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ALLIANCE THEATRE 2017-18 SEASON LORT and TYA SEASONS **Revised** Equity Principal Auditions - Alliance Theatre Auditions

Posted February 2, 2018
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ALLIANCE THEATRE 2017-18 SEASON LORT and TYA SEASONS **Revised** - Alliance Theatre

Alliance Theatre 2018-19 LORT and TYA Seasons - Atlanta EPA

Alliance Theatre


**Revised Breakdown for ANGRY, RAUCOUS, AND SHAMLESSLY GORGEOUS**

AUDITION DATE

Mon, Feb 12, 2018

10:00 am (EST)

Lunch 1 to 2

APPOINTMENTS

Please email Hershey Millner at hershey.millner@alliancetheatre.org by February 9th to receive a timeslot. AEA members without appointments seen as time permits.

CONTRACT

LORT Non-Rep $656-887/week LORT B, LORT D, TYA;
TYA

SEEKING

Equity actors and actor/singers for various roles in the upcoming LORT and TYA Seasons. See breakdown.

PREPARATION

Auditioning Performers should prepare EITHER
1) a brief song OR 2) a brief monologue OR 3) a 32 bars of a song and a one-minute monologue

Bring sheet music; an accompanist is provided.

Bring one picture and resume, stapled together.

LOCATION

Woodruff Arts Center

1280 Peachtree St NE

Atlanta, GA 30309-3502

Hamacher Movement Studio, on the third floor of the Woodruff Arts Center

PERSONNEL

Expected at the EPA:
Jody Feldman, Producer and Casting Director
Hershey Millner, Casting and Engagement Associate
Robert Strickland, Accompianist

OTHER DATES

Season First Rehearsal: 5/11/18
Season Opening: 6/9/18
Season Closing: 5/26/19
Specific Show Dates included in Character Breakdown

OTHER

www.alliancetheatre.org

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

BREAKDOWN

TYA 2018-2019 Season

WINNIE THE POOH
Rich Auditorium
Contract TYA
By A.A. Milne
Dramatized by Le Clanche Du Rand
Directed by Leora Morris
First Rehearsal: 5/11/18 Closing: 7/8/18

*This production has been cast.
______________

PAIGE IN FULL
Rich Auditorium and Tour
Contract TYA
By Paige Hernandez
Directed by Rosemary Newcott
First Rehearsal: 9/25/18 Closing: 11/18/18

*This production has been cast.
______________

THE WIZARD OF OZ
Rich Auditorium
Contract TYA
By L. Frank Baum, Adaptation by John Kane, Picture Score by Harold Arlen and E.Y. Harburg
Directed by Rosemary Newcott, Musical Director TBD
First Rehearsal: 2/5/19 Closing: 4/14/19

Seeking:

Scarecrow/Huck/Puppeteer

Tin Man/Hickory/Puppeteer

Wicked Witch of the West/Miss Almira Gultch

Flying Monkey/Winkie/Puppeteer

Uncle Henry/Winkie Guard/Puppeteer

Glinda Good Witch of the North/Aunt Em/Puppeteer

Wizard of Oz/Professor Chester Marvel/Gatekeeper/Puppeteer

Cowardly Lion/Zeke/Puppeteer

Dorothy Gale/Puppet Toto

Characters are all ethnicities, various ages. All must sing.

2018-2019 LORT Season

ALLIANCE SERIES

A MIDSUMMER NIGHT’S DREAM
Atlanta Botanical Gardens
Contract, LORT D
By William Shakespeare, Adaptation in progress
Directed by David Caitlin
First Rehearsal: 8/7/18 Closing: 10/21/18

Bottom/Theseus/Pyramus/Oberon
Early 30s to early 40s

Petunia/Prune/Hippolyta/Egeus/Puck/Titania/Sailor
20s

Bulb/Hermia/Lion/Moth/Mermaid
20s

Thorn/Lysander/Mustardseed/Cupid #1/Wall
20s

Miss Thistle/Helena/Mortal Boy/Aphrodite/Moon
20s

Francis Fern/Demetrius/Cobweb/Cupid #2/Thisby
20s

All ethnicities and genders are encouraged. All must have exceptional facility with language. Circus/acrobatic skills a big plus.
_________________

EVER AFTER
Alliance Stage
Contract, LORT B
Book and Lyrics by Marcy Heisler
Music by Zina Goldrich
Directed by Susan Booth, Musical Director TBD
First Rehearsal: 12/11/18 Closing: 2/17/19

Script in development. Subject to change.

Louise
Female, servant in the Chateau De Barbarac

Maurice
Male, married to Louise, servant

Danielle De Barbarac
Female, daughter of Auguste De Barbarac

Gustave
Male, Danielle’s servant and best friend

Auguste De Barbarac
Male, a farmer

Baroness Rodmilla Du Ghent
Female, Auguste’s new wife

Marguerite Du Ghent
Female, her daughter

Jacqueline Du Ghent
Female, her daughter

King Francis of France
Male

Queen Marie of France
Female

Prince Henry
Male, their son

Captain Laurent
Male, his minder

Leonardo Da Vinci
Male, a genius, brought to be an artist in residency at the court of Francis

Pierre Malette
Male, a wealthy landowner

Chorus of various courtiers, gypsies, servants, and townspeople (16)
Male, Female
______________

A CHRISTMAS CAROL
Cobb Energy Center
Contract, LORT B
Book by Charles Dickens, Adapted by David Bell
Directed by Rosemary Newcott
First Rehearsal: 11/20/18 Closing: 12/24/18

An ensemble of 17

Multiple ethnicities, genders, and ages.

Theatre is intending to cast this will all local Atlanta actors.
________________

ANGRY, RAUCOUS, AND SHAMLESSLY GORGEOUS (World Premiere)

Alliance Stage
Contract, LORT B
By Pearl Cleage, In Development
Directed by Susan Booth
First Rehearsal: 2/19/19 Closing: 4/14/19

Script in development. Subject to change.

Woman 1
Female, African-American, 65, has been active in progressive politics for decades

Woman 2
Female, African-American, 65, has been active in progressive politics for decades, also an artist

Woman 3
Female, African-American, 40, high level political strategist

Woman 4
Female, African-American, 30 to 35, well-educated and independent

Woman 5
Female, African-American, 30 to 35, well-educated and independent

Woman 6
Female, African-American, 27, former dancer and burlesque performer

______________

RIDE THE CYCLONE
Alliance Stage
Contract, LORT B
Music and Lyrics by Brooke Maxwell and Jacob Richmond
Book by Jacob Richmond
Directed by TBD, Musical Director TBD
First Rehearsal: 4/2/19 Closing: 5/26/19

Narrator
Male, The Amazing KARNAK…a mechanical fortune-telling machine. A deep rumbling baritone voice, with a steady, measured, calm inflection that exudes gravitas but it is never pushed to comedic extremes. There is never any archness in the voice. Think an ominous mechanical Santa Claus—or God—or Hal 3000.

Ocean O’Connell Rosenburg
Female, Belter, Alto/Soprano, 17

Mischa Bachinski
Male, Rapper/Folksinger, Baritone, 18

Noel Gruber
Male, Smooth cabaret voice, tenor, 17

Ricky Potts
Male, Rock voice, Baritone, 17

Constance Blackwood
Female, Rock voice, Alto, 17

Jane Doe
Female, Classical/Operatic voice, Soprano, age TBD
____________

HERTZ SERIES

NICK’S FLAMINGO GRILL (World Premiere)
Hertz Stage
Contract, LORT D
By Phillip DePoy
Directed by TBD
First Rehearsal: 9/4/18 Closing: 10/28/18

Script in development. Subject to change.

Truck Davis
Male, Large Jew, son of a Cantor, 34

Bechet Thompson
Male, Black singer/songwriter, 34

Claudine Thompson
Female, French and Black, Bechet’s wife, 29

Nick Thibodeaux
Male, Doubled with Napier, Cajun cook, mid-40s

Chi-Chi Lopez
Female, Cuban singer, Truck’s common-law wife, 30

Harold Napier
Male, gay Episcopalian real estate owner, mid-40s

John Hammond
Male, historical figure with Columbia Records, 48

Billie Strayhorn
Male, historical figure, songwriter, 43
__________________

KNEAD (World Premiere)
Hertz Stage
Contract, LORT D
By Mary Lynn Owens
Directed by David De Vries
First Rehearsal: 10/16/18 Closing: 12/02/18

*This production has been cast.
_________________

GOODNIGHT TYLER (World Premiere)
Hertz Stage
Contract, LORT D
By B.J. Tindal
Directed by TBD
First Rehearsal: 1/22/19 Closing: 3/10/19

Script in development. Subject to change.

Tyler Evans
Male, Black, 26

Fannie Evans
Female, Black, 76

Davis
Male, White, 26

Chelsea
Female, White, 26

Shana
Female, Black, 22

Drew
Male, White, 25
_________________

APPROVAL JUNKIE (World Premiere) (One Woman Show)
Hertz Series, Hertz Stage, LORT D
By Faith Salie
Directed by TBD
First Rehearsal: 3/12/19 Closing: 4/28/19

*This production has been cast.


Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to audition.

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