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NATASHA, PIERRE, & THE GREAT COMET OF 1812 Equity Principal Auditions - Ars Nova Auditions

Posted May 17, 2012
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NATASHA, PIERRE, & THE GREAT COMET OF 1812 - Ars Nova

NATASHA, PIERRE, & THE GREAT COMET OF 1812

– Equity Principal Auditions

ARS NOVA (NYC) NYC LOA CONTRACT/$309 PER WEEK

Jason Eagan, Artistic Director

Composer/Writer: Dave Malloy (Three Pianos)

Director: Rachel Chavkin

Casting Director: Henry Russell Bergstein

1st Reh: August 27th, 2012

1st Prev: October 1st, 2012

Tentative Open: October 18th, 2012

Equity Principal Auditions:

Friday, June 1st, 2012 at the Actors’ Equity Audition Center

9:30 AM – 5:30 PM 165 West 46th Street, 2nd Floor

Lunch 1-2 NYC

Prepare a brief song. Jazz, indie rock, folk, and other non-musical theater songs are encouraged. (Bring sheet music in the correct key; accompanist provided but may not transpose.)

Please bring a picture and resume.

Natasha, Pierre, & the Great Comet of 1812 is an electropop opera by Obie winner Dave Malloy based on Tolstoy's War & Peace.

Musically the piece is eclectic and ambitious, encompassing Romantic, modern and avant-garde classical music, Russian folk, indie rock, jazz and electronica. The vocal style should be unique, soulful, idiosyncratic and decidedly un-Broadway.

SEEKING:

NATASHA

Female, 19 year old ingenue. Profoundly, lethally romantic, innocent, and doughy-eyed. Belt/Soprano.

ANATOLE

Male, Late 20s aristocrat. Power and Rake-ishness incarnate. Seductive hedonist. Ambisexual - think David Bowie. High Operatic Tenor.

PRINCE BOLKONSKY

Male, 60s, conservative, old-fashioned aristocrat whose dementia has causes him to be alternately nasty and incapacitated. Lives with his still unmarried daughter, whom he torments but also relies on to take care of him. Growly Baritone-Tenor, should also play an instrument: guitar, piano, accordion, cello, or another string or woodwind.

HELENE

Female, Late 20s aristocrat, the queen of society. Deceptive and amoral. Highly sexualized and not overly intelligent. Sense of humor. Chesty Alto (Belt to Bb)

PIERRE

The socially-awkward, illegitimate son of an old Russian grandee. A melancholy outsider, despite his great wealth. Gruff, pessimistic and detached. Baritone. 30s.

SONYA

Natasha's dear friend and confidante, she has lived with Natasha's family like a daughter since childhood. Passionate, selfless, loyal, and devoted to her friend. Alto. 20s.

PRINCESS MARY

Lonely, plain, spinster daughter of a wealthy price. She is cut off from the world in her father's grand old house and resigned to his cruelty. Operatic soprano. 30s.

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