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Indiana Repertory Theatre 2024-25 Season Equity Principal Actors - Indiana Repertory Theatre Auditions

Posted May 10, 2024
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Indiana Repertory Theatre 2024-25 Season - Indiana Repertory Theatre

Indiana Repertory Theatre 2024-25 Season - Indianapolis, IN EPA Indiana Repertory Theatre, Inc. | Indianapolis, IN

Notice: Audition Call Type: EPA

AUDITION DATE

Monday, May 20, 2024

10:00 AM - 7:00 PM (E)

BREAK: 2:00PM - 4:00PM

APPOINTMENTS

To schedule an appointment please visit the following link:

https://www.irtlive.com/about/auditions/

CONTRACT

LORT Non-Rep

$1011 weekly minimum (LORT C)

$807 weekly minimum (LORT D)

SEEKING

Equity actors for roles in Indiana Repertory Theatre's (IRT) 2024-25 Season (See breakdown).

PREPARATION

Please prepare 2 contrasting monologues; 3 minutes in total; singing 15 bars; accompanist provided. Please bring your headshot and resume stapled together.

LOCATION

Indiana Repertory Theatre

140 W Washington St

Indianapolis, IN 46204-3417

PERSONNEL

Courtney Sale, Artistic Director

EXPECTED TO ATTEND:

Benjamin Hanna, Artistic Director, Indiana Repertory Theatre

See breakdown for production specific personnel.

OTHER DATES

IRT: 1ST Rehearsal - 8/15/24 ; close of season 5/11/25

See breakdown for production specific dates.

OTHER

Indiana Rep:
www.irtlive.com

IRT is located in Indianapolis, IN

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Some roles will be understudied.

THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE

1st Rehearsal 8/15/24

Open 9/20/24

Close 10/13/24

LORT C

SEEKING:

Rona Lisa Peretti: Mezzo: B3 - F5. Has both a high belt and improv skills. Doubles as Olive’s Mom (D4 - E5).

Olive Ostrovsky: Mezzo: B3 - F5.

Marcy Park: Mezzo: C4 - E5. Has some unique talents: playing an instrument(s), twirling batons, juggling, gymnastics, etc.

Logainne Schwartzandgrunenierre (Schwartzy): Mezzo: A3 - F5.

William Barfee: Tenor: E4 - B5. Good comic timing and dancing/movement skills. Chip Tolentino: Doubles as Jesus Christ, briefly. Tenor: C4 - B5.

Leaf Coneybear: Student – any ethnicity. Tenor: A3 - A5. Doubles as Carl Dad, (G3 - D5), physical comedy.

Mitch Mahoney: Tenor: E4 - A5. Doubles as Dan Dad, one of Schwarzy’s dads, laid back and ineffectual (G3 - D5) and Olive’s Dad (E4 - B5).

Douglas Panch: Good comic timing and the ability to improv.

A CHRISTMAS CAROL

1st Rehearsal 10/17/24

Open 11/16/24

Close 12/24/24

LORT C

SEEKING:

Fezziwig/Present, male, 40s-50s, any ethnicity

Marley/Cratchit, male, mid-30s-40, any ethnicity

Fred/Young Scrooge/Future, male, 20s, any ethnicity

Felicity/Belle/Laundress, female, 20s, any ethnicity

Past/Marth/Charwoman, female, 30s, any ethnicity

Mrs. Fezziwig/Mrs. Cratchit, female, mid-30s-40, any ethnicity

ALL OTHER ROLES ARE CAST.

KING JAMES

1st Rehearsal 12/17/24

Open 1/17/25

Close 2/9/25

LORT D

SEEKING:

Shawn: African American, ages from 21 to 33. A bit reserved, but confident in himself. A writer. A hard-core basketball fan. Quietly ambitious.

Matt: white, ages from 21 to 33. A slightly messy guy who, somewhat incongruously, works in a wine bar. A hard-core basketball fan. Funny, with a kind of restless energy.

NINA SIMONE: FOUR WOMEN

1st Rehearsal 1/7/25

Open 2/7/25

Close 3/2/25

LORT C

SEEKING:

Nina Simone: African American – dark complexion. 30 years old. ability to play the piano (and improv) is a huge plus.

Sarah, aka “Auntie”: African American – dark complexion. 40s.

Sephronia: mixed race with light complexion. 30s-40s.

Sweet Thing: African American - lighter than Nina and Sarah, but darker than Sephronia. late 20s. Sam Waymon: African American. 20s. plays piano, Hammond B-3 Organ, and tambourine.

THE GLASS MENAGERIE

1st Rehearsal 2/13/25

Open 3/14/25

Close 4/26/25

LORT D

SEEKING:

Amanda Wingfield (the Mother): mid-40s to mid-50s – any ethnicity

Tom Wingfield (the Son): 20s – any ethnicity

Laura Wingfield (the Daughter): early 20s – any ethnicity. Note:actors from the disability community are encouraged to audition.

Jim O’Connor (the Gentleman Caller): early 20s – any ethnicity

THE PLAY THAT GOES WRONG

1st Rehearsal 3/11/25

Open 4/11/25

Close 5/11 or 5/18/25

LORT C

SEEKING:

Sandra: any ethnicity, 25-35. vain with a huge ego; wants to be loved. has ambitions to go to Hollywood and will hurt anyone standing in her way. RP dialect.

Annie: any ethnicity, 25-35. the stage manager. cannot bear to be on stage but must step in to one of the roles. initially terrified by acting, she grows to live it and by the end is willing to kill for it. standard American dialect.

Chris: any ethnicity, 25-35. the director of the show and this is the biggest day of his life. rigid, uptight, self-important. high status clown. RP dialect.

Robert: any ethnicity, 25-35. wannabe Richard Burton, declamatory style, has real vocal power. desperate to become president of the Cornley Poly Drama Society. RP dialect.

Max: any ethnicity, 25-35. has never been on stage before; knows his lines and does exactly what he’s told, no more, no less. RP dialect.

Dennis: any ethnicity, 25-35. no interest in theatre, he just wants to make friends (of which he has none). RP dialect.

Trevor: any ethnicity, 25-35. the play’s lighting and sound operator; he simply wants to get on with the show. curmudgeonly and doesn’t care for actors. easily distracted and does many things he shouldn’t, including engaging with the audience. when things go really sideways, he is forced to act in the play, and he hates acting. American dialect.

Jonathan: any ethnicity, 25-35. a bit bland but sees himself as a James Bond type. excited and having fun, but not naïve. Jonathan drives the show; very physical role. RP dialect

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