Producing Org TBD
Wednesday, December 4, 2024
10:00 AM - 6:00 PM (E)
BREAK: 1:30 PM - 2:30 PM
Touring Agreement
$2599 weekly minimum (Level 1)
Equity actors for the touring production of
THE PHANTOM OF THE OPERA (see breakdown).
Please be prepared to sing a brief song from legit musical theatre repertoire. Do not sing pop or rock music. Please bring your book of music in case you are asked to sing a second selection. An accompanist will be provided. Please bring a current picture and resume, stapled together.
Pearl Studios (500)
500 8th Ave
New York, NY 10018-6504
Check In Studio 409
See breakdown for production-specific personnel.
EXPECTED TO ATTEND:
Casting Director: Claire Burke, CSA
Casting Director: Peter Van Dam, CSA
First Rehearsal: On/About September 22nd, 2025
First Performance: On/About November 7th, 2025
EPA Procedures are in effect for this audition. An Equity Monitor will be provided. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: EPA
THE PHANTOM OF THE OPERA
Produced By: Cameron Mackintosh, The Really Useful Company, and NETworks Presentations
Music By: Andrew Lloyd Webber
Lyrics By: Charles Hart
Book By: Richard Stilgoe and Andrew Lloyd Webber
Directed By: Seth Sklar-Heyn
Original Direction by: Harold Prince
Adapted Staging and Choreography By: Chrissie Cartwright
Original Musical Staging and Choreography by: Gillian Lynne
Musical Supervisor: Kristen Blodgette
General Manager: Gentry & Associates; Gregory Vander Ploeg
Casting: Claire Burke, CSA & Peter Van Dam, CSA
NOTE: These characters can be Black, Latine, MENASA, API, Indigenous, Mixed, or White.
THE PHANTOM: 30s – 40s. Needs a dynamic, bravura, “star” performance, with excellent acting and singing ability. The Phantom is both frightening and irresistible. High baritone or tenor (with a strong low range) with a contemporary sound. Able to sustain from low A flat to high A flat, with ease in full voice and high C# in falsetto.
CHRISTINE DAAE: 18 – mid 20s. A beautiful lyric soprano voice that combines elements of classical and musical theatre singing. Sings G below middle C to high E. Christine is initially a part of the Corps de Ballet at the Opera Populaire within the show. NOTE: Some dance training is an advantage but not a requirement.
RAOUL, VICOMTE de CHAGNY: Late 20s – early 30s: dashing, handsome young aristocrat. Contemporary high baritone/tenor (2 octave range from A flat to A flat).
ANDRE & FIRMIN: Late 30s – 50ish. The Managers of the Paris Opera House. Trying to be elegant, they are slightly befuddled. Have good instincts for stylish comedy. Firmin is the hard money man, a boar. Andre is charming with an artistic temperament, a dilettante. Firmin is a baritone and sings to high E/F. Andre is a baritenor with a lyric quality and sings to high G with ease.
CARLOTTA GIUDICELLI: 30s – 40s. The prima donna of The Paris Opera. The archetypal diva in every sense of the word. Strong operatic singer with a good comic sense. Italian coloratura soprano who sings to high E.
MADAME GIRY: Late 30s – early 50s. Ballet Mistress of the Opera Populaire. An enigmatic, stern, forbidding figure. Mezzo soprano to high B flat.
MEG GIRY: Late teens – early 20s. A member of the Corps de Ballet and Madame Giry’s daughter. Has strong classical dance technique and excellent pointe work. Vocally a sweet, light soprano sound with secure mix. The Act One septet requires her to sing to G5.
UBALDO PIANGI: Late 30s – 40s. Archetypal, Italian operatic leading tenor. Companion to Carlotta within the Opera Populaire. Sings to legit high C.
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