In a Berlin nightclub, as the 1920s draw to a close, a garish Master of Ceremonies welcomes the audience and assures them they will forget all their troubles at the Cabaret. With the Emcee's bawdy songs as wry commentary, Cabaret explores the dark, heady, and tumultuous life of Berlin's natives and expatriates as Germany slowly yields to the emerging Third Reich. Cliff, a young American writer who newly arrived in Berlin, is immediately taken with English singer Sally Bowles. Meanwhile, Fräulein Schneider, proprietor of Cliff and Sally's boarding house, tentatively begins a romance with Herr Schultz, a mild-mannered fruit seller who happens to be Jewish. The musical depicts Weimar-era Berlin during this chaotic interwar period as a carnival of debauchery and despair inhabited by desperate people who are unaware of the national catastrophe that awaits them. CONTENT WARNING: Adult themes and situations. Questions about content? Contact OpenStage at 970.484.5237.
Videos
Guys and Dolls
Merely Players (4/25 - 5/11) | ||
Dear Evan Hansen (Non-Equity)
Lincoln Center (1/24 - 1/26) | ||
A Case for the Existence of God
Curious Theatre Company (1/18 - 2/16) | ||
Mean Girls (Non-Equity)
Buell Theatre- Denver Center for the Performing Arts (2/25 - 3/2) | ||
Something Rotten! by John O'Farrell and Karey Kirkpatrick
Roe Green Theatre, University Theatre Building (4/11 - 4/20) | ||
Mamma Mia!
Buell Theatre- Denver Center for the Performing Arts (6/24 - 6/29) | ||
Dear Evan Hansen (Non-Equity)
Union Colony Civic Center [Monfort Concert Hall] (1/23 - 1/23) | ||
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