Violin Soloist Holly Mulcahy Performs new Concerto STEALING FROM BIRDS

In a new collaboration, violin soloist Holly Mulcahy and composer Dan Perttu have announced their latest project: a new violin concerto titled Stealing From Birds. This innovative work bridges the enchanting melodies of nature with human creativity, inviting audiences on a journey where the beauty of bird songs inspires a symphonic masterpiece.

Dan Perttu's vision for Stealing From Birds is rooted in a deep appreciation for nature's avian musicians. "I am very excited to be collaborating with Holly Mulcahy on Stealing From Birds," Perttu shared enthusiastically. "This new concerto for violin and orchestra will incorporate people's favorite bird songs into its melodic fabric. Whether you're a dedicated birder or simply someone who appreciates the beauty of birds, your contributions will be integral to this project."

The movements of the concerto will be referred to as chapters, with the program notes presented as field notes or a field guide. Perttu and Mulcahy invite the community to participate by submitting recorded bird calls and songs, enriching the concerto with a diverse array of natural sounds.

In chapter one of this concerto, it opens with a delicate violin solo, mimicking the soft chirps and melodies of morning birdsong. As the symphony builds, various instruments interject, recreating the cacophony of a forest waking up. The violin leads, weaving through this landscape, stealing melodies from the avian calls, and translating them into a human musical lexicon.

Chapter two will be the Canyon's Whisper Transitioning from the innocence of dawn, the music takes on a deeper, more mysterious tone. Strings resonate with the echoes of the canyon, where the violin mimics the haunting call of a lone wolf. The sound of distant drums and low brass instruments evoke the vastness and depth of the canyon, setting a contrasting stage to the birdsong of the previous chapter.

Included in Chapter 3 is the Eagles' Soar A majestic violin solo emerges, embodying the graceful flight of eagles soaring above the canyon. The orchestra echoes with grandeur, mimicking the powerful wing beats and the freedom of flight. The music here is expansive and uplifting, capturing the essence of these magnificent creatures as they rule the skies.

Chapter 4: Crows' Dance Darkness descends as the violin and orchestra shift into a more ominous tone. The crows take center stage with their cleverness and mischief. The violin plays a playful yet mischievous melody, surrounded by fluttering woodwinds and agitated strings. The rhythm becomes more intricate, reflecting the cunning and communal nature of the crows.

In the final chapter, all the elements converge. The melodies of the birds, the echoes of the canyon, the haunting call of the wolf, and the majestic flight of the eagles intertwine in a grand symphonic finale. The violin serves as the narrative thread, guiding the listener through this musical journey, stealing from each element to create a harmonious and thrilling conclusion.

Throughout Stealing From Birds, the violin serves as a storyteller, translating the sounds of nature into a symphonic language. The concerto captures the beauty, mystery, and interconnections of life in the canyon, offering a captivating narrative that transcends mere musicality.

Perttu and Mulcahy are eager to involve the community in this creative endeavor. Bird enthusiasts and nature lovers are encouraged to submit their favorite bird songs and recordings, which will be woven into the concerto's rich tapestry. This unique collaboration not only highlights the wonders of nature but also celebrates the communal effort in creating art.