SORDID LIVES to Open 3/22 at convergence-continuum

convergence-continuum opens its 2013 Season with the Cleveland premiere of Sordid Lives a comedy by Del Shores.

When Peggy, a good Christian woman, hits her head on the sink and bleeds to death after tripping over her married lover's wooden legs in a motel room, chaos erupts in Winters, Texas. Some family members are afraid that all the family skeletons will come flying out of the closet at once as they gather to mourn the family's matriarch. Meanwhile, grandson Ty, much to the chagrin of Latrelle, his up-tight mother, is coming out of the closet in a different way. (Will he turn out like his uncle "Brother Boy," a gay transvestite who has been in a mental institution for over 20 years, entertaining fellow patients with his impersonation of Tammy Wynette while undergoing "dehomosexualization" therapy?) Then there's the gun-slinging revenge rampage of the peg-legged lothario's wronged wife Noleta - along with LaVonda, another of deceased's daughters. Throw in a remorseful bartender, his dim brother, town drunk Juanita, and a few other townsfolk, and you've got a hilariously clever, campy and often raunchy tale that doesn't shy away from serious themes such as bigotry, guilt, homosexuality, forgiveness and acceptance.

Sordid Lives is directed by convergence-continuum's Artistic Director, Clyde Simon, and features a dozen con-con company actors: Amy Bistok-Bunce, Lucy Bredeson-Smith, Liz Conway, Clint Elston, Elaine Feagler, Lauri Hammer, Zac Hudak, Marcia Mandell, Tyson Douglas Rand, Wes Shofner, Lisa Wiley and Jonathan Wilhelm.

Sordid Lives opens Friday, March 22 and runs at 8 p.m. Thu-Sat through April 20 at the Liminis, 2438 Scranton Rd., Cleveland, OH 44113 in the historic Tremont neighborhood. Tickets are $15 general admission, $12 for seniors and $10 for students. Reservations and information at www.convergence-continuum.org and 216-687-0074.

Del Shores (born in Winters, Texas in 1957) has written, directed and produced successfully for studio and independent film, network and cable television and regional and national touring theatre.

Shores' career took off with the play Daddy's Dyin' (Who's Got The Will?) in 1987, which ran two years, winning many Los Angeles theatre awards, including LA Weekly's Best Production and Best Writing. The play has subsequently been produced in over 2,500 theatres worldwide. A movie version of Daddy's Dyin' was released in 1990. Shores wrote the screenplay and executive produced the film.

Sordid Lives, his fourth play, opened in Los Angeles in 1996. In 1999, Shores wrote and directed the film version of Sordid Lives. Opening in only eight theatres across the country, the film took in nearly two million dollars in its limited release. The movie became a cult phenomenon through strong word of mouth allowing it to run in the theater for a year in both Dallas and Fort Lauderdale; it became the longest running film in the history of Palm Springs with a record ninety-six weeks. The movie won many festival awards including Best Film at the New York Independent Film & Video Festival, Atlanta Gay & Lesbian International Film Festival, Austin Gay & Lesbian International Film Festival, South Beach Film Festival, Memphis International Film Festival and the San Diego International Film Festival and racked up a total of thirteen "Audience Awards." In 2002 Twentieth Century Fox released the DVD/Video, which has now sold over 200,000 units.

His play Southern Baptist Sissies followed, and it enjoyed a ten-month sold-out run in Los Angeles in 2000, and received 20 Los Angeles theatre awards. In 2003, The Trials and Tribulations of a Trailer Trash Housewife became Shores' most critically acclaimed play with 30 theatre award nominations and 21 wins. After a six-month sold-out run in Los Angeles, Shores won the prestigious Los Angeles Drama Critics Circle's Ted Schmitt Award for World Premiere of an Outstanding New Play. The Circle also awarded the play Best Production and Best Lead Performance to Beth Grant. In 2006, Shores revived three of his plays (Sordid Lives, Southern Baptist Sissies, The Trials and Tribulations of a Trailer Trash Housewife) in Los Angeles before taking to the road for a successful six city national tour, starring Delta Burke and Leslie Jordan, which played in 1000-1700 seat houses.

Sordid Lives: The Series, a television series prequel to the film, premiered on Viacom's LOGO network in 2008 starring Olivia Newton-John, Rue McClanahan, Leslie Jordan, Beth Grant, Caroline Rhea and many of the original stage and film cast. Shores created, wrote, directed and executive produced all twelve episodes. The series became LOGO's biggest hit to date, and was distributed internationally through IMG worldwide in syndication in seventeen countries.

Sordid Lives opened in Los Angeles in 1996 and ran 13 sold-out months. The critics raved - ultimately three of them awarded the production "Critic's Choice." F. Kathleen Folley of the Los Angeles Time wrote, "Del Shores is a master of the Texas comedy." The play went on to win 14 Drama-Logue Theatre Awards, including three for Shores for writing, directing and producing. He was also nominated for Robby, LA Weekly and GLAAD Awards for writing, directing and producing. There have been over 100 additional stage productions of the play. The convergence-continuum production will be its Cleveland premiere.

Sordid Lives is produced through special arrangement with Samuel French, Inc.

convergence-continuum was founded in 2001 by Clyde Simon (Artistic Director) and Brian Breth. After completion of the renovations of the Liminis, the company's artistic home in the Tremont neighborhood of Cleveland, into an intimate, versatile, storefront performance space, the company then transformed it into an 18th century French asylum for its first production, a four-weekend run of Quills by Doug Wright, in August 2002. For the company's second production (Oct. 2002), the Liminis was converted into a junkyard outside the city of Azusa for a four-weekend run of Sam Shepard's The Unseen Hand. Since then, the company has continued to produce alternative/experimental theatre work by living playwrights, and to completely transform the Liminis for each show, immersing audiences in the world of the play in up-close productions. (Maximum seating is 40-50 depending on the set-up for each show.)

Sordid Lives, the company's 52^nd production, is the first of six in the 2013 Season (our twelfth). The company's season runs from February into December, with a January hiatus.

All of the cast and crew for Sordid Lives have been involved in previous convergence-continuum productions in many and various capacities. The company seeks to create a core ensemble that continues to work together over the long term in exploring and developing its artistic voice, and performance and production practices to create up-close, environmentally staged productions that challenge the status quo and extend the boundaries of theatre.

To post a comment, you must register and login.