Winner of the 2008 Tony Award for Best Musical.
Welcome to the kind of musical that comes around once in a generation. A musical that builds on the best traditions of theater while forging into fresh new territory. A musical about the importance of home, family and finding where you belong.
IN THE HEIGHTS tells the universal story of a vibrant community in Manhattan's Washington Heights - a place where the coffee from the corner bodega is light and sweet, the windows are always open, and the breeze carries the rhythm of three generations of music. It's a community on the brink of change, full of hopes, dreams and pressures, where the biggest struggles can be deciding which traditions you take with you, and which ones you leave behind.
Discover where you belong, at Broadway's new Tony Award-winning classic, IN THE HEIGHTS.
What makes 'In the Heights' so unique, however, is that despite the driving pulse of its Latin-American rhythms, blending hip-hop, rap, jazz, pop, salsa and merengue, this buoyant musical also nods reverently to the traditions of the show tune. From its catchy opening number, which tosses in references to Cole Porter and Billy Strayhorn while swiftly introducing a large gallery of key characters and placing them within a vividly drawn community, the musical's plucky marriage of youthful freshness and lovingly old-fashioned craft is hard to resist.
I love the idea of In the Heights, and I think Miranda's voice as performer and writer needs to be heard on the NYC stage. But this show is a jumble of ideas, some of them interesting, many others quite mundane or cliched. In the Heights has got a beat; it's got energy. But it's finally so much less than it ought to have been!
2005 | Waterford, CT (Regional) |
Reading Waterford, CT (Regional) |
2007 | Off-Broadway |
Original Off-Broadway Production Off-Broadway |
2008 | Broadway |
Broadway Transfer Broadway |
2009 | US Tour |
First National Tour US Tour |
2011 | US Tour |
Work Light Productions National Tour US Tour |
2015 | West End |
West End Production West End |
2018 | Washington, DC (Regional) |
Kennedy Center Concert Production Washington, DC (Regional) |
2020 | Motion Picture |
2020 Motion Picture Motion Picture |
Year | Ceremony | Category | Nominee |
---|---|---|---|
2009 | The Pulitzer Prize | The Pulitzer Prize for Drama | Quiara Alegría Hudes |
2009 | The Pulitzer Prize | The Pulitzer Prize for Drama | Lin-Manuel Miranda |
2009 | The Pulitzer Prize | The Pulitzer Prize for Drama | Quiara Alegría Hudes |
2009 | The Pulitzer Prize | The Pulitzer Prize for Drama | Lin-Manuel Miranda |
2008 | Tony Awards | Best Book of a Musical | Quiara Alegria Hudes |
2008 | Tony Awards | Best Choreography | Andy Blankenbuehler |
2008 | Tony Awards | Best Costume Design of a Musical | Paul Tazewell |
2008 | Tony Awards | Best Direction of a Musical | Thomas Kail |
2008 | Tony Awards | Best Lighting Design of a Musical | Howell Binkley |
2008 | Tony Awards | Best Musical | Jill Furman |
2008 | Tony Awards | Best Musical | Sander Jacobs |
2008 | Tony Awards | Best Musical | Robyn Goodman |
2008 | Tony Awards | Best Musical | Walt Grossman |
2008 | Tony Awards | Best Musical | Peter Fine |
2008 | Tony Awards | Best Musical | Everett/Skipper |
2008 | Tony Awards | Best Musical | Kevin McCollum |
2008 | Tony Awards | Best Musical | Jeffrey Seller |
2008 | Tony Awards | Best Orchestrations | Bill Sherman |
2008 | Tony Awards | Best Orchestrations | Alex Lacamoire |
2008 | Tony Awards | Best Original Score (Music and/or Lyrics) Written for the Theatre | Lin-Manuel Miranda |
2008 | Tony Awards | Best Performance by an Actor in a Featured Role in a Musical | Robin De Jesus |
2008 | Tony Awards | Best Performance by an Actor in a Leading Role in a Musical | Lin-Manuel Miranda |
2008 | Tony Awards | Best Performance by an Actress in a Featured Role in a Musical | Olga Merediz |
2008 | Tony Awards | Best Scenic Design of a Musical | Anna Louizos |
2008 | Tony Awards | Best Sound Design of a Musical | Acme Sound Partners |
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