Pippin, the energetic and sometimes bizarre brainchild of director Bob Fosse, takes you on a wild journey of self-discovery. Pippin, a young prince seemingly bored with his royal life, longs to find his "purpose," his "Corner of the Sky." He embarks on a series of extravagant adventures, testing the waters of love, war, politics, and even the simple life.
Nothing seems to fulfill him completely, leaving him feeling lost and disillusioned. Throughout his quest, Pippin encounters a wacky cast of characters, including a seductive Leading Player who acts as a guide and manipulator, a flamboyant troupe of performers, and various eccentric figures who represent different paths in life. The musical is filled with Fosse's signature choreography – sharp angles, fedoras, and a touch of vaudeville – adding a layer of theatricality to Pippin's exploration.
Despite its comedic moments and outlandish scenarios, Pippin grapples with deeper existential questions. Is there meaning to life? What does it mean to be truly happy? The ending is unconventional, leaving the audience to ponder Pippin's ultimate choice and the never-ending quest for fulfillment.
Year | Category | |
---|---|---|
1973 | Best Musical | |
2013 | Best Revival of a Musical | Winner |
Videos
Almost, Maine
Allen Contemporary Theatre (1/24 - 2/9) | ||
Heartbreak Hotel
Plaza Theatre Company (12/31 - 1/25) | ||
Ain't Too Proud
Bass Performance Hall (2/11 - 2/16) | ||
we are continuous
Theatre Three (2/7 - 2/23) | ||
Clue
Bass Performance Hall (3/25 - 3/30) | ||
Ain't Too Proud (Non-Equity)
Cowan Center (1/21 - 1/21) | ||
The Last Five Years by Jason Robert Brown
Circle Theatre (8/14 - 9/6) | ||
Ain't Misbehavin' with Music by Thomas “Fats” Waller; Conceived by Richard Maltby, Jr. and Murray Horwitz
Circle Theatre (3/6 - 3/22) | ||
Shucked
Bass Performance Hall (7/29 - 8/3) | ||
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