Seven Roads Tour LLC | New York, NY
Monday, March 10, 2025
9:30 AM - 5:30 PM (E)
Lunch 1:00 PM - 2:00 PM
Touring Agreement
$2599 weekly minimum (Level 1)
Equity actors for roles in the touring production of STEREOPHONIC (See breakdown).
There are no Equity stage managerial positions available.
Please prepare a contemporary monologue under 2-minutes in length and bring your headshot and resume stapled together.
Sunlight Studios
321 W 44th St
Ste #202
New York, NY 10036
Holding room - Studio D - PLEASE BRING PHOTO ID
Written by David Adjmi
Directed by Daniel Aukin
Original Songs: Will Butler
Music Director: Justin Craig
Producers: Sue Wagner, John Johnson, Seaview, Sonia Friedman Productions, Linden Productions and Ashley Melone and Nick Mills
General Managers: Wagner Johnson Productions
Expected to attend:
Casting Directors: Alaine Alldaffer OR Lisa Donadio
First Rehearsal in NY: on or about August 25, 2025
Travel to Palm Desert, CA: on or about September 24, 2025
First Preview in Palm Desert, CA: on or about October 2, 2025
Opening in Seattle, WA: on or about October 8, 2025
End of Tour in Tampa, FL: on or about May 3, 2026
FYI - in Los Angeles, CA - December 8, 2025, to SAT January 3, 2026
Subject to change
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Notice: Audition Call Type: EPA
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
DIANA: American, white, mid-late 20s, she/her. One of the lead singers in the band. Diana has one of those remarkable voices that can break your heart. Plays piano, but not a virtuoso. Can seem like a rock goddess one minute and a CVS cashier the next — she has a genial ordinariness that belies the seismic musical and creative force she in fact is. She can be goofy and silly and fun, but ultimately, she is underestimated and underestimates herself — she doesn’t know how good she is and is locked in a codependent loop with Peter that she can’t seem to break. Until she does.
HOLLY: British, Black, early 30s, she/her. Piano and lead vocals. In the midst of a painful split from Reg and does everything she can to maintain her composure — though he will try her patience. She likes her champagne, chain smokes, and can be very silly and fun — it’s how she survives and endures. But she is fundamentally extremely shy and private for a rock star. Has an elegance, a surface coolness (she can be intimidating) but underneath she’s feeling increasingly lost.
PETER: American, white, mid-late 20s, he/him. Guitar and lead vocals. An innovator, great musician; possesses the raw magnetism of a rock star but is also a bit of a geek. Can come across as cool at times, but it’s a ruse — he’s sitting on an awful lot of unprocessed sadness. That said: he also knows how good he is. He wants more than anything to be appreciated for his contributions to the band - though his obsessive (and sometimes tone deaf) perfectionist salvos start to turn people against him.
SIMON: British, late 20s – early 30s, he/him, any ethnicity. Drums in the band. Proficient on the drums. He’s the dad of the band in a way — he often has to be the diplomat, holds things together. At turns he indulges but also chides the other band members, depending on what’s needed. He’s playful — fun, eccentric and somewhat flamboyant — but always with a dry English reserve. He’s a full on 70s rock star and looks the part but has a surprisingly aristocratic upper-crusty air.
REG: British, late 20s-early 30s, he/him, any ethnicity. Bass guitar in the band. Wounded, lovelorn, a bit childlike in his innocence. His drinking problem, exacerbated by the imminent breakup of his marriage, may threaten his position in the band. He can skew a bit somber and depressive until his spiritual transformation midway through the play. He reads as less aristocratic than the other Brits in the play.
GROVER: American, white, late 20s, he/him. The engineer who fudged his way into the job, but he’s not untalented. Nerdy, anxious, but determined to present as cool and competent. Desperate to impress Peter, whom he idolizes. A sweet, eager young man who over the course of the play tries to be more hardened and real politik because he thinks it’ll take him further.
CHARLIE: American, 20s, he/him, any ethnicity — an engineer. Laidback, good-natured, a little loopy, but incredibly good at his job. Not quite as ambitious as Grover but he’s lucky in life.
Videos
