“Leave everything on the mat.”
The show opens by introducing us to an unconventional wrestling duo. Macedonio Guerra (“Mace”), a Puerto Rican wrestling fanatic (and “jobber” in the ring), finds himself teamed up with Vigneshwar Paduar (“VP”), a Brooklynite of Indian descent. The two have found a unique bond and ambition to fight together, wrestling for fun and for funds. In an electrifying turn of events, they are picked up, and cast as “terrorists” in the ring. The crowd revels in this narrative, forcing audience members to pick up the pieces.
Through Macedonio and Vigneshwar, Playwright Diaz pushes boundaries beyond the wrestling ring — addressing unspoken issues such as racism and politics and their presence within mass media. In this high-voltage play, it’s not just about winning matches but fighting for silenced truths. Buckle up—this striking theatrical experience leaves everything on the mat.
Circle Theatre is at 230 W Fourth Street, Fort Worth, TX.
Destroying David by Jason Odell Williams (1/30/25-2/22/25)
Imposter! Hypocrite! Tartuffe! by Ashley H. White (8/1/24-8/24/24)
Hundred Days book by Sarah Gancher Music & Lyrics by Abigail & Shaun Bengson (6/6/24-7/6/24)
Water By The Spoonful by Quiara Alegria Hudes (3/21/24-4/13/24)
Artemisia (2/1/24-2/24/24)
The Other Josh Cohen (8/24/23-9/16/23)
The Mountaintop by Katori Hall (3/30/23-4/15/23)
Lonesome Blues (2/2/23-2/11/23)
Kodachrome by Adam Szymkowicz (10/27/22-11/19/22)
August Wilson's Fences (9/2/22-9/24/22)
Ain't Misbehavin' with Music by Thomas “Fats” Waller; Conceived by Richard Maltby, Jr. and Murray Horwitz (3/6/25-3/22/25)
The Hatmaker's Wife by Lauren Yee (4/17/25-5/10/25)
A Strange Loop by Michael R. Jackson (6/19/25-7/12/25)
The Last Five Years by Jason Robert Brown (8/14/25-9/6/25)
Mac Beth by Erica Schmidt (10/9/25-11/1/25)
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