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Riverside Theatre Inc. 2024-25 Season Equity Principal Actors - Riverside Theatre Inc. Auditions

Posted July 11, 2024
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Riverside Theatre Inc. 2024-25 Season - Riverside Theatre Inc.

Riverside Theatre Inc. 2024-25 Season - Vero Beach, FL EPA Riverside Theatre Inc. | Vero Beach, FL

Notice: Audition Call Type: EPA

AUDITION DATE

Friday, July 26, 2024

10:00 AM - 6:00 PM (E)

Lunch 2:00 PM - 2:00 PM

APPOINTMENTS

To schedule an audition appointment please email Laura Scott, Company Manager, at laura.scott@riversidetheatre.com or call (if no email access) 772-410-0510. Equity members without appointments will be seen as time permits.

CONTRACT

LORT Non-Rep

$1197 weekly minimum (LORT B+) $807 weekly minimum (LORT D)

SEEKING

Equity actors for roles in Riverside Theatre Inc.'s 2024-25 Season (See breakdown).

Some roles will be understudied (TBD).

Performers of all ethnic and racial

backgrounds are encouraged to audition.

PREPARATION

Please prepare two brief contrasting musical theatre songs or a 1-2 minute monologue. Be prepared for a possible dance call. Please bring your headshot and resume and sheet music. An accompanist will be provided.

LOCATION

Riverside Theatre

3250 Riverside Park Dr

Vero Beach, FL 32963-1877

Check-in the the Orchid Lobby

PERSONNEL

Allen Cornell – Producing Artistic Director Jon Moses – Managing Director/COO

Expected to attend:

Allen D. Cornell (Producing Artistic Director) Jon Moses (Managing Director)

DJ Salisbury (Director)

Julian Bond (Accompanist)

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Riverside Theatre Inc. 2024-25 Season

BEAUTIFUL - THE CAROLE KING MUSICAL

DJ Salisbury - Director/ Choreographer

Michael Kaish - Music Director

Rehearsal Begin: March 25, 2025

Performances: April 15 - May 11, 2025

Minimum LORT B+

Private Housing, Shared local transportation

SEEKING:

[CAROLE KING] Ages from 16-29 in the show. Female identifying. An aspiring singer/songwriter. A unique, appealing, funny, and vulnerable girl from a Jewish family in Brooklyn. Talented, good natured, unassuming, and often the peacemaker in difficult situations. A reluctant star with no pretense and a passion for music.

[GERRY GOFFIN] Ages from teens-late 20s in the show. Baritone/tenor. Male identifying. Carole’s boyfriend, songwriting partner, and eventual husband. Innately sympathetic, charismatic, wounded, and tortured. An ambitious artist always striving for more.

[CYNTHIA WEIL] Ages from teens-late 20s in the show. Strong belt. Female identifying. A songwriter who becomes romantically involved with Barry. Carole’s best friend. She is sophisticated, smart & chic with a quick wit. Although self-confident and sarcastic, she is also extremely likable.

[BARRY MANN] Ages from late teens-late 20s in the show. Male Identifying High rock tenor. A songwriter who becomes romantically involved with Cynthia. He is good-natured, appealing & neurotic. Ambitious, but likable.

[DON KIRSCHNER] 40s-60s. Male Identifying. This is a non-singing role. An influential music publisher and producer. He is a fast-talking, energetic force of nature. Powerful, direct & sometimes intimidating, but he has a real affinity for his writers and artists. A hitmaker.

[GENIE KLEIN] 40s to 60s. Female Identifying. Non-Singing Role. Carole’s Jewish mother. Once an aspiring playwright, she has been broken down by life & her husband’s infidelity. Protective of Carole and unforgiving of her husband’s mistakes.

FOX ON THE FAIRWAY

Chris Clavelli - Director

Rehearsals Begin: October 1, 2024

Performances: October 22 - November 10, 2024

Minimum LORT B+

Private Housing, Shared local transportation

SEEKING:

Bingham: 40-50s is a sophisticated man with a huge drive to succeed in the status game at the club. He is charming, edgy, silly and ultimately lovable. Think Frasier Crane. Must be very physically alive and great with the demands of high energy farce.

Pamela: 39-45 is a beautiful, charming, elegant woman still reeling from her awful ex and dreadful divorce. She is excitable and gifted with a quick dry wit. Must be very physically comfortable and prepared to handle the physical and vocal needs of farce.

Louise: young 20s, flirty, oblivious and temperamental. She can shift on a dime. Physically agile and comfortable with kissing and fooling around that is indicated in the script. She and Justin make a perfect couple. Swings a golf club well.

Justin: young 20s. Sexy, flirty, oblivious and. deeply, deeply insecure. Fearless comedian. Must be physically comfortable with kissing and flirting. Swings a golf club.

Dickie: 40-50s, a classic clown. Oafish, boorish, poorly educated but has no self-awareness at all. All body types are welcome. A good old fashioned comic vaudevillian.

Muriel: CAST

MASTER CLASS

DJ Salisbury - Director

Rehearsals Begin: January 14, 2025

Performances: February 4 - 23, 2025

Minimum LORT D

SEEKING:

[MARIA CALLAS] late 40s-Early 60s, opera-diva, American born to Greek parents...teaching a master class. Looking for star names for this role. Salary negotiable.

[SHARON] 20s, Opera-Soprano, BIPOC preferred but considering all. A very talented strong woman...also cries, but then lashes back.

[SOPHIE] 20s, Opera-Soprano. Should be somewhat of a wallflower and nervous. Callas does not let her get through her song once.

[STAGEHAND] 30s-40s, uninterested in his work. Just doing his job.

[MANNY, EMMANUEL WEINSTOCK] the accompanist. 20s-30s, Plays the piano extremely well. Respects Callas very much. Whoever is cast as Manny will also act as the Music Director. Seeking people with that kind of experience.

[TONY, ANTHONY CANDOLINO] Opera-Tenor, 20s, should be good-looking leading man type. Very well praised by Callas.

SINGING IN THE RAIN

Richard Stafford - Director/ Choreographer

Bruce Barnes - Music Director

Associate Choreographer – Kristyn Pope

Rehearsals Begin: Friday, January 31, 2025

Performances: February 25 - March 21, 2025

Minimum LORT B+

Private Housing, Shared local transportation

SEEKING:

DON LOCKWOOD: (mid 20s-late 30s) star of the silent screen. Charismatic and open, star quality. Strong singer and dancer. A strong tapper should also have ballet technique. Baritenor voice to an F#.

COSMO BROWN: (mid 20s-late 30s) a clown sidekick to Don. Slapstick his specialty. Self-effacing and appealing. Down to earth. Strong singer, comedian, dancer. A strong tapper. Sings well. Tenor to an A flat.

KATHY SELDEN: (early to late 20s) New girl in town. Appealing—has ambitions to be a great stage actor but has singing and dancing chops. A natural for the talkies. A strong tapper. Mezzo with mixed belt to C and legit to E.

LINA LAMONT: (Late 20s-late 30s) a true glamorous star of the silent films. Photogenic. Incredibly self involved and can be vindictive. As dense as she is beautiful and yes, a voice that does not match her beauty. Chest voice with a strong mix.

R.F. SIMPSON: (50s-mid 60s) studio head with a strong public persona but not a lot of dimension. Always, understandably, has the studio’s best interest in mind.

ROSCO DEXTER: (mid 40s–mid 50s) quirky and comedic film director. A character. Struggles to transition to talkies. Non singing role.

EVERY BRILLIANT THING

Director: Allen D. Cornell

Rehearsals Begin: Friday, March 4, 2025

Performances: March 25 - April 13, 2025

Minimum LORT D

This production is cast.

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