Dallas Theater Center Presents THE WIZ, Opens Tonight

Dallas Theater Center proudly presents The Wiz at the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center July 8 - August 7. Dallas Theater Center Artistic Director Kevin Moriarty will direct the first-ever collaboration between Dallas Theater Center and Dallas Black Dance Theatre.

"I have loved The Wiz since childhood. The exuberant songs and excitement of the story provide a wonderful opportunity for theatricality on a grand scale. Incorporating the element of dance into the story-telling will only heighten the magic of the production." says Moriarty. "This collaboration will provide our audience with a unique and truly unforgettable theater-going experience, while also furthering DTC's commitment to engage with our community in new and stimulating ways."

The Wiz is a musical re-telling of L. Frank Baum's The Wonderful Wizard of Oz and in 1975. It premiered on Broadway in 1975 and won seven Tony Awards, including Best Musical. In this eye-popping, high-energy family hit, Dorothy, a teenage girl, is swept away by a tornado to the magical Land of Oz. There she befriends a Scarecrow, Tinman and Lion and learns there is no place like home.

In addition to the beloved, classic characters, catchy songs and dazzling dancing, DTC patrons will see the Wyly Theatre's Potter Rose Performance Hall transformed into a new world - some of the seating will move several times during the course of the production. Moriarty's vision to transport theater-goers to the Land of Oz involves 12 movable seating "pods" that will be pushed, pulled and twisted into various seating configurations by dancers and stage hands at key points of the play. Though not all seats in the theater move, the configurations are designed to incorporate stationary seats by refocusing the action and moving the action closer to the audience.

"There is a real sense of magic in this story. I wanted to make sure we brought as much of that magic as possible to the audience, which means providing a viewing experience unlike anything our patrons have experienced before at," says Moriarty. "Our production team has done a magnificent job creating movable seating elements that are fun and safe and will be talked about long after people leave the theater."

Christopher Huggins worked closely with Moriarty and the production team to choreograph remarkable numbers that incorporate as much of the changing performance space as possible. Huggins, who works around the world as a master teacher and choreographer, makes his Dallas Theater Center and musical theater debut with The Wiz.

"Kevin Moriarty's vision for this production was so clear and precise that it gave me the tools to create musical tabloids that did not deviate far from my concert dance roots," says Huggins. "The Wiz was created in 1974 - the disco era. The dance transcends this era with Kevin's vision. The tornado is like a ballet you would see on the concert dance stage. This is not your typical musical theater production and I am ecstatic to be a part of the vision Kevin afforded me."

Leading the cast as they "Ease on Down the Road" to Oz is Trisha Jeffrey as Dorothy. Joining her on the Yellow Brick Road are James Tyrone Lane as Scarecrow, Sydney James Harcourt as Tinman and David Ryan Smith as Lion. Dallas Theater Center Brierley Resident Acting Company members Hassan El-Amin and Liz Mikel take the stage as Uncle Henry/the Wiz and Addaperle/Evillene. The group is joined by Dallas actress Denise Lee as Aunt Em/Glenda.

The artistic team responsible for the creation of the Land of Oz is Christopher Lance Huggins (Choreographer), Lindy Heath Cabe (Musical Director), Elaine Davidson (Conductor/Pianist), Jo Winiarski (Scenic Designer), Wade Laboissonniere (Costume Designer), Chad R. Jung (Lighting Designer), Charles R. Parsley II (Sound Designer), and Cookie Jordan (Wig Designer).

All performances of The Wiz will be held in the Dee and Charles Wyly Theatre at the AT&T Performing Arts Center located at 2400 Flora St., where it runs July 8 - Aug. 7. Preview performances are July 8 - July 14. Opening night is Friday, July 15 at 8:00 p.m. Performance times are Tuesday through Thursday evenings at 7:30 p.m.; Friday and Saturday evenings at 8 p.m.; Saturday and Sunday matinees at 2 p.m.; Sunday evenings at 7:30 p.m. and selected Thursdays at 2 p.m. Ticket prices for all performances are $15 - $85 for adults and $15 for children age 18 and younger (subject to change). Tickets are available by calling the box office at 214-880-0202 or by visiting www.dallastheatercenter.org. The Pay-What-You-Can performance of The Wiz will be Friday, July 8 at 8 p.m. Tickets for this performance will be available at the Dee and Charles Wyly Theatre Box Office beginning Friday, July 8 at 5 p.m. Pay-What-You-Can allows patrons to purchase ANY seat in the house for ANY amount they choose. For as little as a penny, theatergoers can see world-class live theater at Dallas Theater Center.

CLAUDE ALEXANDER III (Dallas Black Dance Theatre) a native of Washington, D.C., Mr. Alexander came to Dallas Black Dance Theatre after attending Towson University in Towson, Maryland. He received additional training from The Ailey School, Parsons Dance and Dallas Black Dance Theatre Summer Intensive Professional Training. Claude's previous dance experience includes dancing with Dishibem and Dance RINK both of Baltimore, Maryland.

MAJOR ATTAWAY (Vocalist) is ecstatic to be in his first production with DTC. Major is an actor/singer with twelve years' experience. He has been seen in various roles throughout the Metroplex including: Jubilee Theatre; Theatre Arlington; Casa Mañana; Bass Hall; African American Repertory Theatre; Dallas Children's Theatre; Irving Arts Center; Hip Pocket Theatre; Texas Wesleyan. Favorite roles include Jim (Big River), Ken (Ain't Misbehavin'), Audrey 2 (Little Shop). He is also a soloist with the Fort Worth Symphony Orchestra.

Feleceia Benton (Vocalist) is excited to make her DTC debut. She's been seen on DFW Regional stages including Bass Hall, Dallas Opera, Casa Mañana, WaterTower Theatre, Lyric Stage and Theater Three. A graduate of TCU, Feleceia is an administrator for Turning Point Christian Academy and active in the DeSoto community as a volunteer and Vice Chair of the Arts Commission.

TOTO provided by BEAST animal representation. Wrangled by Traci Murdock, CPDT-KA.

KATRICIA EAGLIN (Dallas Black Dance Theatre) received her B.F.A. in Dance with a minor in Business Foundations from the University of North Texas. A graduate of Booker T. Washington High School for the Performing and Visual Arts, she received additional dance training from Dallas Black Dance Academy, Dallas Ballet Center and the International Conference for Blacks in Dance. Katricia is the Founder and Director of Freedom Dance Ensemble and is a founding member of Dallas Black Dance Theatre II. She is the Assistant Rehearsal Director for Dallas Black Dance Theatre and a student at Dallas Theological Seminary.

Hassan El-Amin (Uncle Henry/The Wiz) is a member of the Brierley Resident Acting Company. He has performed at: Kennedy Center; Mark Taper Forum; Goodman Theatre; Arena Stage; Guthrie Theatre; ALLIANCE THEATRE; Huntington Theatre; Denver Theatre Center; Portland Center Stage; Milwaukee Repertory; San Diego Repertory; Penumbra Theatre; Colorado, Oregon, and Utah Shakespeare Festivals. Productions include: Henry IV; Death of a Salesman; Fences; Seven Guitars; Radio Golf; Jitney; Blues for an Alabama Sky; A Raisin in the Sun; The Lion King; The Tempest; Julius Caesar; King Lear; Othello. Film/TV: E-Ring (NBC). Soundtracks: Tears of the Sun; The Wild. Education: MFA, University of Delaware.

RICHARD A. FREEMAN, JR. (Dallas Black Dance Theatre) Coming to the Dallas Black Dance Theatre from Washington, D.C., Richard began his training with D.C.Y.E. under the direction of Carol Foster and the Washington Ballet. He received additional training from Duke Ellington School of the Arts as well as Virginia Commonwealth University.

STEPHANIE HAL (Vocalist) is absolutely thrilled to be making her DTC debut. She was just seen in The Fort Worth Opera's production of The Mikado at Bass Hall. Stephanie has a bachelor's degree in vocal performance from Dallas Baptist University. Some of her many favorite credits include Eliza Doolittle in My Fair Lady; Christine in Phantom; Belle in Beauty and the Beast; Yum-Yum in The Mikado; Johanna in Sweeney Todd; and Brooke/Vicki in Noises Off.

CANDACE HAMBLETT-HOLFORD (Dallas Black Dance Theatre) A native of Toronto, Canada, Candice comes to Dallas Black Dance Theatre after graduating from the Alvin Ailey American Dance Theater certification programing 2010. Ms. Holdford's dance training expands through the Joanne Champman School of Dance, Mayfield Performing Arts Center Secondary School and finally settling with Dallas Black Dance Theatre for their 2011-2012 performance season.

SYDNEY James Harcourt (Tinman) Broadway: American Idiot; Bells Are Ringing; The Lion King (Simba u/s). NY: Showboat (Carnegie Hall); Camelot (Lincoln Center); The Radio City Christmas Spectacular. Proud graduate of the Maggie Flanigan Studio.
MICHELLE HEBERT (Dallas Black Dance Theatre) Raised in Detroit, Michigan, Shelly graduated with a B.A. in Dance Performance from Point Park University in Pittsburgh, Pennsylvania. She received additional dance training from Gus Giordanos as a scholarship student and Jacobs Pillow Contemporary Traditions Program. Her early professional dance experience began with Garth Fagan Dance Company in Rochester, New York and continued with Ballet Creole (Toronto, Ontario) and National Dance Theatre Company (Kingston, Jamaica).

DIANA HERRERA (Dallas Black Dance Theatre) A native of Dallas, Texas, Diana received her BFA from the University of Oklahoma. Ms. Herrera has performed Swannilda in Coppelia and the corps in Divertimento #15. Her additional dance training comes from Ballet Academy of Texas (Coppell, Texas) under the direction of Lisa Slage and Tom Nicholson. She is the recipient of the Dance Council of North Texas' Fred Kelly Scholarship.

Trisha Jeffrey (Dorothy) ecstatically makes her debut at Dallas Theater Center! She has been seen in the Broadway companies of Rent (closing cast), All Shook Up and Little Shop of Horrors (both original Broadway casts). Trisha most recently toured the U.S., Japan, and South Korea in Rent: The Broadway Tour, continuing her roles as Joanne, Mimi, Mrs. Jefferson, Mrs. Cohen, and Alexi Darling. Off-Broadway credits: Classical Theatre of Harlem's Electra, Lysistrata, and Macbeth. Other credits include: Once On This Island (Ti Moune); Caroline, Or Change (Emmie); Hair (Dionne); and Jekyll and Hyde: The Musical (Lucy).

JAMES TYRONE LANE (Scarecrow) Broadway: The Scottsboro Boys (Ozie Powell/Ruby Bates, twelve Tony Nominations); A Chorus Line Revival (Richie Walters); Chicago (Amos Hart/Aaron). National Tours: Fame - the Musical (Tyrone Jackson); Cinderella (Ensemble). NYC Readings: Cool Papa's Party (Cool Papa); DoubleTime (Leonard Harper) with music by Nile Rogers. Regional: Finian's Rainbow (Bernard) at The Walnut Street Theatre. Concerts: New York City Pops' Johnny Mercer Tribute (Carnegie Hall); Indianapolis Pops; Ottawa Symphony; Baltimore Symphony; Naples Symphony Orchestra. Television: One Life to Live; The Ellen Degeneres Show; Dancing With The Stars.

Denise Lee (Aunt Em/Glenda) is thrilled to return to Dallas Theater Center. Other DTC shows include Crowns and A Christmas Carol. Other area performances include Lady Day at Emersons Bar & Grill, Doubt and Intimate Apparel. She has toured internationally in China and Europe performing in jazz clubs.

RACHEL McSWEEN (Dallas Black Dance Theatre) grew up in Altadena, CA, where she began her dance training. A graduate of the Alvin Ailey/Fordham University BFA Program, Rachel received additional dance training from Dance Theatre of Harlem, Northwest Professional Dance Project in Portland, Oregon, Ballet Hispanico and Alonzo King Lines Ballet. Her previous professional dance experience includes dancing with Complexions Contemporary Ballet, Ballet Hispanico, Earl Mosley's Diversity of Dance, Nathan Trice/Rituals, and Ailey II. While in Ailey II she performed in Berlin for the opening of the U.S. Embassy and at the 2008 Dance Magazine Awards in honor of Sylvia Waters.

AMBER J. MERRICK (Dallas Black Dance Theatre) From Baltimore, MD, Amber J. Merrick began her classical training at the age of 9 in the Baltimore School For the Arts T.W.I.G.S. program. Ms. Merrick has trained at Dance Theatre of Harlem, Miami City Ballet, American Ballet Theater and Palucca Schule Dresden. While studying abroad, Merrick performed as a guest artist for Die Theater Chemnitz in Chemnitz, Germany. In 2010, she graduated with a BFA from Towson University.

Liz Mikel (Addaperle/Evillene) is a member of the Brierley Resident Acting Company. DTC roles include: Dividing the Estate; A Christmas Carol; Death of a Salesman; Give it Up!; A Midsummer Night's Dream (2009 & 1991); In the Beginning; The Who's Tommy; Crowns; Ain't Misbehavin'. Off-Broadway: Lysitrata Jones. Regional: Cape Playhouse, A Contemporary Theater, Arkansas Repertory Theater. Local: Casa Mañana, Dallas Children's Theater, Jubilee Theater, Theatre Three, WaterTower Theatre. Tours: Ain't I A Woman; Blind Lemon Blues (Geneva and Paris); Blues in the Night. TV/Film: Past Life, Friday Night Lights, Sordid Lives The Series, It's In The Water, Welcome Home Roscoe Jenkins. Awards: Leon Rabin Award, DFW Theater Critics Forum Award, D Magazine, Dallas Observer, Dallas Voice, Column Award.

CALVIN ROBERTS (Vocalist) is delighted to be making his return to the DTC stage after his 2007 performance! Regional credits include: Lyric Stage, Flora, the Red Menace (Willy); Theatre Three, Drowsy Chaperone (Ensemble); Dallas Theater Center, A Christmas Carol (Labourer/Undertakers Man). Mr. Roberts other theatrical credits include: Theatre Arlington, Ain't Misbehavin'; Repertory Company Theater, Miss Saigon (Chris); JCC's Ragtime (Coalhouse Walker Jr); ICT Mainstage, Sugar (Jerry); Shakespeare Dallas, Merchant of Venice Salerio) and Julius Caesar (Lucius).

David Ryan SMITH (Lion) Broadway: Passing Strange. NYC: The Rover (NY Classical Theatre); #9 (59 E 59 Theatre); Marat/Sade (Classical Theatre of Harlem). Regional Theatre: Train to 2010 (Crossroads Theatre Company); Othello (Cincinnati Shakespeare Company); A Christmas Carol (Actors Theatre of Louisville); Three Sisters, The Difficulty of Crossing a Field, A Christmas Carol (American Conservatory Theater); A Winter's Tale, All's Well That Ends Well (California Shakespeare Theater); 13 Hallucinations of Julio Rivera (Magic Theatre); Thursday (Encore Theatre Company).Film: Bee Season; I Am Ben. Mr. Smith also appears in the new web series stalkTALK. Education: M.F.A., American Conservatory Theater.

DERRICK SMITH (Dallas Black Dance Theatre) is a graduate of Brenau University in Gainesville, Georgia, where he received his B.F.A. in Dance. He has received dance training through Florida School of the Arts, Alvin Ailey Summer Intensive Program, Orlando Ballet School and the Atlanta Ballet. He served as a soloist with Gainesville Ballet Company and Brooks and Company. He received the Best Male Dancer of the Year Award from Nu Delta Alpha dance Honor Society.

Sean Smith (Dallas Black Dance Theatre) a native of Vancouver, British Columbia, Sean comes to Dallas Black Dance Theatre a f t e r receiving training from The Ailey School, Toronto Dance Theatre and Ballet British Columbia. In 2007, Mr. Smith performed the "Yellow Section" of Revelations for the 50th Anniversary of Alvin Ailey American Dance Theater with Matthew Rushing and Renee Robinson. His previous dance experience also includes Ballet Creole (Toronto, ON), Zata Omm Dance Projects (Toronto, ON) and Mascall Dance (Vancouver, BC).

JAMIE THOMPSON (Dallas Black Dance Theatre) from Belize, Central America, Mr. Thompson is a recent graduate of Belhaven University (Jackson, Mississippi) where he received his B.F.A. in Dance Performance and Choreography. He received additional training from Belize National Dance Company and Dramatic Forces School of Dance. His previous dance experience includes serving as dancer, choreographer and teacher for Belize National Dance Company and dancing with Talk Dance Company of Jackson, Mississippi. His special community interests include working with organizations that work for the betterment and development of youth.

TYRONE C. WALKER (Dallas Black Dance Theatre) comes to Dallas Black Dance Theatre from Washington, D.C. He received his dance training from The Ailey School, Gus Giordano Jazz and Duke Ellington School of the Arts. Tyrone's professional dance experience includes dancing with Ailey II and Nashville Ballet. He received additional training from School of Nashville Ballet and Washington School of Ballet where he attended on full scholarships.

Kevin Moriarty (Director, The Wiz; Artistic Director, DTC) joined Dallas Theater Center in 2007 as the theater's sixth artistic director, where he has directed productions of Henry IV, It's a Bird... It's a Plane... It's Superman, Fat Pig, A Midsummer Night's Dream, In the Beginning, and The Who's Tommy. Before joining DTC, Kevin served as the artistic director of the Hangar Theatre in Ithaca, NY for seven years, where he directed world premieres of plays by Itamar Moses, Roberto Aguirre-Sacasa, Kenny Finkle and Kathryn Walat, as well as a variety of classics and musicals. From 2002-2007 Kevin was the Head of Directing for the Brown University MFA program in Providence, RI, and he was an Associate Artist at Trinity Rep Company, where his productions included: The Merry Wives of Windsor (Elliot Norton Award: Best Director), Richard II, Richard III, A Delicate Balance and Nickel and Dimed. Kevin has also directed plays off-Broadway and at regional theaters nation-wide, including the Lamb's Theatre, Syracuse Stage, Virginia Stage Company, Queens Theatre in the Park, the Flea Theatre, HERE, Theatreworks/USA, and the national tour of Jesus Christ Superstar starring Sebastian Bach and Carl Anderson. He is a recipient of a Drama League directing fellowship and a graduate of the University of Wisconsin.

CHRISTOPHER LANCE HUGGINS (Choreographer) is a former soloist of the renowned Alvin Ailey American Dance Theater and Aterballetto of Reggio Emilia, Italy. Originally from Boston, Massachusetts, Huggins trained under the tutelage of Andrea H. Major, the late Danny Sloan, and Martha Armstrong Gray. He attended State University of New York at Purchase, the Juilliard School at Lincoln Center, and was a fellowship scholar at the Ailey School. As a master teacher and choreographer, he works in Italy, France, Norway, U.K., Switzerland, Slovenia, Austria, Japan, Korea, Jamaica, South Africa, and throughout the United States.

LINDY HEATH CABE (Musical Director) served as musical director at DTC for A Midsummer Night's Dream, In the Beginning, The Who's Tommy and the last six productions of A Christmas Carol. Lindy has directed, musical directed and choreographed more than 50 productions for Casa Mañana and also served as the Director of their Playhouse. In addition, she has directed and performed for many theaters including Bass Hall, Casa on the Square, Stage West, Theatre Arlington, Dallas Summer Musicals, North Shore Music Theater and Cape Cod Playhouse. Lindy has vocally coached and taught hundreds of young people and adults in the metroplex.

Jo Winiarski (Scenic Designer) Off-Broadway: Love, Loss, and What I Wore; The Sneeze; Wittenberg; Hard Times; The Jewish American Princess of Comedy; I Love You Because. Broadway Associate design credits: The Scottsboro Boys; Rock of Ages; Sondheim On Sondheim; Lovemusik; The Two and Only; The 25th Annual Putnam County Spelling Bee. Other New York design credits include: New Georges; The New Group; Keen Company; Clubbed Thumb; Relentless Theater Company; The Roundtable Ensemble. Regional design credits include six seasons at Utah Shakespearean Festival; Geva Theatre; Hangar Theatre; Virginia Stage Company. Jo has also worked in television as an art director receiving an Emmy nomination for A Colbert Christmas: The Greatest Gift of All.

Wade Laboissonniere (Costume Designer) DTC: A Christmas Carol (multiple years); The Illusion; and My Fair Lady. Broadway: The Story of My Life. Touring Companies: Disney's High School Musical and HSM2, including companies in the US, Australia, Spain and London's West End; US National Tour of White Christmas for Theatre of the Stars. Off- Broadway credits include Zanna, Don't! and Shakespeare's R&J. Regional: The Kennedy Center; Center Stage; Goodspeed; Cincinnati Playhouse; Ford's Theatre; Portland Center Stage; Berkshire Theatre Festival and Yale Rep. Written and published two volumes in the Blueprints of Fashion book series. Prior to designing, he performed on Broadway in Cats and On Your Toes and in tours of La Cage aux Folles and 42nd Street. Yale School of Drama Graduate Design Program.

CHAD R. JUNG (Lighting Designer) More than 160 productions for theatre, opera, music and dance including: Off- Broadway: Leonce & Lena; New York: Julia Pastrana; A Leopard Complains of Its Spots; Shelf Life. Russia: The Bear at the International Festival of Russian Drama. Regional Artists and Organizations: Ballet Austin; Bruce Wood; Caroline Calouche; Casa Mañana; The Dallas Opera; Dallas Museum of Art; Fort Worth Symphony Orchestra; Lyle Lovett; Opera Pacific; Metropolitan Classical Ballet; Willie Nelson. Currently the Resident Lighting Designer for Kids Who Care; UNT Opera and Amphibian Productions; Lighting Director for Fort Worth Opera.

CHARLES R. PARSLEY II (Sound Designer) is pleased to be back home in Texas, making his DTC design debut. He has worked for DTC as a mixer, Master Electrician and Sound Supervisor dating as far back as A Christmas Carol '97. Chad has also spent ten years touring as a Mixer, 2, or Assistant Designer for shows such as: Jersey Boys; Spamalot; Avenue Q; Hairspray; The Producers; Rent; The Full Monty; Kiss Me, ate; Cinderella; Cabaret; Contact.

ELAINE DAVIDSON (Conductor/Pianist) DTC: Cabaret; It's a Bird... It's a Plane... It's Superman; Give it Up!. National Tours: Grease; Chitty Chitty Bang Bang, The Sound of Music (Asia); Evita; Cats; Bombay Dreams; Jesus Christ Superstar with Carl Anderson. Keyboard: national tours of Mamma Mia!; Legally Blonde; Grease; Fosse; The King and I; Big River. Conductor/MD: Sweeney Todd, Casa Mañana; Godspell, Washington D.C.; Forever Plaid, Norfolk, VA, Atlantic City, NJ and St Cloud, MN; and My Way, Birmingham, Alabama with creator David Grapes. She has worked with director Hal Prince, choreographer Larry Fuller, composers Charles Strouse, Richard Sherman, Claibe Richardson and Danny Goggin.

Cookie Jordan (Wig Designer) Broadway: Mother ..#** With the Hat; Lombardi; Fela. Wig and make up design: Miracle Worker; A View from the Bridge; South Pacific. Off-Broadway: Fela. Nigeria: Fela. National Theater London: Le Grand Macabre. New York Philharmonic. Liberty Smith at Ford's Theater. Dirty Dancing National Tour. Disney's High School Musical National Tour. Neighbors at The Public Theater.

ABOUT Dallas Theater Center:
One of the leading regional theaters in the country, Dallas Theater Center (DTC) performs to an audience of more than 90,000 North Texas residents annually. Founded in 1959, DTC is now a resident company of the AT&T Performing Arts Center and presents its Mainstage season at the Dee and Charles Wyly Theatre, designed by REX/OMA, Joshua Prince-Ramus and Rem Koolhaas. DTC also presents productions at its original home, the Kalita Humphreys Theater, the only freestanding theater designed and built by Frank Lloyd Wright. The mission of DTC is to engage, entertain and inspire our diverse community by creating experiences that stimulate new ways of thinking and living. Under the leadership of Artistic Director Kevin Moriarty and Managing Director Heather Kitchen, DTC produces a six-play subscription of classics, musicals and new plays and an annual production of A Christmas Carol; extensive education programs including Project Discovery, Summer Stage and partnerships with Southern Methodist University's Meadows School of the Arts and Booker T. Washington High School for the Performing and Visual Arts; and community outreach efforts including leading the DFW Foote Festival and collaborations with the Dallas Holocaust Museum, North Texas Food Bank and Dallas Black Dance Theater. Throughout its history, DTC has produced many new works, including The Texas Trilogy by Preston Jones in 1978, Adrian Hall's All the King's Men in 1986 and recent premieres of The Trinity River Plays by ReGina Taylor, the revised It's a Bird, It's a Plane, It's Superman by Roberto Aguirre-Sacasa, Charles Strouse and Lee Adams, Give it Up! (which later became Lysistrata Jones off-Broadway) by Douglas Carter Beane and Lewis Finn, Sarah Plain and Tall by Julia Jordan, Laurence O'Keefe and Nell Benjamin and The Good Negro by Tracey Scott Wilson.

DTC gratefully acknowledges the support of our season sponsors: American Airlines, The Dallas Morning News, Dallas Office of Cultural Affairs, Lexus, National Endowment for the Arts, TACA, TCA, Texas Instruments and WFAA.

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