Fulton Theatre Company and Maltz Jupiter Theatre - 2018-19 Seasons -NYC EPA
Various Producers
**Updated OTHER section**
AUDITION DATE
Tue, Mar 13, 2018
9:30 am - 5:30 pm (EST)
Lunch 1 to 2
CONTRACT
LORT Non-Rep LORT B; $914/week min
SEEKING
Equity actors and actor/singers for various roles in the upcoming seasons for both Fulton Theatre Company (Lancaster, PA) and Maltz Jupiter Theatre (Jupiter, FL). See breakdowns.
PREPARATION
Bring picture and resume.
Prepare EITHER:
1) a brief song in the style of the shows; OR 2) a brief monologue in the style of the shows; OR
3) a one-minute monologue and 16 bars of a song.
You are welcome to sing or perform a monologue from the shows if you wish.
LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036
PERSONNEL
NY Casting by Bob Cline - only one present at auditions
See breakdowns for each theatre's information.
OTHER
This is a seasonal EPA. If you are unable to attend, please do not panic. The casting director will be holding additional appointment auditions for the individual shows throughout the year and also ECCs. If Casting Director Bob Cline knows you well, you are welcome to drop-off at the EPA a pic and resume with role/roles listed on resume that you are interested in, if you don't have time to audition.
EPA Procedures are in effect for this audition.
An Equity monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
BREAKDOWN
Fulton Theatre Company
12 North Prince Street, Lancaster, PA 17608-1865
https://thefulton.org/
LORT B; $914/week min
Executive Artistic Producer: Marc Robin
Company Manager/Resident Casting Director: Randall Frizado
2018-19 Season
All roles currently available for all shows
TREASURE ISLAND
Music by Marc Robin
Book and Lyrics by Marc Robin and Curt Dale Clark
Based on the novel by Robert Louis Stevenson
Previews Begin: 9/16/2018
Opening: 9/21/2018
Closing: 10/14/2018
Start of Rehearsal: On or about 8/23/18
Character Breakdown for Treasure Island…
Jim Hawkins (Tenor) - The hero of the story. Boundless energy. A boy of 15. Small and full spirited. Eager and waiting for adventure. Comes of age throughout the play. Light English Dialect.
Long John Silver (Baritone) - The villain of the story. Ships cook. Mid 40's- The leader of the pirates. A dynamic character who is challenged by having only one leg. Throughout the story he possesses the capability of extreme kindness, humor and nurturing as well as brutality and cruelness. Thick Cockney Dialect
Dr. David Livesey (High Baritone) Ships Doctor. An arbitrator who is fair, intelligent and well organized. Early 40's. Well educated and acts as guardian for Jim Hawkins. A foil to the Squire. British Dialect
Squire John Trelawney (Baritone) -A lovable, befuddled, nervous, older gentleman whose heart is always in the right place even if his faculties are otherwise. He loves good food and fine clothing. Late 50's. He acts as the comic thread throughout the play. British Dialect
Captain Alexander Smollett (Bass/ Baritone) -The commander of the Hispanolia- 50's. Strong, assertive and unflinching. Calm in the face of danger, very well educated. Man, of high standards. British Dialect.
Ben Gunn - (High Baritone) -A crazy man ...marooned on the island for 7 years. Jittery, nervous, sprightly, contagious with energy. Speaks very quickly. Makes odd noises for no reason. Perhaps because he's only had himself to talk to for all those years. Crazy talk.
Thomas Redruth (High Baritone) -The Squire's servant. Mid 30's - Likable and jovial. A Cut up. High energy and eager to please. Strong Cockney dialect.
Billy Bones (Bass/ Baritone) -African American -Late 30's - Ragged, scarred; Gruff, pompous; loud. A shell of the man he used to be thanks to a life of drinking. Thick Cockney dialect.
Blind Pew (Baritone) - evil, ancient looking old man doubled over using a walking stick. Blind in sight only, HE wears a gauze rag over his dead eyes. Frail, small and old in stature, he is uncommonly strong. All other senses heightened. He is mean and takes pleasure in it. A frightening presence in the play. Cockney dialect.
Mr. William Arrow (Bass/Baritone)- The !81 Mate on the Hispanolia. Early 40's Official, strong. Without humor. Stoic. Quintessential English Naval Officer. Proper British Dialect.
Abraham Gray (Tenor) -A Good hearted lad. Nai've. A boy of 20 or so. Fresh and very eager. High moral fiber. Proper British Dialect. Sailor
Tom Morgan (Bass) - A Very Bad Man Late 30's -The largest, roughest and toughest of all the pirates. By far the meanest. Specializes in crushing things with his hands. Would killhis own mother for a profit. Cockney dialect.
Israel Hands (Baritone)-A very creepy, sexy, evil, pirate. Late 20's. Specializes in cutting things. Not afraid of anything. Creepy dialect.
Job Anderson - (High Baritone) -Suave and cool. Early 30's. Pirate.
George Merry - (Tenor) -A funny, character type, pirate. Late 30's. He is gullible, affable and not completely with it all the time. A bit of a mama's boy. The comic relief amongst the Pirates. A gravedigger ... Cockney dialect.
Richard Joyce- (Tenor)-An Irishman thru and thru.... early 30's... A Sailor. One of the good guys. Fun spirited with a sense of humor. Best swordsman of the good guys. Thick Irish Dialect.
Frederick O'Brien - (High Baritone)-Thirty's - Another Irishman. Friend to Joyce. Mid 30's. A good sailor and a hard worker. Thick Irish Dialect
Mr. Alan Bonet' - (Baritone) -A Frenchman. He is a good guy and a romantic. Mid 30's. French dialect. Sailor
Mr. John Hunter- (Bass/ Baritone)- German. Sweet and lovable. Good sailor with bad hygiene. He never waivers. Light German dialect. Early 40's
Mr. Ingraham - (Bari/Tenor) -funny and endearing. mid 20' -sailor
Mr. Davis - (Tenor) - Gruff and cocky Pirate. Wishes he were higher in the pirate ranks.
Akir - (Baritone) An international pirate. English Accent.
Meade Slyker - (High baritone) - misfit pirate - wiry and thin - Cockney Dialect-Pirate
Linus Riddle - (High Baritone) -Aggressive and head strong pirate. Trigger happy. Cockney Dialect
Tobias Bridge - (Tenor) Tall, popular Pirate. Well liked and respected by his peers. British Dialect.
Burdette Wyeth - (Bass /Baritone) Gruff pirate who likes his ale. Victor Wolff - (Tenor) A happy Pirate who never takes anything serious.
Anthony Brieux -(Tenor) - Feisty and compact-fighting pirate
Gordon Tusley - (tenor) - Lithe and cunning pirate
Sly Dog Gribble -(baritone) - tattooed, mean and clever pirate
Mr. Mitchell - (Tenor) Athletic and spritely sailor.
Mr. Johnson - (Tenor) - Smart, hard working sailor
Priest - (Tenor) kindly gentleman who presides over the funeral of Jim's father.
Widow Hawkins -(non-singing) Jim's mother. (played by man with veil to conceal face
_________________
42ND STREET
Music by Harry Warren
Lyrics by Al Dubin, Johnny Mercer
Previews Begin: 11/11/2018
Opening: 11/16/2018
Closing: 12/30/2018
Rehearsals Begin: on or about 10/18/2018
________________
CHICAGO
Music by John Kander
Lyrics by Fred Ebb
Book by Bob Fosse and Fred Ebb
Previews Begin: 1/20/2019
Opening: 1/25/2019
Closing: 2/17/2019
Rehearsals Begin: on or about 12/28/2018
_________________
ONCE
Music and Lyrics by Glen Hansard and Marketa Irglova
Book by Enda Walsh
Previews Begin: 3/17/2019
Opening: 3/22/2019
Closing: 4/14/2019
Rehearsals begin: On or about 2/25/2019
__________________
SHOW TBD
Previews Begin: 4/28/2019
Opening: 5/3/2019
Closing: 5/25/2019
Rehearsals begin: On or about 4/8/2019
__________________
MAMMA MIA
Music and Lyrics by Benny Andersson and Bjorn Ulvaeus
Book by Catherine Johnson
Previews Begin: 6/2/2019
Opening: 6/7/2019
Closing: 7/21/2019
Rehearsals begin: on or about 5/13/2019
_________________
Ellen Arnold Groff Series (Exp. Contract $540.80 per week)
THE MYSTERY OF IRMA VEP
Written by Charles Ludlam
Previews Begin: 10/16/2018
Opening: 10/19/2018
Closing: 11/4/2018
Rehearsals begin: on or about 9/26/2018
_______________
THE GLASS MENAGERIE
by Tennessee Williams
Previews Begin: 2/12/2019
Opening: 2/15/2019
Closing: 3/3/2019
Rehearsals begin: on or about 1/22/2019
________________
I AM MY OWN WIFE
by Doug Wright
Previews begin: 4/2/2019
Opening: 4/4/2019
Closing: 4/28/2019
Rehearsals begin: on or about 3/15/2019
_______________
NEXT TO NORMAL
Music by Tom Kitt
Book and Lyrics by Brian Yorkey
Previews begin: 5/14/2019
Opening: 5/17/2019
Closing: 6/2/2019
Rehearsals begin: on or about 4/29/2019
Maltz Jupiter Theatre
1001 East Indiantown Road, Jupiter, Florida 33477
Artistic Director: Andrew Kato
https://www.jupitertheatre.org/
LORT B; $914/week
2018-19 Season
All roles currently available.
STEEL MAGNOLIAS
By Robert Harling
Reh: 10/9/18
Open: 11/1/18
Close: 11/11/18
_______________
DISNEY BEAUTY AND THE BEAST
Music by Alan Menken
Lyrics by Howard Ashman and Tim Rice
Book by Linda Woolverton
Reh: 11/6/18
Open: 11/29/18
Close: 12/16/18
______________
MAMMA MIA!
Music and Lyrics by Benny Andersson, Bjorn Ulvaeus, and some songs with Stig Anderson
Book by Catherine Johnson
Reh: 12/24/18
Open: 1/17/19
Close: 2/10/19
_____________
A DOLL’S HOUSE, PART 2
By Lucas Hnath
Reh: 2/5/19
Open: 2/28/19
Close: 3/10/19
_____________
WEST SIDE STORY
Book by Arthur Laurents
Music by Leonard Bernstein
Lyrics by Stephen Sondheim
Entire Original Production Directed and Choreographed by Jerome Robbins
Reh: 3/5/19
Open: 3/28/19
Close: 4/14/19
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.
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