Undermain Announces 'Whither Goest Thou America', A Festival of New Play Readings
By: Julie Musbach Feb. 20, 2018
Undermain Theatre presents Whither Goest Thou America: A Festival of New Play Readings. Four weeks of staged readings of new American plays examining the current American Landscape. Each week of the series will focus on a different playwright and play with readings of the play by an ensemble cast and the playwright in attendance for discussion of the work every Saturday night. Audiences will have the opportunity to return each week of the series to experience a new work and author examining the American experience and asking the question, "How did we get here and where are we going?"
More information on the readings and the festivities to come!
Tickets on sale now!
The featured plays and playwrights are as follows:
A LOVE OFFERING by Jonathan Norton 4/12/18 - 4/15/18
T'Wana Jepson has been bit before. And scratched. And kicked. And punched. And called every dirty word in the book. But so has her coworker and play-mama, Miss Georgia. It comes with the territory as a nurse's aide caring for patients with Alzheimer's and dementia. You learn to not take it personally and to lean on your co-workers for support. But after T'Wana is attacked by the patient in E 204, something happens that threatens the bonds of trust and friendship. A timely and compelling play by Jonathan Norton.
* Post show discussion with Jonathan Norton Saturday April 14th
THE LIGHT COLLECTORS by Blake Hackler 4/19/18 - 4/22/18
Esther's quiet Brighton Beach existence is upended when a mysterious woman arrives at her door. It seems Esther's sister, Laila, has been kidnapped by a dybbuk, who's taking people's stories. Soon Esther is on her way to Japan to do battle with the dybbuk and her past. And she's going to bring Laila home, no matter the cost. A metaphysical mystery by Blake Hackler.
*Post show discussion with Blake Hackler Saturday, April 21st
VISIBLE FROM FOUR STATES by Barbara Hammond 4/26/18 - 4/29/18
A small American town argues over whether to put a cross or a cellphone tower on its only hilltop - as the local prison warden struggles with his friendship with a young man on death row. Visible from Four States sits at the modern crossroads of belief and communication, where an individual man carries the moral burden of a nation. Barbara Hammond deftly weaves the familiar into the profoundly new in this brilliant and compelling script.
*Post show discussion with Barbara Hammond on Saturday, April 28th
SHAKEY JAKE + ALICE by Len Jenkin 5/3/18 - 5/6/18
Shakey Jake + Alice traces the poetic arc of the lives of two lovers through the years from first kiss to last goodbye and everything in between. On the road, in an indelible American landscape, longtime Undermain collaborator Len Jenkin explores the psyches of life-long partners to answer the question, "How is it that we live?"
*Post show discussion with Len Jenkin on Saturday, May 5th
About the Authors
artandseek.org
JONATHAN NORTON
Jonathan Norton is a playwright and theatre maker based in Dallas, Texas. His plays include My Tidy List of Terrors, Mississippi Goddamn, n*g*erb*tch,
homeschooled, and Our Lady of South Oak Cliff: The Virgin Shenequa. Jonathan's plays have been produced or developed by PlayPenn, The Black and Latino Playwrights Conference, South Dallas Cultural Center, TeCo Theatrical Productions, African American Rep., Nouveau 47, Dallas Institute of Humanities and Culture, CrossOver Arts Theater and Soul Rep. He is a recipient of the Diaspora Performing Arts Commission from the South Dallas Cultural Center, and an Artistic Innovations Grant from the Mid-America Arts Alliance. His civil-rights-era drama, Mississippi Goddamn, won the 2016 M. Elizabeth Osborn New Play Award. Jonathan is an inaugural member of the Dallas Playwrights Workshop at the Dallas Theater Center where his newest play, Penny Candy will be produced in DTC's 18-19 season with a grant from the TACA Donna Wilhelm Family New Works Fund.
Blake Hackler is a writer and actor originally from Texas. As an actor, Blake has appeared in productions on Broadway, Off-Broadway and in regional theatres throughout the country as well as in TV and film. An Undermain Company Member, Blake appeared in We Are Proud to Present...(Man 2), Time in Kafka (Kafka/Desk Clerk), The Ghost Sonata (Hummel), and so go the ghosts of méxico, part one (el morete) and directed Anne Washurn's 10 Out of 12 and Annie Baker's The Flick. Most recently, his play, What We Were, was named a winner of the 2017 Ashland New Plays Festival. His play, The Necessities, was named Best Play of 2017 by the Dallas Theatre Critics Association, and is nominated for the prestigious Harold and Mimi Steinberg Award. Other productions include This Sweet Affliction - Yale Cabaret and Margo Jones Theatre, The Boss in the Satin Kimono - New York International Fringe Festival, 10 Reasons I Won't Go Home With You (lyrics) - Midtown Theatre Festival, The Lady in Red - Gene Frankel Theatre, Mother Courage of Westchester - NYTE, Barry Horowitz: A Jewish Fantasia on Catholic Themes - Prospect Theatre and The Wasp Woman - a musical written with Phillip Chernyak. Blake was the runner up for the ATHE Playwriting award in 2015. He is a member of the esteemed BMI/Lehman Engel Musical Theatre Writing Program, and is the recipient of the Harrington Award for Excellence in Musical Theatre Writing. He holds an MFA in acting from the Yale School of Drama and is a Fulbright Senior Scholar.
decmetrotheaterarts.com
BARBARA HAMMOND
Barbara Hammond is currently under commission from The Royal Court Theatre for her latest play, Terra Firma. Her play, We are Pussy Riot or Everything is P.R., was originally a commissioned for the Contemporary American Theatre Festival, and in February 2016 had a residency at Duke University followed by a workshop production at Emerson College. Her research took her to the world's biggest country, where she witnessed one of the last opposition protest rallies in the center of Moscow at Pushkinskaya Square in September 2014.
She and her plays have won recognition, awards and funding including New Dramatists ('18), the National Endowment of the Arts, The Tyrone Guthrie Centre, The Venturous Theater Fund, the Laurents/Hatcher Foundation and the Andrew W. Mellon Foundation, as well as Emerson College, Duke University, Yale University, the Contemporary American Theatre Festival, The Helen Merrill Foundation, Seven Devils Theatre Conference, the First Irish Theatre Festival, the Edward Albee Foundation, the Tennessee Williams One-Act Play Festival and the Kerouac Project. A member of ASCAP and the Dramatists Guild, she was named one of the Influential Women of 2011 by the Irish Voice.
Robert Hart/TheaterJones
A hero of the avant-garde and Undermain company member Len Jenkin returns to Undermain following a long line of acclaimed award-winning productions of Jenkin's plays such as Jonah, Margo Veil, Port Twilight, Time in Kafka, Abraham Zobell's Home Movie: Final Reel and Poor Folks Pleasure. Len Jenkin's credentials and awards include three Obie Awards for directing and playwriting, a Guggenheim Fellowship, a Rockefeller Foundation Award, a nomination for an Emmy Award, four National Endowment for the Arts Fellowships and a PhD in literature from Columbia University. His stage plays have been produced throughout the United States, as well as in England, Germany, France, Denmark, and Japan. In New York his plays have been produced at Lincoln Center, Soho Rep, The Flea, The Chocolate Factory, The Public Theater and many others.
Tickets are available at www.undermain.org or by calling the Box Office at 214.747.5515.
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