The Dallas Opera is extremely pleased to announce the result of this year's balloting for the prestigious "Maria Callas Debut Artist of the Year" Award: Texas-born, internationally renowned, lyric coloratura soprano Laura Claycomb.
The award is given to a single performer each season for a particularly remarkable and memorable company debut. The selection of Miss Claycomb, a flame-haired diva who dazzled audiences with her breathtaking vocal qualities and exceptional stage artistry, made her long-sought company debut as Gilda in the Dallas Opera's 2011 revival of Verdi's heart-rending Rigoletto.
Both her interactions with other principals in the cast (including the unforgettable Paolo Gavanelli in the title role) and her solo moments onstage left area critics and audiences at a near-loss for words.
Wrote Gregory Sullivan Isaacs of Theater Jones: "Her big aria, Caro nome, was impeccably sung and dramatically spot-on. Her portrayal is that of an innocent and sheltered girl grappling with the newly awakened...passions of a worldlier woman. Her choice to give her life to save her feckless lover's is agonizing rather than girlishly romantic."
Dallas Morning News Classical Music Critic Scott Cantrell praised Miss Claycomb for her "limpid tone, dazzling technique and eloquent expression. Even atmospheric pitches were negotiated with delicacy and pliancy."
William Burnett of Opera Warhorses added, "Hers is a lustrous voice, affecting in her duets with Gavanelli's Rigoletto, passionate in those with tenor James Valenti's Duke of Mantua."
The winner of the prestigious award was announced by Artistic Director Jonathan Pell at the annual Dallas Opera Board and Trustee Appreciation Dinner, which began earlier this evening in the Crescent Ballroom of the Rosewood Crescent Hotel, 400 Crescent Court in Uptown Dallas."There were so many artists making their Dallas Opera debuts this season, and so many truly extraordinary performances that it must have been difficult for our subscribers to choose just one," says Mr. Pell. "I must confess, though, that I was very pleased that Laura Claycomb was selected as this year's Maria Callas Debut Artist of the Year.
"There is something so heartwarming about the ‘local girl makes good' scenario, considering that so often ‘a prophet is without honor in his (or in this case, her) own land.'
"It is astonishing that Laura was making not only her Dallas Opera debut, but what amounted to her local debut as a professional singer, since she hasn't yet sung with the Dallas Symphony Orchestra.
"She has had great acclaim in opera houses and symphony halls around the world, but I know that coming back to Dallas and singing for this audience meant a great deal to her. An artist of her caliber is like a beautiful gemstone, and we were fortunate enough to now be able to show her off in the perfect setting of the Winspear Opera House."
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I am thrilled to accept The Dallas Opera's Maria Callas Debut Artist of the Year Award. Singing in my hometown has been a dream of mine since I first decided to follow opera as a vocation. This award means so much to me, and is the culmination of years of hard work. It is extremely gratifying to have that work so appreciated, and for this I heartily thank the Dallas patrons who voted for me and Jonathan Pell at The Dallas Opera for inviting me to sing this beautiful role.
I would also like to thank my parents and sister, who pushed me from the very beginning to develop my passions and talent, and who have always been spectacularly supportive of my career.
My first experience of live opera was at age 10 at The Dallas Opera at Fair Park Music Hall. I spent my teens attending shows there with student discount tickets, sometimes coming to see the same show numerous times. This opera company has a profound effect on this city, and made an indelible mark on me as a young music student. As a Dallas native, having sung in choirs at Lovers Lane United Methodist Church and Highland Park High School and having studied voice at SMU, I think I am singularly qualified to know firsthand what this award means. I am mindful of the roster of names that I join here. I still remember the late Joan Sutherland's last Vilja Lied on The Dallas Opera stage while I was at SMU; I count myself fortunate to have been a misty-eyed witness to her farewell.
I hope you, as the Board and Trustees, understand the importance The Dallas Opera has on the many lives the Opera touches. The caliber of singing at The Dallas Opera has always been sensational; I realize the competition I had for the Debut Artist of the Year Award this year alone. Consequently, I am deeply touched and honored that you are bestowing on me this award bearing the name of my biggest operatic idol, Maria Callas.
My only regret is that I cannot be there in person to accept this award: I am singing concerts with the San Francisco Symphony on tour in Europe this week and next. I would love it if you could entrust this award into the safekeeping of my parents, Linda and Larry Claycomb until they can bring it to me in Italy this summer; they deserve it as much as I do, with all the nurturing they have given me and my singing over the years.
It certainly takes a village to produce a great artist, and that village has been my beloved Dallas. A Texas-sized "Thank You" to you all for awarding me this prestigious distinction!
Sincerely,
Laura Claycomb
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There were seventeen additional 2010-2011 Season nominees (artists making outstanding company debuts in a principal role)-all the contenders are listed below in alphabetical order):NOMINEES FOR 2011 Maria Callas AWARDMeredith Arwady - "Hostess of the Inn" in BORIS GODUNOV
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