Eclipse Theatre Company's 2010 Arthur Miller Season continues with After the Fall! Arthur Miller's ambitious and personal 1964 masterpiece explores a new sense of non-linear theatricality in its powerful study of one man's search for meaning through his memories and relationships. Images and scenes intertwine, illuminating his humanity and probing into the revealing, often painful events of his past.
Previews July 8th, 8th and 10th, 2010 at 7:30 pm.
($5 Industry tickets available for all Previews!)
Opens Sunday, July 11, 2010 at 7:00 pm
Performs Thur, Fri, Sat at 7:30 pm, and Sun at 2:30 pm
through May 9, 2010 at the Greenhouse Theater Center 2257 N. Lincoln Ave., Chicago
Post-show discussions with the cast and crew follow each Sunday matinee performance with the exception of opening and closing weekends.
Featuring Eclipse ensemble members Julie Daley (Louise), Nora Fiffer (Maggie), Nina O'Keefe (Elsie), Nathaniel Swift (Quentin). Guest artists Eustace Allen (Lou), Jerry Bloom (Father), Kate Brown (Ensemble), Sally Eames-Harlan (Holga), Margaret Grace (Felice), Kevin Kenneally (Ensemble), Eric Leonard (Mickey), Joe McCauley (Skip), Susan Monts-Bologna (Mother), Robert Oakes (Ensemble) and Chad Ramsey (Ensemble).
Eclipse ensemble members Cecil Averett (Sound Design), Sarah Moeller (Assistant Director), Kevin Scott (Co-Producer), Steve Scott (Director), Nathaniel Swift (Co-Producer), and Katie Vandehey (Dramaturg). Guest artists Maria DeFabo (Props Design), Kevin Hagan (Set Design), Rachel Lambert (Costume Design), Michael McNamara (Lighting Design) Jen Poulin (Assistant Stage Manager), Chad Ramsey (Dramaturg), Nick Sandys (Fight Choreographer) and Ellen Willett (Stage Manager).
Pictured above (L-R): Nora Fiffer, Julie Daley, Sally Eames-Harlan and Nathaniel Swift. Photo by Scott Cooper.
Tickets on sale now!
Call 773-404-7336 or For more information, visit www.eclipsetheatre.comDON'T MISS THE EXCITING PLAYWRIGHT SCHOLAR SERIES EVENTS!
Enemy of the PeopleArthur Miller's 1950 adaptation of Henrik Ibsen's 1882 play explores personal and political issues that resonate in both playwrights' worlds, with a brave central character against corrupt and hypocritical political systems and social intolerance. The themes of this play surface throughout Miller's canon and life, most significantly in his struggles with McCarthyism and the House Un-American Activities Committee.
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