Arrow Rock Lyceum Theatre | Arrow Rock, MO
Saturday, February 22, 2025
10:00 AM - 6:00 PM (C)
Lunch 1:30 PM - 2:00 PM
To schedule an audition appointment please email:
casting@lyceumtheatre.org. If you have a time preference, please indicate that.
LOA
$756 weekly minimum (Ref. to LORT) - 2024 rates
Equity actors for roles in Arrow Rock Lyceum Theatre's 2025 Season (See breakdown). All roles available. Casting may include one show or multiple shows throughout the season - for guest contracts as well as resident company. The Lyceum Theatre is an equal opportunity employer.
Please prepare 16-bars of two contrasting songs or a brief monologue (totaling less than 2 minutes). Bring sheet music in your key for the accompanist.
Arrow Rock Lyceum Theatre
114 High St
Arrow Rock, MO 65320
Enter through theatre front door and check-in in the lobby.
Expected to attend:
Alan Knoll, Interim Artistic Director
Sam Hay, Casting Consultant
See breakdown for production specific dates.
lyceumtheatre.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition. Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition. Always bring your Equity Membership card to auditions.
Audition Call Type: EPA
1st Rehearsal: Tuesday, May 20
Runs: June 6 – 15
12 performances
Music: Kristen Anderson-Lopez and Robert Lopez
Lyrics: Kristen Anderson-Lopez and Robert Lopez
Book: Jennifer Lee
Director: Sam Hay
Choreographer: Alex Hartman
Music Director: Josh Walker
(Female identifying, Mid 20s-Early 30s, Any Ethnicity, Soprano with high belt, F#3 to D5) The older of the two princesses and next in line for the throne. She was born with magical powers that she is still learning to control. In the past she has unwittingly harmed loved ones with them. Fearful of hurting anyone, especially her beloved sister, Anna, Elsa becomes anxious and withdrawn. Eventually she learns to take control and become confident in both her powers and as a leader.
(Female identifying, Early 20s-mid 30s, Any Ethnicity, Soprano, G3 to D5) The younger of the two princesses, she is imbued with a tremendous amount of light, energy, and love. She is a hopeless optimist and extreme extrovert. She longs for connection with others, especially her sister, Elsa. A strong singer with great comic timing.
(Male identifying, 20s-30s, Any Ethnicity, Baritone, G2 to A3) A hardworking ice harvester who has a sarcastic sense of humor and a rough-around-the-edges exterior that hides his big heart. Taken in by the Hidden Folk when he was young, he loves them dearly, but is a bit of a loner. Sven, a reindeer is his best friend and trusted confidant.
(Male identifying, mid 20s-30s, Any Ethnicity, Tenor, G2 to B3) An ambitious Prince of the Southern Isles and overlooked thirteenth son of a king. He boasts an exceedingly charming façade. Acts as a typical Prince Charming, but in reality is self-serving and out for personal gain at any cost. Has no value for other people except for how they may benefit him.
(Any Gender, 20s-40s, Any Ethnicity, Tenor, F#2 to D4) A magical snowman created by Elsa when she and Anna were young. Olaf is endearingly delighted by everything - especially the idea of summer. Goofy and sweet, Olaf should possess a childlike innocence. Has excellent comic timing.
(Any Gender, Any Age, Any Ethnicity) A reindeer, who happens to be Kristoff's best friend and companion. Fiercely loyal, though stubborn at times.
(Male identifying, 20s-30s, Any Ethnicity, Baritone) The mystical leader of the Hidden Folk who has a soft spot for strays. Along with Bulda, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks' best interests at heart, even if they are a bit misguided in their efforts.
(Female identifying, 20s-30s, Any Ethnicity, Any vocal range) One of the Hidden Folk who has a soft spot for strays. Along with Pabbie, is a parental figure to Kristoff, and always has his and the rest of the Hidden Folks' best interests at heart, even if they are a bit misguided in their efforts.
(Male identifying, 30s on up, Any Ethnicity, Baritone, F#2 to D4) A visiting duke with a huge inferiority complex. A bombastic, overbearing sycophant, Weselton's sole purpose is to hobnob with influencers and royalty.
(Male identifying, 20s-30s, Any Ethnicity) Officiates the coronation and passing of the crown to Elsa. (Can come from Ensemble)
(Male identifying, 20s-30s, Any Ethnicity, Baritone) The warm-hearted ruler of Arendelle who is committed to protecting both his family and the Townspeople. (can come from Ensemble)
(Female identifying, 20s-30s, Any Ethnicity, Mezzo-Soprano) The queen who possesses a sense of rightness and kindness that guides her in her protection of her two young girls. A daughter of the Northern Nomads, this queen can communicate with the Hidden Folk of the mountains and therefore understands Elsa's powers deeply. (Can come from the Ensemble)
(Male identifying, 20s-30s, Any Ethnicity, Baritone) An exceedingly cheerful and convivial wandering salesperson and ardent devotee to all things cozy and comfortable. Adept with humor. (Can come from Ensemble)
(All Genders and Ethnicities, Any Age, Any vocal range) Seeking strong singers and dancers to play townspeople, hidden folk, snow dancers, and other various parts in the show. Tapping a plus.
1st Rehearsal: Sunday, June 8
Runs: June 27 – July 6
11 performances
Music & Lyrics: Laurence O’Keefe and Nell Benjamin
Book: Heather Hach
Based on the novel by Amanda Brown and the Metro-Goldwyn-Mayer motion picture
Director/Choreographer: Amy Jones
Music Director: Josh Walker
(Female Identifying, 20s, Any Ethnicity, Mezz-Soprano, F#3-F5) Confident & effervescent, Elle is the quintessential blonde Valley Girl, who follows her boyfriend to Harvard Law School and realizes she has much more to offer than a pretty face. She is able to uplift those around her, due to her intense drive and positivity. A strong triple threat and comfortable working with dogs.
(Male Identifying, 20s-30s, Any Ethnicity, Bari-Tenor, A2-A4) A smart, sensitive, and sometimes sarcastic law student who mentors Elle. He is charming, quirky, lovable, and friendly. He’s worked hard for his entire life to get into Harvard Law, and nothing will come between him and becoming a partner in Callahan's law firm, except maybe his surprising love for Elle. Comfortable with dogs.
(Female Identifying, 50s, Any Ethnicity, Mezzo-Soprano, G3-A5) A brash, caring, optimistic hair stylist who becomes friends with Elle and longs to find a man for herself. She and Elle help each other achieve their dreams! A strong singer with a powerful belt and personality! Comfortable with dogs. Ability to do a Bostonian accent is a plus.
(Male Identifying, 40s-50s, Any Ethnicity, Baritone, A2-F#4) A pompous, sleazy and manipulative law professor at Harvard who is also a highly successful lawyer. He has a reputation for being an extremely strict and tough professor. He will do anything to get what he wants, regardless of morality.
(Male Identifying, 20s, Any Ethnicity, Tenor, A2-G#4) Good-looking and charming, yet shallow and self-absorbed. Warner breaks up with Elle to go to Harvard Law. He only sees Elle as a bubbly dumb blonde and doesn’t think she is serious enough to settle down with. He cares deeply about his reputation.
(Female Identifying, 20s, Any Ethnicity, Mezzo-Soprano, A3-Ab5) A smart, savvy, and uptight law student. Seemingly the polar opposite of Elle. She comes from a very conservative East Coast background and is everything that Warner needs to make a serious move to become a lawyer. When she becomes Warner’s fiancée, she initially dismisses Elle but grows to become her friend.
(Female Identifying, 20s-30s, Any Ethnicity, Mezzo-Soprano, A3-G5) An exercise video mogul who is also a former sorority girl. She is energetic and charismatic, yet currently on trial for murder.
(Female, 20s-30s, Soprano/Mezzo Belter) Enid is a strong, passionate, and outwardly feminist law student at Harvard, who is skeptical of Elle, but eventually becomes her friend. Has great comedic timing and be able to patter sing clearly.
(Females, Soprano/Mezzo/Alto) These three ladies are Elle’s trio of best friends and sorority sisters, who help her navigate the story by acting as a “Greek Chorus”.
(Male and Female Identifying, 20s-30s, Any Ethnicity, All vocal ranges) Will play Greek Chorus; Students; Delta Nu Members.
1st Rehearsal: Sunday, June 29
Runs: July 18 – 27
12 performances
Music: Neil Berg
Lyrics: Nick Meglin
Book: Dan Remmes
Adapted from the Warner Bros. motion picture written by Mark Steven Johnson
Additional Orchestrations: Phil Reno
Director: Peter Reynolds
Choreographer: Charlie Johnson
Music Director: Matt Goinz
(Male Identifying, 50s – Mid 70s, Any Ethnicity, Baritone) A retired Midwestern high school history teacher. Conservative, finicky, & set in his ways. Has excellent comedic skills and can sing well.
(Male identifying, Mid 60s – Mid 70s, Any Ethnicity, Baritone) A cranky retired TV repairman. Has a knack for insults & practical jokes. Has excellent comedic skills and can sing well.
(Male Identifying, 30s – 40s, Any Ethnicity, Tenor) Max’s son. A mild-mannered lawyer. Looking for a life change. Strong singer.
(Male Identifying, 94, Any Ethnicity, Baritone) John’s father with a “who cares” attitude and zero filter.
(Male Identifying, 40s – 60s, Any Ethnicity, Tenor) Owns the general store & bait shop. Loves to tell stories.
(Female Identifying, 50s, Any Ethnicity, Mezzo-Soprano) A beautiful, playful, free-spirited newcomer to town. A college literary professor with a poetic flair & a mystery about her. Has excellent comedic skills, sings & moves well.
(Female Identifying, 30s, Any Ethnicity, Mezzo-Soprano) John’s daughter. A real estate agent whose marriage is falling apart. Longing for a life change in a warmer climate.
(Female Identifying, 30s – 50s, Any Ethnicity, Mezzo-Soprano) An unrelenting & by the books tax collector.
(Female Identifying, 30s - 40s, Any Ethnicity, Alto) Chuck’s niece. A wisecracking but loyal newcomer to town.
(Male and Female Identifying, All Ages, All Ethnicities, All vocal ranges) To play multiple people in the town. All must sing & move well.
1st Rehearsal: Tuesday, July 29
Runs: August 16 (Saturday opening) – 24
9 performances
Note: Even though Don is a bit obnoxious, he is not the bad guy. Michael, even though he's a bit more sympathetic, is not always right. Both these characters are flawed and both have admirable qualities. We should be rooting for them to learn from each other and sort of be friends by the end.
(40s-50s) In many ways your typical little league coach you love.....or hate, depending on your athletic ability. Very confident, a fast-talker, a bit of a blow hard and a benign bully. For Don, it's pretty much his way or the highway. Think Dean Norris' character Hank on Breaking Bad. As the play goes on, we will see his vulnerability.
(30s - 40s) Just a really nice guy. Open-minded, non-competitive, very loose in his approach to life and little league coaching....probably too much so. In many ways, the polar opposite of Don. Think Alan Alda in anything.
1st Rehearsal: Tuesday, August 19
Runs: September 5 – 14
12 performances
Book, Music, and Lyrics: Irene Sankoff and David Hein
Orchestrations: August Eriksmoen
Arrangements: Ian Eisendrath
Director: Tim Seib
Choreographer: TBD
Music Director: Matt Goinz
(Female Identifying, 50s – 60s, Any Ethnicty, Mezzo Soprano) Diane is a traditional divorcee from Texas, who is terrified that her son may have been flying at the time of the attacks. When she finds out he is safe, she’s given a new lease on life and discovers a wilder, more carefree side of herself. Doubles as Newfoundland local, CRYSTAL. Contemporary soprano or mezzo with strong mix.
(Female Identifying, 40s – 50s, BIPOC, Soprano) The mother of a firefighter in Manhattan, HANNAH waits for news about her son and is comforted by Beulah. Doubles as Newfoundland local, MARGIE. Contemporary soprano with strong high mix.
(Female Identifying, 20s, Any Ethnicity, Mezzo-Soprano) An eager new local TV reporter. Janice is thrown into the deep end on her first day. Initially naive about the world, Janice must face the pain and confusion around her. Doubles as Newfoundland local by the name of JENNY. Mezzo with strong belt.
(Female Identifying, 40s – 60s, Any Ethnicity, Mezzo-Soprano) Head of the Gander Legion, with a firefighter son. She befriends Hannah and walks to church and prays with her. Quick-witted and open-hearted, Beulah loves to share a joke. Mezzo with strong belt.
(Female Identifying, 30s – 40s. Any Ethnicity, Mezzo-Soprano) A no-nonsense mother of 3, Bonnie is the head of the Gander area SPCA. When she discovers animals are trapped on the planes, she stops at nothing to ensure their safety. Doubles as a Newfoundland local by the name of MARTHA. Mezzo-Soprano.
(Female Identifying, Any Ethnicity, 40s – 50s, Soprano with Belt) An American Airlines pilot, Beverly has always loved flying but her world is changed when she hears about coworkers who were killed in the attacks, and when she is confronted by passengers who refuse to fly again. Doubles as Newfoundland local, ANNETTE. Soprano belter with strong high mix.
(Male Identifying, 30s – 50s, Any Ethnicity, High Tenor) The quirky constable in the two-person Gander police force. When the town’s population suddenly doubles, Oz helps out in unexpected ways. Doubles as JOEY, a rambunctious passenger on one of the planes who enjoys a good drink, MR. MICHAELS, a local gym teacher who speaks Spanish, and MATTY, the owner of the Trailways Bar, which is full of passengers 24/7. High Tenor.
(Male Identifying, 30s – 40s, Any Ethnicity, High Tenor) The head of an environmental energy company in Los Angeles. Kevin was on vacation with his boyfriend (and secretary, also named Kevin), when they are stranded in Gander. Inspired by the town’s generosity, Kevin creates the ‘Pay It Forward Foundation.’ Doubles as GARTH, head of the local union representing the bus drivers. High Tenor.
(Male Identifying, 30s – 40s, BIPOC, Baritone) Kevin T’s boyfriend and secretary. Sarcastic and unhappy, he wants to leave and get back to the U.S. as soon as possible. Doubles as DOUG, a local air traffic controller, married to Bonnie, who tries to help his wife and the animals. Baritone.
(Male Identifying, 20s – 40s, Black, Baritone) A hardened New Yorker, Bob is suspicious of where he’s landed, fearing that it’s World War 3, that someone is going to shoot him and steal his wallet – but instead, he ends up losing his New York jadedness. Doubles as MUHUMUZA, an African passenger who, despite a language barrier, finds common ground with a local bus driver. Baritone.
(Male Identifying, 40s – 50s, Any Ethnicity, Tenor) The gregarious and well-liked Mayor of Gander, Newfoundland. Claude loves his work, the townspeople, and his daily traditions, but he’s never before had to deal with a crisis of this magnitude. Doubles as DERM, mayor of the nearby town of Appleton. Tenor.
(Male Identifying, 50s – 60s, Middle Eastern, Baritone) An English oil engineer who is focused on his work. Nick’s life is turned upside down when he falls for another passenger, Diane. Doubles as ALI, an Iranian passenger. Baritone.
1st Rehearsal: Tuesday, September
Runs: September 26 – October 5
12 performances
(Female-identifying, 60s – 70s) Darling little old lady, the perfect aunt or grandmother. She and her sister Martha seem to be the absolute embodiment of the values of polite society of a bygone age. Of the two sisters, she is the one in charge, the “brains” of the outfit.
(Female-identifying, 60s – 70s). Exactly the same as her sister in character, except she’s probably a little younger and the follower. Both ladies seem happy, healthy, lucid, and spry. Teddy, Jonathan and Mortimer are their nephews.
(Female-identifying, 20s – 30s) Mortimer’s fiancé and Reverend Dr. Harper’s daughter. She is surprisingly wise in the way of the world for a minister’s daughter; she’s wily, sassy and absolutely sharp.
(Male-identifying, 30s – 40s) Our leading man earns his living as a theater critic. He is a good-hearted cynic with a razor-sharp wit. We see a likable chap who has his world turned upside down. An aptitude for physical comedy is a plus.
(Male-identifying, 40s – 60s) A lovable lunatic who believes he is the 26th president of the United States. Everything about his demeanor & vocal delivery is colored by his belief that he is Teddy Roosevelt. This is a physical role; The actor must be able to charge (run) up a flight of stairs.
(Male-identifying, 40s to 50s) A spine chilling psychopath with a grudge against his brother Mortimer. He is a cold-blooded killer, who is also the victim of a botched plastic surgery. An explosive temper, definitely the villain in our story. A tricky role - character is all of these things but still keep us firmly in the world of the farce.
(Male-identifying, 50s to 60s) Jonathan’s reluctant sidekick and plastic surgeon. He is somewhat ratty in appearance. His face wears the benevolence smirk of a man who lives in a pleasant haze of alcohol. There is something about him that suggests the unfrocked priest. He is loyal to Jonathan, but also afraid of him.
(Male-identifying, 50s to 70s): Dr. Harper is the Brewster sisters' neighbor and Elaine’s father. A stern fellow who does not approve of Mortimer as a suitor for his daughter.
(Both male-identifying, 30s to 40s for each, Klein is maybe a little younger) Two lovable cops, neither very bright. But Brophy is the leader of the two. A definite comedy duo in our play.
(Male-identifying, 30s to 40s) An extremely likable fellow, full of life and good-natured. This big-hearted oaf thinks he is the second coming of Eugene O’Neal! A great storyteller.
(Male-identifying, 60s to 70s) An elderly curmudgeon. He is a little gruff but warms up quickly to the aunts' “kindness”.
(Male-identifying, 40s to 50s) Is in charge of the local police precinct. So he’s the boss of the three cops, and very much exasperated by their incompetence. This small but essential role drives the play in the last act. He is loud, decisive and clearly a take-charge kind of guy.
(Male-identifying, 60s to 70s) This kindly, mild-mannered gentleman is the superintendent of happy sanitarium. And the final victim!
1st Rehearsal: Tuesday, November 25
Runs: December 12 – 21
12 performances
(Male identifying, 40s and up, Any Ethnicity) A cantankerous money lender who has buried a lot of memories by focusing only on his work and material success.
(Female identifying, Adult, Any Ethnicity) Alto. Violinist. The Ghost seems gentle and ethereal, but her questioning of Scrooge intentionally causes him to address memories he’d be happier to push aside. She uses music to transport Scrooge through the shadows of his past. A variety of other roles.
(Gender non-specific, Adult 30s-50s, Any Ethnicity) Loud and boisterous, the Ghost lives in the moment but mixes their good nature with a serious understanding of the weight of time. A variety of other roles. Strong singer.
(Female or male identifying, Adult, Any Ethnicity) Athletic, skill with mime and puppetry a plus. This is a non-speaking role, but must convey a sense of danger and menace.
(Female identifying, 20s, Any Ethnicity) Belle is the girl of Young Ebenezer’s dreams, who falls for him but is strong and independent enough to walk away when he chooses work over her. A variety of other roles. Strong singer.
(Female identifying, 20s and up, Any Ethnicity) Versatile and strong singer.
(Male identifying, Adult, Any Ethnicity) Versatile and strong singer.
(Male identifying, 40s-50s, Any Ethnicity) Fezziwig is a huge personality who is loved by all and who wants nothing more than to share his love of Christmas with everyone around him. A variety of other roles. Versatile character with dramatic skills. Strong singer.
(Male identifying, 40s and up, Any Ethnicity) The ghost of Jacob Marley shows the tragic end of a life lived like his former partner, Scrooge. Old Joe is a pawnbroker with a wicked sense of humor who’s not afraid to engage in dishonest business under the direction of Scrooge.
(Male identifying, Adult, Any Ethnicity) Young Marley is solely focused on increasing his wealth; he sets Young Scrooge on a path to greed and loneliness. Strong singer.
(Male identifying, 20s-30s, Any Ethnicity) Tenor. Fred is the opposite of his uncle Scrooge — upbeat and optimistic, he celebrates his life, even though he’s not well off financially. Unlike his older self, Young Ebenezer tempers his drive to succeed with a dash of wide-eyed romance. A variety of other roles. Strong singer.
(Female identifying, 20s-30s, Any Ethnicity) Anne is Fred’s wife; confident and strong, a modern woman who isn’t afraid to let her voice be heard. Featured solos--Vocal Range: B3-E5.
(Male identifying, Adult, Any Ethnicity) Versatile and strong singer.
(Female identifying, 40s-50s, Any Ethnicity) Soprano. Much like Mr. Fezziwig, Mrs. Fezziwig is a big personality who turns everything she touches into a celebration. Mrs. Dilber is Scrooge’s miserable housekeeper who runs with a rougher crowd than Scrooge probably knows. Versatile. Strong singer.
(Male identifying, Adult, Any Ethnicity) Dick is Young Scrooge's charming, happy best friend. Versatile and strong singer.
(Male identifying, Adult, Any Ethnicity) Versatile and strong singer.
(Female identifying, 30s-40s, Any Ethnicity) Bob Cratchit's supportive and protective wife and mother to their large family. A variety of other roles.
(Male identifying, 30s-40s, Any Ethnicity) Cratchit is a good-natured, long-suffering and hardworking clerk, striving to stay positive while supporting a large family and working for an impossibly cruel boss. Strong, versatile. A variety of other roles.
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