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Send To
SISTER ACT / NYC APPOINTMENT SUBMISSION
Bob Cline
648 Broadway - Suite 912
New York NY 10012
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Contract
LORT Non-Rep
$776/week AEA min
Seeking
NYC auditions to be held on an upcoming date TBD, by appointment only.
Seeking submissions from AEA members only via this posting.
AEA members must submit themselves directly in order to be considered (no agent submissions).
See breakdown.
Other Dates
1st re: 2/12/16. 1st Preview 3/1. Opens 3/3. Closes 3/26
For consideration, mail picture and resume ASAP.
Deadline for submissions: 12/17/15
Personnel
Artistic Director:
Director Marc Robin
Director/Choreographer Marc Robin
Music Alan Menken
Lyrics Glenn Slater
Book Cheri and Bill Steinkellner
Casting: Bob Cline
Other
Mark submissions: SISTER ACT / NYC APPOINTMENT SUBMISSION.
Make sure to include your AEA status on your resume
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Breakdown
Seeking:
DELORIS
MID 20’S-MID 30’S. Must move well and sing well. Belter with wide range. A feisty, strong-willed, larger than life character. Curtis’ bit on the side. Brought up a Catholic and taught by nuns, she has rebelled against her upbringing. She has dreams of becoming the next big singing sensation, which Curtis keeps promising to make happen for her, but never will. She eventually finds what she has been seeking where she least expects it.
MOTHER SUPERIOR
LATE 40’S. Must sing well, even if she didn’t know it. Haughty, well spoken, stickler for rules and routine with a tough exterior, but she is not so confident when alone with God. We see a softer side to her by the end of the show. She really doesn’t want Deloris in her convent.
SISTER MARY ROBERT
EARLY 20’S. A small, postulant nun. Very timid and quiet, until she eventually finds her ‘voice’. She hasn’t chosen to be a nun; she is only there because she knows nothing else.
SISTER MARY PATRICK
MID 20’S-30’S. A large, bubbly, excitable, over the top, larger than life character. Very innocent and not at all worldly-wise; everyone’s friend.
SISTER MARY LAZARUS
LATE 40’S-50’S. Choir mistress who gets moved aside. Bit of a grump! Nothing fazes her, she takes everything in her stride, even rapping!
MONSIGNOR O’HARA
40’S-50. A friendly, good natured gentleman. Always bright and positive, even though his parish is almost non-existent and faces closure. He loves the change that Deloris brings to his church.
CURTIS
MID 30’S-40. Confident, chilled out, gangster. He is always in control of the people around him, his actions and any situation he finds himself in. He is untouchable, or so he thinks.
EDDIE
MID 20’S-30’S. Police Officer – Totally uncool! Bit of a nerd, but there is a cool guy hidden inside him, waiting to get out! He is often downtrodden but takes everything in his stride and is a good cop.
TJ
20’S. Youngest of Curtis’ henchman and his nephew, which is the only reason he has the job! He is naïve, daft and childlike and easily manipulated. Finds humour in everything he can.
JOEY
30’S. Curtis’ head henchman. Does what he is told without question. Thinks he is a cool ladies’ man, but he really isn’t.
PABLO
30’S Curtis’ Hispanic henchman. He is quiet, moody and the toughest of the gangsters. Most of his dialogue is in Spanish. He is a slick smooth dude, but slow!
MICHELLE AND TINA
20’S – 30’S. Good Movers. Nightclub backing singers. Good time girls, been around the block a few times.
ERNIE
30’S-40’S - Curtis’ oldest henchman. He is eventually sacrificed for the cause.
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