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Kayla Hamilton is launching Circle O, a Bronx-based cultural organization for Black Disabled and multiply marginalized creatives, focusing on performance, education, and consultation. Learn more about the organization!

Disabled dancer/choreographer Kayla Hamilton, Artistic Director of K Hamilton Projects, receives the Pina Bausch Fellowship for Dance and Choreography.

Sara Porter Productions has announced L-E-A-K, a fresh new dance work that explores the ecosexual notions of falling in love with the ocean, inspired by the Bay of Fundy, home to the highest tides in the world. Choreographed by Sara Porter and performed by Sara Porter and Jessie Garon, L-E-A-K will be presented at The Theatre Centre, from May 18, 2023, to May 21, 2023. 

Sara Porter Productions has announced L-E-A-K, a fresh new dance work that explores the ecosexual notions of falling in love with the ocean, inspired by the Bay of Fundy, home to the highest tides in the world. Choreographed by Sara Porter and performed by Sara Porter and Jessie Garon, L-E-A-K will be presented at The Theatre Centre, from May 18, 2023, to May 21, 2023. 

 London's leading centre for dance performance and creation The Place will launch its electrifying autumn season, with must-see highlights including the UK premiere of Georgia Tegou & Michalis Theophanous' Reverie (part of Dance Umbrella Festival 2022), The Place's Work Place Artist Anders Duckworth's Mapping Gender, the return of Igor x Moreno's acclaimed solo BEAT, and Far From Home by Alleyne Dance.

In celebration of her career as a dance critic, writer, dancer, choreographer and educator, From the Horse's Mouth will dedicate its next theater/dance performance event to Deborah Jowitt, whose lifelong accomplishments exemplify a storied career spanning more than 50 years.

Time Out - It was a pivotal year for Dunn. He was thirty-one. He had left the Cunningham Company in the spring of 1973. Grand Union was sporadically continuing. He had danced duet concerts with Sara Rudner, David Gordon, and Pat Catterson, here and there had also presented short solos on mixed programs. What now? He wrote: 'I'm in turmoil. It's a question of confidence. These theatrical scenes running around in my head, for years. If I can bring them to life as an evening-length solo, my dance-heart will strengthen, I will persevere.

I am reminded that one of the beauties of dance is not always to tell a story but to evoke an idea that lives on its own wild life within each member of the audience and echoes out into our individual, very real lives long after we leave the theatre--and Alvin Ailey does just that.