True Colors Theatre Company | Atlanta, GA
LOA
$845 weekly minimum (Ref. to LORT) - Stage Manager
$767 weekly minimum (Ref. to LORT) - Assistant Stage Manager
All Equity stage managerial positions for True Colors Theatre Company's 2025 Season have been filled. (See breakdown). Please submit for future consideration. Stage managers local to Atlanta, GA are encouraged to submit.
Please send your resume for future consideration to Lisa Watson, Production Manager.
Deadline: 11/18/2024
True Colors Theatre Company
ATTN: Lisa Watson, Production Manager
887 W. Marietta Street
Suite J-102
Atlanta, GA 30318
JAJA’S AFRICAN HAIR BRAIDING
Artistic Director - Jamil Jude
Playwright - Jocelyn Bioh
Director - Ibi Owolabi
Casting Director - Clifton Guterman, CSA
Production Manager - Lisa Watson
AIN’T NO MO’
Artistic Director - Jamil Jude
Playwright - Jordan Cooper
Production Manager - Lisa Watson
JAJA’S AFRICAN HAIR BRAIDING
1st Rehearsal: January 14, 2025
Opens: February 14, 2025
Closes: March 9, 2025
AIN’T NO MO’
1st Rehearsal: May 13, 2025
Opens: June 10, 2025
Closes: July 6, 2025
https://truecolorstheatre.org/
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
True Colors Theatre Company 2025 Season
JAJA’S AFRICAN HAIR BRAIDING
SYNOPSIS: Welcome to Jaja’s bustling hair braiding shop in Harlem, where every day a lively and eclectic group of West African immigrant hair braiders are creating masterpieces on the heads of neighborhood women. During one sweltering summer day, love will blossom, dreams will flourish, and secrets will be revealed. The uncertainty of their circumstances simmers below the surface of their lives, and when it boils over, it forces this tight-knit community to confront what it means to be an outsider on the edge of the place they call home.
AIN’T NO MO’
SYNOPSIS: Through a blend of sketch, satire, avant-garde theatre and a dose of drag, Ain't No Mo’ answers the incendiary question: What if the United States government offered Black Americans one-way plane tickets to Africa? This unpredictable comedy speeds through the turbulent skies of being Black in today's America. A kaleidoscope of moments surrounding this great exodus are told by an ensemble cast featuring Peaches, a larger-than-life flight agent boarding the final plane leaving the United States.
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