Savannah Repertory Theatre 2024 Season - Savannah, GA EPA Savannah Repertory Theatre | Savannah, GA
Notice: Audition Call Type: EPA
Wednesday, December 6, 2023
11:00 AM - 7:00 PM (E)
BREAK: 3:00PM - 4:00PM
Please email: casting@savannahrep.org for an audition appointment.
SPT
$414 weekly minimum (SPT 3)
Equity actors for roles in Savannah Repertory Theatre's 2024 season (see breakdown).
Please prepare two contrasting monologues of your choice. Bring an 8x10 headshot with an up-to-date resume cut to size and stapled
to the back of your headshot. If you don’t have a headshot we will take a polaroid of you at check-in. Audition should not exceed 3 minutes.
Savannah Repertory Theatre
402 E Broughton Street
Savannah, GA 31401
Located on the corner of Habersham & Broughton at the former southern motors Acura dealership. Parking is local metered street parking. The lot to the right of the building is for staff only and the lot behind the building is residential.
Executive Director: Ryan McCurdy
Artistic Director: Natasha Drena
General Manager: Jennifer Bishop
Director of Marketing: Luisa Nolasco Director of The Revolutionists: Teresa-Michelle Walker Jackson
Director of Prisontown: Lauren Morris Director of Every Christmas Story…: TBD
EXPECTED TO ATTEND:
Executive Artistic Director: Ryan McCurdy Producing Artistic Director: Natasha Drena Casting Director: Jennifer Bishop
Casting Associate: Luisa Nolasco
Savannah Repertory Theatre 2024 Season - Savannah, GA EPA Page 1 of 4
THE REVOLUTIONISTS
Callback: Tuesday Dec 12th at 6pm
First Rehearsal: February 5th, 2024
Open: February 29th, 2024
Close: March 10th, 2024
Possible Extension thru March 17th, 2024
PRISONTOWN
First Rehearsal: April 29th, 2024
Open: May 9th, 2024
Close: May 19th, 2024
Possible Extension thru May 26th, 2024
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME)!
First Rehearsal: November 11th, 2024
Open: December 5th, 2024
Close: December 15th, 2024
Possible Extension thru December 22nd, 2024
OTHER
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination.
Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
SAVANNAH REPERTORY 2024 SEASON
THE REVOLUTIONISTS
SYNOPSIS: This grand and dream-tweaked comedy is about violence and legacy, art and activism, feminism and terrorism, compatriots and chosen sisters, and how we actually go about changing the world. It’s a true story. Or total fiction. Or a play about a play. Or a raucous resurrection . . . that ends in a song
OLYMPE de GOUGES: 30s-40s. Badass activist playwright and feminist. Theatre nerd, excitable, passionate, and showman. Widowed and never remarried to ensure her personal freedom.
CHARLOTTE CORDAY: 20s. Badass country girl and assassin. Very serious, hardened by righteousness, never been kissed. Has a pocket watch she keeps checking. Doubles FRATERNITÉ in a mask.
MARIE-ANTOINETTE: 30s-40s. Less badass but fascinating former queen of France. Bubbly, graceful, opinionated, totally unaware, unintentionally rude, and oddly prescient. Never had a real friend. Doubles FRATERNITÉ in a mask.
MARIANNE ANGELLE: 30s. A badass black woman in Paris. She is from the Caribbean, a free woman, a spy working with her husband, Vincent. Tough, classy, vigilant, the sanest one of them all.
PRISONTOWN
SYNOPSIS: A Writer was driving down a dark country road outside of Atlanta several years ago when his phone lit up with a text from his brother, an immigration attorney. “How much of an activist are you?” After receiving the message, the question continued to haunt the Writer and set him off on a literal and figurative path of discovery back to his once-thriving hometown of Lumpkin, Georgia, now dying and kept alive by the nation’s most notorious federal immigration detention centers. As he talks to those trapped in the prison system, the ghost makes a simple but incredibly hard request - SEE.
THE WRITER: {CAST} 20s - 40s, queer, male identifying. Latin/Hispanic or Middle Eastern descent. NOTE: Seeking understudy.
EVERY CHRISTMAS STORY EVER TOLD (AND THEN SOME!)
SYNOPSIS: What begins as another annual production of A Christmas Carol, soon devolves into a slightly irreverent look at all of our favorite “Beloved Holiday Classics” including pop culture favorites like It’s a Wonderful Life, Rudolph, Charlie Brown and more! Add in topical references that always keep this annual tradition fresh and fun as we send up everything from Dickens to Dr. Seuss for 90+
ENSEMBLE: Three performers, 18+, any gender with good comedic timing, stage presence, and the ability to sing
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