Keith Cerny Announces Departure from The Dallas Opera

After seven-and-a-half years with The Dallas Opera, Keith Cerny, The Kern Wildenthal General Director and CEO, has tendered his resignation. He has been appointed General Director and CEO of Calgary Opera, where he will assume his duties in January.

Dr. Cerny, who took the helm of The Dallas Opera in the spring of 2010, has presided over five consecutive balanced operating budgets and a host of artistic projects, expansions, and technical innovations. These include a highly-successful simulcast program; regional, U.S. and world premieres; and innovative community outreach programs.

Under his leadership, TDO launched one of the very few programs for women opera conductors and administrators: The Linda and Mitch Hart Institute for Women Conductors at The Dallas Opera, and hosted the successful 2017 OPERA America Conference, extolled as one of the most productive and thought-provoking gatherings of the opera community in recent years.

His eye for talent led him to recruit both Music Director Emmanuel Villaume (currently preparing for Tosca at the Metropolitan Opera) and Principal Guest Conductor Nicole Paiement, as well as a team of highly-skilled senior staff members.

"Keith has every reason to be proud of his legacy," notes Dallas Opera Board Chair Holly Mayer. "We wish him every success with his new responsibilities as we turn our efforts to maintaining this company's impressive forward momentum and strengthening the collaborations with other arts organizations that have marked Keith's tenure here in Dallas."

The search for Cerny's successor will begin immediately.

Founded in 1957, The Dallas Opera is an internationally-recognized innovator dedicated to the overall advancement of the operatic art form and the support of established and emerging artists, as well as the education and development of new opera audiences in North Texas-and beyond. These goals are achieved by commissioning and producing world-class opera; through ground-breaking institutes, national competitions and topical programs; and by presenting opera in both traditional and non-traditional formats and venues in order to attract patrons of every age, background, educational level, and ethnicity-while engaging with more than 87,000 people in our community each year. TDO is equally committed to the task of responsible stewardship and is managed with efficiency and accountability, to the highest possible standards.

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