One of the things actor Steven Patterson discovered during his first run with Gareth Armstrong's play "Shylock" at the Orlando Shakespeare Theatre back in 2007 was a way of getting inside Tubal, its main character, by viewing him as a Catskills tummler.
"Gareth was determined to make our production in Florida (the first he'd authorized in English by anyone other than himself) unique - not just a carbon copy of the one he'd toured all over the world for a decade. He tailored the script in ways that made it more friendly to an American audience, as opposed to his original British one. He forced me (gently) to find my own way even when I begged him to 'PLEASE just let me know how you solved this'. However, the major way we found to make the show more distinctly 'American' was to draw on the bottomless wealth of immigrant Jewish humor that's so much a part of our theatrical heritage here in the U.S. Jacob Adler's Yiddish Theatre. The great Jewish comics of the vaudeville circuit and radio (the Marx Brothers, Jack Benny, Fanny Brice, George Burns, etc). And especially the Borscht Belt jokes of the vintage Catskills resorts. All gave me a real 'in' into this character. This guy is trying hard to please, trying to make sure everybody's having the best possible time. And when approaching a play as full of potential landmines as 'The Merchant of Venice', that tack proved to be ideal. Now that my husband John (who's directing this production) and I have been residents here in the Catskills for more than a decade, it feels as though some of that history has seeped into my bones and I only hope I'm at least living up to the second definition of a tummler - a lively, mischievous man! Can't wait to share this unique, funny, and tragic vision of Jewish identity with audiences here in the Hudson Valley. 'They tried to kill us, we survived, let's eat!'"Videos