CHAPPELL ELEMENTARY SCHOOL

by Tina St. Angelo Wetzel - February 23, 2025

The current production at the Paramount Theatre is the musical Waitress based upon the motion picture. When it opened, it was the first all-female production team on Broadway. Director and choreographer Katie Spelman gives the audience an evening of laughter, some tears and love. Sarah Bareilles’ mu...

by Zac Thriffiley - February 19, 2025

Under the direction of artistic director Susan V. Booth and bolstered by actors at the heights of their craft, the Goodman’s BETRAYAL provides audiences with a sincere and sympathetic take on a modern classic....

by Kathleen Anwar - February 15, 2025

Cirque du Soleil has long been known for its awe-inspiring performances, blending daring stunts, stunning visuals, and a sense of wonder. OVO continues this proud tradition, offering a show that is both visually spectacular and athletically extraordinary. What did our critic think of OVO CIRQUE DU S...

by Tina St. Angelo Wetzel - February 14, 2025

Director Jane Lanier (A Chorus Line) and this talented ensemble seamlessly tell Carole’s story to the fullest extent. The orchestra, under the direction of Chris Sargent, is the backbone to this music....

by Rachel Weinberg - February 12, 2025

FOOL FOR LOVE has peak Steppenwolf energy. I’ve long associated Steppenwolf Theatre Company with gritty, messy, feral family and relationship dramas — Sam Shepard’s one-act fits the bill. It’s also only 65 minutes — that run-time is short, but it’s a logical choice in the TikTok era when attention s...

by Zac Thriffiley - February 12, 2025

Lookingglass Theatre’s CIRCUS QUIXOTE provides Chicago audiences with a stunning dramatic adaptation of Don Quixote that is every bit as impactful and imaginative as its source material....

by Zac Thriffiley - February 04, 2025

Open Space Arts in Uptown is quickly establishing itself as the go-to “storefront” theater for plays and films that consider the many nuances of queer experiences, and their latest offering—MR. PARKER—is no exception. Elevated by the sophisticated performance of its leading actor, MR. PARKER present...

by Rachel Weinberg - January 31, 2025

Jeanine Tesori and Lisa Kron’s FUN HOME is a musical journey in sketches through the memories of Alison Bechdel. Based on the graphic memoir of the same name — and so called because the Bechdel family business was a funeral home — Porchlight director Stephen Schellhardt’s production brings each scen...

by Zac Thriffiley - January 24, 2025

The Goodman’s FAT HAM is an intelligent, uproarious adaptation that explores and celebrates Black joy and resilience. The co-production with Definition Theatre has already been extended through March 2....

by Rachel Weinberg - January 21, 2025

With JAJA’S AFRICAN HAIR BRAIDING, Jocelyn Bioh pulls off a challenging theatrical feat: She makes a slice-of-life play consistently engaging and entertaining. Set in Harlem at a hair salon of the same name, JAJA’S AFRICAN HAIR BRAIDING follows a group of West African immigrant women working there —...