Court Theatre announces the final selection for the company's fifty-sixth season, Edward Albee's Three Tall Women, pending final approval from Mr. Albee. The production will be directed by Artistic Director Charles Newell.
Court Theatre's season also includes the previously announced productions of
William Shakespeare's The Comedy of Errors directed by Sean Graney,
Samm-Art Williams's Home directed by Resident Artist
Ron OJ Parson and
Sarah Ruhl's adaptation of
Virginia Woolf's Orlando directed by Jessica Thebus. Artistic Director
Charles Newell, Music Director
Doug Peck and Resident Artist/Artistic Consultant
Ron OJ Parson will close the season with Gershwin and Heyward's Porgy and Bess.
The 2010/11 Court Theatre Season Up-Close:The Comedy of Errors
By
William ShakespeareDirected by Sean Graney
Run Dates: September 16, 2010 - October 17, 2010
Innovative director Sean Graney (The Hypocrites) re-imagines Shakespeare's funniest farce about mistaken identity, mental illness, and xenophobia. The story of two sets of twins separated at birth, The Comedy of Errors will be a theatrical event full of energetic slapstick and lyrical comedy, performed by six virtuosic actors. This season opener represents the next step in Graney's exploration of classic farce at Court Theatre, following What the Butler Saw (2007) and The Mystery of Irma Vep (2009).
Home
By
Samm-Art WilliamsDirected by
Ron OJ Parson, Resident Artist
Run Dates: November 11, 2010 - December 12, 2010
Originally produced by the legendary
Negro Ensemble Company in 1981, Home is an enduring and poetic story of hope and the resiliency of the human spirit told against the backdrop of the political and social upheavals of the 1960s and 70s. In 2008, Resident Artist
Ron OJ Parson (
Ma Rainey's Black Bottom, The Piano Lesson) directed an Audelco Award-winning production of Home at
Signature Theatre Company in New York, which the New York Times called "a portrait of the black experience...that finds a homey beauty not in suffering but in carrying on."
Three Tall Women
By
Edward AlbeeDirected by
Charles NewellRun Dates: January 13 - February 11
Three Tall Women was written shortly after the death of
Edward Albee's adopted mother, and it remains his most personal play. Wickedly funny, and told with uncompromising truth, the play takes a long, hard look at the arc of one human life from the perspectives of three different generations-one woman in youth, one woman in middle age, and one woman lying on her death bed. As the elder woman reflects on her life-including the estrangement of her son, widely interpreted to represent Albee himself-she develops clarity of mind that transcends her debilitated body. Three Tall Women will be directed by Artistic Director
Charles Newell, whose 2004 production of Albee's Who's Afraid of
Virginia Woolf was named "the finest production...[of the play] I've seen to date" by Terry Teachout of the Wall Street Journal.
Orlando
By
Virginia WoolfAdapted by
Sarah RuhlDirected by Jessica Thebus
Run Dates: March 10, 2011 - April 10, 2011
Sarah Ruhl, one of American theater's most exciting young playwrights, adapts
Virginia Woolf's gender-bending novel about sex, love, and history. Often called the longest love letter in literary history, Woolf's Orlando tells the story of an English nobleman who lives for hundreds of years before falling asleep and waking up as a woman. Directed by longtime Ruhl collaborator Jessica Thebus (The Clean House at
Goodman Theatre, Dead Man's Cell Phone at Steppenwolf), Orlando is told with humor and imagination, and it represents a step forward in Court's ongoing commitment to contemporary translations and adaptations of classic works.
Porgy and Bess
By
George Gershwin, DuBose and
Dorothy Heyward, and
Ira GershwinDirected by
Charles NewellMusic Direction by
Doug PeckArtistic Consultant
Ron OJ ParsonRun Dates: May 12, 2011 - June 19, 2011
Porgy and Bess remains
George Gershwin's magnum opus, with an unforgettable score that includes songs ("Summertime," "It Ain't Necessarily So") later recorded by popular musicians from
Billie Holiday to
Ella Fitzgerald. Coming off their 2008 Jeff Award-winning production of Caroline, or Change,
Charles Newell and
Doug Peck come face-to-face with one of the greatest-and most controversial-pieces of American music theater ever created. Often denounced as a racially insensitive portrayal of black southerners, Newell and Peck, in collaboration with Resident Artist
Ron OJ Parson and an all-African-American cast, will present a thoughtful, never-before-seen retelling of Gershwin and Heyward's "folk opera" Porgy and Bess, a classic but contested piece of American theater history.
Subscription Information
Five, four and three play subscriptions to Court's 2010/2011 season range from $90 to $240 and are on sale now. To purchase a subscription or to receive more information, call the Court Theatre Box Office at (773) 753-4472, or visit Court's website at www.CourtTheatre.org. Individual tickets go on sale July 15, 2010. Groups of 10 or more may purchase tickets by calling Milan Penjovich in Court's Group Sales Office at (773) 834-3243.
Now in its 55th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.
Court Theatre, the professional theatre in residence at the University of Chicago, is located at 5535 S. Ellis Ave. in Chicago's Hyde Park neighborhood. You can reach the Court Theatre Box Office at (773) 753-4472, or visit Court's website at
www.CourtTheatre.org.
Court Theatre, under the leadership of Artistic Director
Charles Newell, Board Chair Virginia Gerst and Deputy Provost of the Arts Larry Norman is generously supported by Richard and
Barbara Franke, Hyde Park Bank, The Joyce Foundation, The John D. and Catherine T. MacArthur Foundation, Sara Lee Foundation, Shubert Foundation, and the University of Chicago. Court Theatre is also funded in part by grants from the National Endowment for the Arts; CityArts Program IV of the City of Chicago Department of Cultural Affairs; a Cultural Outreach Program grant from the City of Chicago; and the Illinois
Arts Council, a state agency.
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