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TWELFTH NIGHT Equity Real-Time Virtual Audition - Classic Theatre of Harlem Auditions

Posted April 22, 2022
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TWELFTH NIGHT - Classic Theatre of Harlem

TWELFTH NIGHT - EQUITY REAL-TIME VIRTUAL AUDITIONS

Classical Theatre of Harlem

CONTRACT

LOA $630 weekly minimum (LOA ref LORT)


SEEKING

Equity actors for roles in a music-inflected Afro-futurist production of TWELFTH NIGHT (see breakdown).

Actors of diverse races and ethnicities are encouraged to submit.

PREPARATION

All actors should be prepared with: 2 minutes of a Classical monologue and 2 minutes of a Contemporary monologue. If interested in the role of Feste, please prepare 16 bars of a song in which you feel most confident in.

INSTRUCTIONS

All actors should be prepared with: 2 minutes of a classical monologue and 2 minutes of a contemporary monologue. If interested in the role of Feste, please prepare a brief song in which you feel most confident in. You may also use the accompaniment at https://drive.google.com/drive/folders/1m7p85BDdBEIXMLWHjVgM31Dh9IziLPod?usp=sharing . Please use this Google Form to sign up for an audition appointment: https://forms.gle/DsnWAvoFEsi2Uy9m7 .

Deadline: Thu, May 5, 2022



PERSONNEL

Artistic Director: Ty Jones
Associate Artistic Director: Carl Cofield
General Manager: Michael Windham
Production Manager: Harrison Corthell



OTHER DATES

Auditions will take place via Zoom from 12:30pm - 9:00pm EDT on May 5, 2022. Lunch will be from 5:30pm to 6:30pm.

Rehearsals: Monday - Saturday at IAMT (159xBroadway) June 6, 2022 - June 29, 2022

Tech: Thursday, June 30, 2022 - Sunday, July 3, 2022 Richard Rogers Amphitheatre, Marcus Garvey Park, Harlem

Previews: Tuesday, July 5, 2022 - Thursday, July 7, 2022

Press Opening: Friday, July 8, 2022

Performances: Tuesday - Sunday July 8, 2022 - July 29, 2022



OTHER

www.cthnyc.org

There will be a Waiting Room enabled with a moderator.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.


BREAKDOWN

Seeking:

Viola/Cesario: (mid 20’s – 30’s) An African, African American, Afro-Caribbean, or Afro-Latinx woman who is charming, witty, enjoys language and uses it to express a wide emotional range.

Olivia: (mid 20’s – late 30’s) An African, African American, Afro-Caribbean, or Afro-Latinx countess, beautiful and rich. Graceful, regal, and expressive, she is adamant about not falling in love - until she meets Cesario.

Sebastian: (mid 20’s -30’s) An African, African American, Afro-Caribbean, or Afro-Latinx man; Viola’s twin brother.

Maria: (mid 30’s –mid 40’s) A woman of color. Olivia’s comedic gentlewoman. Clever, resourceful, and in love with Sir Toby Belch.

Sir Toby Belch: (40’s – 50’s) A man of color. Olivia’s riotous uncle. Falstaffian. A magnificent and comedic wit.

Sir Andrew Aguecheek: (30’s – 40’s) A man of any ethnicity. A foolish and comedic knight upon whom Sir Toby is sponging.

Orsino: (30’s) African, African American, Afro-Caribbean, or Afro-Latinx Duke of Illyria. Handsome, poetic and mercurial, full of passion.

Feste: (30’s -40’s) An African, African American, Afro-Caribbean, or Afro-Latinx person, Olivia’s fool. Extremely witty, excellent singer and musician, and a strong mover. Could play an instrument.

Fabian: (30’s) A man of color. Servant of Olivia who plots revenge against Malvolio.

Antonio/Sea Captain: (50’s) A person of color; friend of Sebastian and Viola.

Valentine/Curio: (20's - 30's) A person of color; works in Orsino's court.

Handmaiden to Countess Olivia: (20's - 30's).

Gentleman to Count Orsino: (20's - 30's).


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.

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