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Lookingglass Theatre 2024-25 Season Equity Principal Actors - Lookingglass Theatre Co. Auditions

Posted June 10, 2024
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Lookingglass Theatre 2024-25 Season - Lookingglass Theatre Co.

Lookingglass Theatre 2024-25 Season - Chicago EPA Lookingglass Theatre Co. | Chicago, IL

Notice: Audition Call Type: EPA

REVISED

Updated production dates.

AUDITION DATE

Wednesday, June 12, 2024

9:00 AM - 5:00 PM (C)

Lunch 12:00 PM - 1:00 PM

CONTRACT

CAT

$697.05 weekly minimum (Tier 4)

SEEKING

Equity actors for roles in Lookingglass Theatre's 2024-25 Season (See breakdown).

Local Chicago area actors are encouraged to audition.

PREPARATION

Please prepare one 1-2 minute monologue. Also, bring your headshot and resume stapled together.

LOCATION

Actors' Equity Association - Chicago Member Center

557 W Randolph St

1st Fl

Chicago, IL 60661

PERSONNEL

Artistic Director Kasey Foster

Creative Producer Kareem Bandealy

See breakdown for production specific personnel.

OTHER DATES

See breakdown for production specific dates.

OTHER


www.lookingglasstheatre.org

EPA Procedures are in effect for this audition. An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

Lookingglass Theatre 2024-25 Season

CIRCUS QUIXOTE

Produced in Association with Actors Gymnasium

Adapted by David and Kerry Catlin

Directed by David Catlin

Associate Director: David Catlin

Circus and Movement Choreography: Sylvia Hernandez- DiStasi

First Rehearsal: Thursday, January 02, 2025

First Technical Rehearsal: Tuesday, January 21, 2025

First Preview: Thursday, January 30, 2025

Press Opening: Saturday, February 08, 2025

Published Closing: Sunday, March 30, 2025

Somewhere in La Mancha a man’s brain dries up from reading one too many books of wandering knights. With his stalwart steed Rocinante and Sancho, his stout and steadfast squire, Don Quixote sets out to bring back the Code of Chivalry to save a world that didn’t know it needed saving. Our would-be knight’s quest is idealistic, bombastic, and filled full with folly and madness. Inspired by Cervantes’ inspiring novel, Circus Quixote defies gravity. And reason.

SEEKING:

CERVANTES/SANCHO PANZA - Cervantes is the author of the novel, and Sancho Panza is Don Quixote’s dim-witted but loyal squire. Circus skills include physical comedy, dance, guitar a plus but not necessary

DULCINEA (and others) - the woman Don Quixote has named his lady as required by the code of Chivalry. He has never met her. Able to sing. Circus skills include physical comedy, acro, dance, movement

SISTER SOFIA (and others) - a pious nun who wants to find love. Circus skills include straps, acro, physical comedy, aerial windmill apparatus

MASTER NICOLS (and others) - a nearsighted barber who doesn’t know what he’s missing. Circus skills include straps, acro, physical comedy

SAMSON CARRASCO (and others) - a dashing bachelor who aspires to be an intellectual. Circus skills include pole, acro, physical comedy, aerial windmill apparatus

ANTONIA (and others) - The niece of Don Quixote. A practical young woman who just wants the attention of her uncle. Circus skills include contortion, acro, physical comedy, ariel net

IRAQ, BUT FUNNY

Written by Atra Asdou

First Rehearsal: Monday, April 28, 2025

First Technical Rehearsal: Tuesday, May 20, 2025

First Preview: Thursday, May 29, 2025

Press Opening: Saturday, June 07, 2025

Published Closing: Sunday July 20, 2025

Iraq, But Funny is a dark, satirical, multi-media, semi-autobiographical play. It portrays five generations of Assyrian/Iraqi families, with a focus on the women, from Ottoman Empire to modern day U.S.A.. While we explore the personal/familial generational cycles and cycle breaking, we are also taken through the world and region’s historical timeline via a British narrator, called The English Gentleman (aka TEG). Actors will portray multiple characters throughout the generations.

Looking for SWANA actors with comedic ability, who can play wide age ranges, sing, learn lines in Assyrian (with some Arabic,) and improvise.

SEEKING:

ACTOR 1 (ELDER TRACK) 25-55, SWANA, she/they/they femme

ACTOR 2 (YOUNGER TRACK) 9-35, SWANA , she/they/they femme

ACTOR 3 (ELDER TRACK) 35-55, SWANA, he/they/they masc

ACTOR 4 (YOUNGER TRACK) 14-35, SWANA he/they/they masc

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