient steward who is allergic to having a good time. A stuffed shirt, who considers himself above others.
MARIA: Female identifying, 20-50, AAPI. Sharp-tongued and whip-smart, Maria uses intelligence and wit to her advantage throughout the play. Masterminds the ploy to teach Malvolio a lesson.
SIR TOBY BELCH: Any Gender, 30-60, AAPI. Olivia's uncle who enjoys alcohol a bit too much. Sponges off others and drives much of the boisterous humor in the play.
SIR ANDREW AGUECHEEK: Any Gender, 30-60, AAPI. Thinks he is quite the catch, but pretty much anyone would throw him back. Provides a lot of humor through his stupidity.
SEBASTIAN & OTHERS: Male identifying, 20-50, AAPI. Loyal and true; Viola's lost twin brother, who thinks she died at sea. He stumbles into a world where everyone seems to already know him (thanks to Cesario).
ANTONIO & OTHERS: Any Gender, 20-50, AAPI. Rescues Sebastian and develops a deep bond with him. A stalwart friend, who cares with all his being.
FABIAN & OTHERS: Any Gender, 20-50, AAPI. A natural prankster. A member of Olivia’s household, who enjoys playing tricks with Sir Toby Belch.
By Robert Ford
Rehearsals begin: Tuesday March 25th, 2025
Performances: April 16th - May 11th, 2025
SYNOPSIS: Summer, 1938. Ilona, a concert pianist known for her sharp wit as much as her musical passion, refuses to be ruled by fear, even as fellow Jewish artists and academics flee Hungary. Surely Budapest is safe from the growing Nazi fervor—isn’t it? Filled with intrigue, music, and wry humor, this world premiere is a taut emotional thriller, as a woman caught in one of history’s darkest moments fights to find a way forward.
TRACK ONE:
Eva (21 & 30) - Hungarian actress and comedienne; Ilona's niece
Márta (around 30) – Hungarian Jewish former violinist
Maitre’d (20s) - server in a Budapest café
TRACK TWO:
Ilona Raab (various ages between 40 & 67) -- the fictitious character at the center of this story; Hungarian Jewish concert pianist; star teacher at the Franz Liszt Academy in Budapest; brilliant and, at least at the beginning, certain; one of 200,000 Jews who saw no need to leave Budapest until it was too late
TRACK THREE:
Niki (35) - Miklos Laszlo; Hungarian Jewish playwright of The Parfumerie, which became The Shop around the Corner
Adjutant – a German officer
Ari (30s) – Jewish American; impassioned Zionist
German Man (30s) – a pediatrician
TRACK FOUR:
H (40s) – Hungarian political player; Ilona's friend and occasional piano pupil; compassionate; ruthless Seress (various ages between 48 & 63) – Rezső Seress, Hungarian Jewish cabaret performer & songwriter; composed the international hit (in the 1930s), Gloomy Sunday
Book and lyrics by Robert L Freedman
Music and lyrics by Steven Lutvak
Based on a novel by Roy Horniman
Rehearsals begin: Friday May 9th, 2025
Performances: June 4th- June 29th, 2025
Possible extension through July 6th, 2025
SYNOPSIS: Set in London in 1907, A Gentleman’s Guide to Love and Murder centers on Monty Navarro, a penniless clerk who is informed after the death of his mother that he is ninth in line to inherit the earldom of Highhurst, controlled by the wealthy D’Ysquith banking family. After the imperious ruling Lord dismisses Monty’s claim of being a relative, the eight D’Ysquiths ahead of young Mr. Navarro begin dying in natural and unnatural ways. (A single actor plays all the not-so-nice D'Ysquiths, adding to the merriment.) Meanwhile, Monty is trying to woo money-minded Sibella Hallward —until he finds himself drawn to young Phoebe D’Ysquith. How will all of these convoluted storylines come together?
MONTAGUE (MONTY) NAVARRO: Male identifying, 20s-30s, vocal range A2-A4. A middle-class Englishman looking to hasten his ascendency to the Earldom of Highhurst. Charming, driven, and eminently likable.
MISS MARIETTA SHINGLE: Female identifying, Late 40s-mid 60s. Cockney accent. Vocal range A3- A5. A long-time friend of Monty’s deceased mother. An Eccentric storyteller. May also be added to ensemble scenes.
SIBELLA HALLWARD: Female identifying, 20s-30s, Vocal range F#3-A5. The young society girl Monty loves. Self-absorbed, narcissistic but charming social climber. May also be added to ensemble scenes.
PHOEBE D’YSQUITH: Female identifying, 20s-30s, operatic. Vocal range B3-C#6. Romantic, innocent, earnest young cousin, in love with Monty. May also be added to ensemble scenes.
THE D’YSQUITH FAMILY: Male identifying, 30s-50s, Vocal range B2-F4. Doubles as all the following characters. Wigs and quick costume changes are prominent:
ASQUITH D’YSQUITH, JR. – A dandy
LORD ADALBERT D’YSQUITH – Eighth Earl of Highhurst
REV LORD EZECHIEL D’YSQUITH – a clergyman, enamored of the drink
LORD ADALBERT D’YSQUITH, SR. – an elderly Banker
HENRY D’YSQUITH – A country squire
LADY HYACINTH D’YSQUITH – a benefactress and world traveler
MAJ. LORD BARTHOLOMEW D’YSQUITH – a bodybuilder
LADY SALOME D’YSQUITH PUMPHREY – a notoriously bad (unbeknownst to herself) actress
CHAUNCEY D’YSQUITH – a janitor
ENSEMBLE:
FEMALE #1: Adult, soprano. Characters: Mourner; Tour Guide (Feature); Ancestral Portrait; Skater; Bridesmaid; Pub Owner’s wife; Mrs. Pebsworth; Phoebe’s Maid; 3rd Newsboy; Tailor; Selina Chard – a servant; Flower girl
FEMALE #2: Adult, soprano. Characters: Mourner; Tourist; Ancestral Portrait; Skater; Bridesmaid; Mrs. Hetherington; 4th newsboy; Tailor; Lady Eugenia D’Ysquith (Feature); flower girl
FEMALE #3: Adult, soprano. Characters: Mourner; Sibella’s Maid; tourist; Ancestral portrait; Miss Evangeline Barley (a chorus girl – Feature); Bridesmaid; Miss Hayes; Tailor; Hilda – a servant; flower
girl
MALE #1: Adult, baritone. Characters: mourner; tourist; ancestral portrait; 2nd clerk; skater; tailor; groomsman; Tom Copley (feature); Dr. Brownlee; 1st newsboy; weightlifter; 3rd actor; Ancestral bust; Walter – a servant; Dr. Pettibone – medical examiner; prison guard
MALE #2: Adult, baritone. Characters: mourner; tourist; ancestral portrait; 1st clerk; skater; tailor; groomsman; pub owner; Mr. Cross; 2nd newsboy; weightlifter; 1st actor; Lord Asquith’s physician; Ancestral bust; Mr. Waters – a servant; Chief Inspector Pinckney (feature)
MALE #3: Adult, tenor. Characters: mourner; tourist; ancestral portrait; skater, tailor, groomsman; pub patron; Henry’s employee; Mr. Goodsall; 2nd actor; Alfred Gorby – the butler; Lord High Steward (Voice-over); Magistrate (feature).
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