& JULIET (Broadway) - NYC ECC/dancers (all genders - afternoon)
Juliet Broadway LLC | New York, NY
Tuesday, December 12, 2023
2:30 PM (E)
Production (League)
$2,537 weekly minimum
Extremely strong Equity dancers who sing for possible replacements for the Broadway production of & JULIET. (See breakdown.)
STORYLINE
The most famous love story of all time....Remixed. & JULIET is the hilarious and fun-loving hit West End musical that asks: what if Juliet’s famous ending was really just her beginning? What if she decided to choose
her own fate? Soaring with pop anthems from the catalogue of Max Martin, including ...Baby One More Time, Everybody (Backstreet's Back), Since U Been Gone and Can’t Feel My Face, & JULIET is a riotous blast of fun and glorious music that proves when it comes to love, there’s always life after Romeo... & JULIET welcomes diversity and inclusion across the spectrum of race, gender, gender identity, gender expression, sexual orientation, religion, neurodiversity, and artists with disabilities.
Please arrive warmed up and ready to dance at the start of the call. Please wear sneakers for this dance call and bring a headshot and resume stapled together.
Ripley-Grier Studios (520)
520 8th Ave
New York, NY 10018-6507
Holding Room: Studio 17T / Audition Room: 17X
Director: Luke Sheppard
Book: David West Read
Music: Max Martin
Music Supervisor: Bill Sherman
Music Director: Haley Bennett
Choreographer: Jennifer Weber
Producers: David Mirvish, Max Martin, Tim
Headington, Theresa Steele Page, Martin
Dodd, Jenny Petersson, Eva Price
Casting Director: Stephen Kopel & Carrie
Gardner / C12 Casting
Currently running on Broadway.
Expected to Attend:
Marcus Allan Cobb, Assistant Choreographer
and Brittany Nicholas, Dance Captain
Stephen Kopel, Carrie Gardner, or Jillian Cimini, Casting Directors
Neal Buckley, Sujotta Pace, Casting Associates
All stage management positions are filled at this time.
ECC Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
LADY CAPULET/NELL (20s – Early 30s, any ethnicity) Lady Capulet/Nell is stern and controlling as Juliet’s mother, but when she’s in Player mode, she really lets her hair down and has a good time. Will cover principal role(s). Vocal range: sings to a minimum D5 belt.
LORD CAPULET/SLY (20s – Early 30s, any ethnicity) Lord Capulet/Sly is domineering and intense when he’s Juliet’s dad, but cheeky and energetic when he’s one of Shakespeare’s Players. Will cover principal role(s). Vocal range: sings to A4.
LUCY (20s – Early 30s, any ethnicity) Strong singer/dancer. Lucy is a Shakespeare superfan, who loves sharing her intimate knowledge of the Bard with the audience. A ball of energy who isn't afraid to speak her mind and loves any excuse to laugh and smile with her fellow Players. Will cover principal role(s). Vocal range: sings to D5 chest/belt.
RICHARD (20s – Early 30s, any ethnicity) Strong singer/dancer. Richard is Shakespeare's no.1 hype man! What he might lack in intellect and nuance, he definitely makes up for in spirit. Will cover principal role(s). Vocal range: sings to an A4.
GREGORY (20s – Early 30s, any ethnicity) Strong singer/dancer. Will also cover main roles. Gregory is lively and vibrant, and always up for a laugh, but he also demands attention and can be easily offended. Will cover principal role(s). Vocal range: sings to an Ab4.
BENVOLIO/ELEANOR (20s – Early 30s, any ethnicity) Benvolio/Eleanor is Romeo’s best friend and hype man, who always takes Romeo’s side and is a total “bro”... a fun gender-bending role for the Player Eleanor. Will cover principal role(s). Vocal range: G3 - top D5 full belt.
HENRY (20s – Early 30s, any ethnicity) Henry is all smiles as one of Shakespeare’s Players, but he shows a darker, intimidating side when he enters the play as a snotty French bathroom attendant. Will cover principal role(s). Vocal range: G3 - A4.
SUSANNA (20s – Early 30s, any ethnicity) Great stylistic dancer who is comfortable singing to minimum D5. Susanna is like the little sister of the Players—supportive and good-natured, full of laughter and always up for a good time! Vocal range: Belt to minimum D5.
AUGUSTINE (20s – Early 30s, any ethnicity) Augustine is always flipping around on stage when he’s out greeting our audience. The most mischievous of all the Players; if there’s trouble, he’ll be at the center of it. Vocal range: Baritenor or tenor range. Great stylistic dancer who is comfortable singing.
KEMPE (20s – Early 30s, any ethnicity) Fantastic specialty dancer. Helpful if comfortable keeping a tune. Kempe is the happy-go-lucky player who never backs down from a dance-off! Kempe’s impressive moves get the audience fired up at the start of the show. Does not need to be a strong singer but a fab dancer with specialties.
IMOGEN (20s – Early 30s, any ethnicity) Amazing dancer. Helpful if keeps a tune. Imogen is a feisty, passionate member of Shakespeare’s company who loves to dance her socks off, and also shows a debonair side when she enters the play as a French princess. Does not need to be a strong singer but a fab dancer with specialties.
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