Camp Type: Day Session Length: 5 Days Camp Focus:
Theatre
Acting
Music Vocal Instrument
Arts Programming Avail
At DramaWay we provide process-based arts programs that facilitate social and life-skills development. We are dedicated to providing unique creative programs that help participants expand their artistic skills and grow as individuals in a structured, non-competitive, inspirational atmosphere. DramaWay programs span the realm of the fine arts. Programs offered include theatre, dance, film, music, visual arts and even puppetry. All programs are created, geared and modified to suit individuals of all abilities. We specialize in working with individuals who have special needs.
DramaWay was founded by Danielle Strnad, Theatre Artist and Arts Educator in 1999. Danielle saw an opportunity in the community to provide creative-arts programs, emphasizing a uniquely compassionate, process-oriented approach to educational arts programming for individuals of all abilities with special-needs. Danielle’s philosophy of putting participants needs first, remains the backbone of DramaWay.
DramaWay has grown from running one small drama program with 5 participants, to currently hosting 14 programs that span the realm of the fine arts servicing over 400 individuals on a weekly basis across the GTA.
DramaWay is an approved TDSB Partner. DramaWay’s tailor-made programs and workshops have been offered and are presently running at a multitude of organizations including TDSB schools, Montessori and Nursery schools, Day programs such as A.I.M Halton, Pegasus Community Project, L.I.N.K.S at Variety Village, Community Living Mississauga & Burlington, Little Yogini and Addus, among others. DramaWay programs and workshops complement and enhance curriculum and programming while helping schools and organizations to reach their own goals.
Remember Jones is funny, but he isn't a joke. There's a knowing kitsch value to the cabaret artist turned rock revue revivalist's stage presence: he looks like Elton John, dresses like Liberace and sings like Joe Cocker, on a stage full of bandstands and matching-jacketed musicians. But this isn't a parody of a Vegas show. What Jones and company are doing is a lot more daring than parody: a genuine revival of that sort of big-band rock showmanship for the neo-soul era. And it works.
Tim Edge’s sophomore project is described as a nail-biting show that uncovers the dark truths of vicious competition and ferocious career moves. The production over-promises and under-delivers. It’s not only plagued by a debilitating case of women-written-by-a-man, it’s also predictable and formulaic.