The Artistic Home will open its 2017-18 season with a lesser known, but wholly timely piece: WEDDING BAND: A LOVE/HATE STORY IN BLACK AND WHITE, by eminent African-American playwright and author Alice Childress. It opened to the press on Sunday, October 29 and will run through December 17, 2017. Last seen in Chicago in 2003 in a co-production between Steppenwolf and Congo Square Theatre, its first-ever showing here thirty years prior was but one stop in this play's march toward due recognition.
WEDDING BAND is directed by Cecilie Keenan, director and producer of many Chicago theaters over the past 20 years, but perhaps best known for her work with Teatro Vista, American Blues and Apple Tree Theaters.
She says, "While we're more likely to think of Lorraine Hansberry as the pioneer among black female playwrights, I believe Alice Childress was at least as important. She isn't as well-known as Hansberry because she didn't get the attention at the time -- her plays were too realistic and uncompromising for audiences of the era. She was ahead of her time, really."
Artistic Director Kathy Scambiatterra says, "We've been interested in producing WEDDING BAND ever since we did Childress's TROUBLE IN MIND back in 2011. We're excited to bring WEDDING BAND back to Chicago and introduce new audiences to it."
In the roles of the inter-racial couple are Raina Lynn as Julia and ensemble member Scott Westerman as Herman. Keenan's cast will also include ensemble members Reid Coker (Bell Man) and Laura Coleman (Annabelle) along with visiting artists Susan P. Anderson (Fanny), Maya Hooks (Teeta), Lisa McConnell (Lula), Donna McGough (Herman's mother), Madison Murphy (Princess), Myesha-Tiara (Mattie), and Kevin Patterson. (Nelson). The design team includes Kevin Rolfs (scenic design), Zach Wagner (costume design), E.J. Jackson (lighting design), Joseph Cerqua (original music), Zach Berinstein (sound designer). Madeleine Lyons is stage manager.
Reviewing WEDDING BAND in 1972, The New York Times's Clive Barnes described the "poignant strength" of Childress's characters and their plight. Re-reviewing it for its television broadcast, the same paper's John J. O'Connor called it "a marvelous, exquisitely detailed period portrait, a complex blend of searing realism and poetic lyricism." For its most recent professional production in 2016 at Seattle's Intiman Theatre, the Seattle Times called it "stunningly, immediately real," while Seattle Weekly called it "an unforgettable piece of theatre."
Raina Lynn, Scott Westerman
Raina Lynn
L-R: Raina Lynn, Susan P. Anthony, Myesha-Tiara
L-R: Kevin Patterson, Raina Lynn, Lisa McConnell; Myesha-Tiara
(Left-right) Raina Lynn, Madison Murphy, Reid Coker, Maya Hooks
(Left-right) Maya Hooks, Myesha-Tiara; Photo 7 - Raina Lynn, Scott Westerman
L-R: Kevin Patterson, Raina Lynn, Lisa McConnell; Myesha-Tiara
(Left-right) Raina Lynn, Madison Murphy, Reid Coker, Maya Hooks
(Left-right) Maya Hooks, Myesha-Tiara; Photo 7 - Raina Lynn, Scott Westerman
Raina Lynn, Scott Westerman
Raina Lynn, Scott Westerman
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