BWW Reviews: BONNIE AND CLYDE with Equinox Theatre

Just like the infamous duo, Bonnie and Clyde: The Musical had a short life on Broadway, but it left a mark on the theatre scene. Denver's Equinox Theatre Company is currently presenting the show's regional premiere.

The ill-fated couple comes back to life (and then goes right back where they came from) in this enticing production, keeping with Equinox's typical edgy vibe. Clyde Barrow, who's had dreams of being an outlaw since childhood, meets Bonnie Parker, an aspiring film star and writer, and the two become inseparable...despite Clyde's unwillingness to stay out of trouble. Eventually he drags his lover down with him, making their mark in history on the way.

The music, penned by Frank Wildhorn (best known for Jekyll & Hyde), drives the show with a captivating pulse and heart, giving the actors plenty of room to fly their vocal talents-and oh, do they soar.

Annika Merkel's Bonnie had an endearing vivacity about her, holding her own while trying to stay on track to her dream of becoming a Hollywood starlet. But even when her path with Clyde shifted, she owned it. As Bonnie is a vocalist in the show as well, Merkel's vocals were a lovely addition to the role.

Kalond Irlanda gave Clyde an alluring charm, balancing the role's softer moments with a raw edge. His vocals blended well when singing with others in the cast; however, Irlanda's vocal range did not lend itself to Clyde's high baritenor belting, as he strained with most of the character's powerhouse ballads. There was also a slight disconnect with his spoken twang, which was often disregarded when a song came along.

After catching Benjamin Cowhick's Henry-winning performance in Good Television last fall, I went in expecting a solid performance as Buck, Clyde's brother--and he didn't disappoint. Cowhick effortlessly captured Buck's lowbrow demeanor, partnering brilliantly with Sarah Dutcher, who played his wife, Blanche. Dutcher gave the character vivacity with a fierce wit. Together, the actors gave standout performances that were a fun distraction from the show's main duo.

Other notable performances included Bonnie's wannabe suitor, Ted, smoothly executed by Matt Kok, who I wished had a bit meatier of a role. Preston Adams gave the show's preacher soul, immersing the audience in church numerous times. All around, the ensemble gave heartfelt and captivating performances.

I was excited to see repeated appearances throughout the show from the younger versions of Bonnie and Clyde, played by Ashlynne Bogema and Carter Novinger. Both actors kicked off the show with impressive talents that rivaled some of the more seasoned professionals onstage.

What continuously impressed me, though, was director Colin Roybal's brilliant use of the seemingly simplistic set. Without any dragging blackouts or technical bumps, a few wooden panels slid effortlessly to create several differing scenic environments. Kudos also to Roybal's lighting design, which created some haunting moments. Costumes by Deb Flomberg gave the show a wonderful authenticity. The eight-piece band, directed by Michelle Fitzgerald, nailed the production's intricate score.

Equinox Theatre Company's production of Bonnie and Clyde: The Musical plays Fridays and Saturdays at 7:30 pm through August 15 at The Bug Theatre, 3654 Navajo St. Tickets are $20 in advance or $25 at the door. Call (720)984-0781 or visit www.EquinoxTheatreDenver.com.

Photos by Christine Fisk for DenverMind Media

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