BWW Review: Nicholas Kaminski Brings An Exciting New Voice to The Green Room 42
by Ricky Pope - February 07, 2022
Nicholas Kaminski, whose self-titled show opened on Saturday at the Green Room 42, is a new writer who would have felt completely at home in the mountain resorts where clever and topical songs were created at a breakneck pace. I have had the pleasure of seeing M Kaminski sing his songs individually ...
BWW Review: BROADWAY SESSIONS at The Laurie Beechman Theatre Celebrates Black History Month In Style
by Stephen Mosher - February 05, 2022
An exceptional cast of Broadway performers from the community of black actors gathered together to celebrate an important month in all our lives with a special night of musical entertainment....
BWW Review: Lovely Performers Honor Marilyn Bergman With KEEP THE MUSIC PLAYING! at Feinstein's/54 Below
by Stephen Mosher - February 03, 2022
Scott Siegel has done it again: a night of trivia, music, and first-rate entertainers paid tribute to the late Marilyn Bergman last night at 54 Below....
BWW Review: SOMEHOW WE MANAGE: THE OFFICE! A MUSICAL PARODY SINGS BROADWAY Owns the 9:45 Slot at Feinstein's/54 Below
by Stephen Mosher - February 03, 2022
Tuesday night's group show by the cast of The Office! A Musical Parody was more fun than having your plumbling stolen, and it took less time than binge-watching a tv series....
BWW Review: JOHN PIZZARELLI SWING SEVEN at Birdland Could Warm The Coldest Nights and Hearts
by Stephen Mosher - February 02, 2022
Two years off of the Birdland stage didn't do anything to John Pizzarelli expect make him more more vital and more enjoyable than ever....
BWW Review: MAJOR ATTAWAY: THE GENIE'S JUKEBOX - Aladdin's Longest Running Genie Didn't Just Go There, He Went Attaway at Feinstein's 54/Below
by Bobby Patrick - February 02, 2022
Major’s show became about paying an hour-long tribute to his former Disney employers. Explaining how his early consciousness was informed by The Mouse’s Movie Musicals, Attaway went thataway with his setlist, giving forth fab numbers from their copious catalog, leaning (surprisingly) on the more vil...
BWW Review: With A ONE-WOMAN SHOWCIAL at The Green Room 42 Kaisha Huguley Modernizes The Art Form of Cabaret
by Stephen Mosher - January 30, 2022
Kaisha S. Huguley is a force of nature online and she is ready to be a force of nature in the clubs, and she is off to a good start, though there is room to grow....
BWW Review: A NIGHT WITH KEVIN SPIRTAS at The Green Room 42 Puts The Leading Man At The Musical Mic, Where He Belongs
by Stephen Mosher - January 30, 2022
Kevin Spirtas joined podcaster Patrick Oliver Jones for an in-depth talk about the business of acting, and some special musical offerings....
BWW Review: Andrea Bell Wolff's ADVENTURES IN VEGAS at Don't Tell Mama Puts It All Out There For All To See
by Stephen Mosher - January 29, 2022
Andrea Bell Wolff emerged from the quarantine with a diary found and a show created....
BWW Review: JASON ROBERT BROWN at Feinstein's/54 Below Is Essential Fare For Concert-goers
by Stephen Mosher - January 27, 2022
Jason Robert Brown is much more than just an award-winning writer, and one hopes he will never stop showing just how much more, by way of great concert appearances....
BWW Review: Jenn Colella Leaves Audience Sated and Elated With YOU ARE HERE at Feinstein's/54 Below
by Stephen Mosher - January 26, 2022
In her Feinstein's solos show debut Jenn Colella uses all the parts of herself in an effort to please a sold-out house of fans and followers, leaving pleasure and pandemonium in her wake....
BWW Review: LEOLA'S LADY LAND LOUNGE! Welcomes NYC's Talent For A Chat-N-Chew And A Song Or Two At The Green Room 42
by Bobby Patrick - January 25, 2022
For this edition, Leola had as her guests, Analise Scarpaci - one of Broadway’s foremost precocious stage brats who is leaving childhood behind and blossoming into a fine adult actress, Lindsay Nicole Chambers - late of Legally Blonde, Lysistrata Jones and pretty much all the L shows of Broadway, My...
BWW Review: Jess LeProtto Shines Bright In Solo Show GOTTA BE ME at The Green Room 42
by Stephen Mosher - January 28, 2022
Earlier this month the West Side Story Shark with perfect pitch presented a program that was pitch perfect....
BWW Review: With an Encore of Her BIRTHDAY BASH! at Feinstein's/54 Below Karen Mason Shines As Bright As Ever
by Stephen Mosher - January 21, 2022
When a much-delayed birthday concert finally premiered in November, the show sold out in record time. This week the folks who missed out had their lucky shot at joining in the celebration....
BWW Review: With FAREWELL TO THE WEST at 54 Below Jonathan Savage Promises a Bright Future For Cabaret
by Stephen Mosher - January 19, 2022
With his solo show debut, Jonathan leaves it all on the stage, from his stories to his songs, from his art to his heart....
BWW Review: Rachel Wright Residency ONE NIGHT STAND at The Green Room 42 Welcomes A New Day In Cabaret
by Stephen Mosher - January 18, 2022
Celebrity sex and mental health therapist Rachel Wright combines sex positivity with Broadway music for a night like no other....
BWW Review: Marvin Gayatgay Makes Impressive Cabaret Debut In THIS IS THE MOMENT at Urban Stages
by Stephen Mosher - January 14, 2022
Producer Craig Horsley spotted bass soloist Marvin Gayatgay on YouTube and gave him his first solo show. Horsley, clearly, has an eye for talent....
BWW Review: Piano Man Jason Ostrowski Rocks Out In His Musical Memoir SING US A SONG
by Stephen Mosher - January 25, 2022
The Winter Rhythms audience at Urban Stages got a treat in December when Broadway alum Jason Ostrowski brought his one-man show to the annual cabaret series....
BWW Review: JEANNA DE WAAL Reigns Supreme In Solo Show at Feinstein's/54 Below
by Stephen Mosher - January 12, 2022
It has been said that one should keep a sense of humor, especially about oneself, that it is a strength beyond all measure. On Monday night Jeanna de Waal proved that she does, indeed, have a sense of humor, for the Broadway veteran, late of the ill-fated DIANA, THE MUSICAL, spent much of her onstag...
BWW CD Review: Meg Flather Soars Artistically and Emotionally with REACHING HIGHER
by Stephen Mosher - January 14, 2022
With her latest cd, Meg Flather touches on topics ranging from quarantine to feminism....
BWW Review: 54 SINGS BROADWAY'S GREATEST HITS! at Feinstein's/54 Below Starts 2022 Off Right
by Stephen Mosher - January 09, 2022
Scott Siegel's ongoing series shines in its first episode of the new year, as the troupe says goodbye to a friend....
BWW Review: Sue Matsuki Looks Good in the THIS BROAD'S WAY Light at Pangea
by Stephen Mosher - December 30, 2021
Steve Bustamante's film of Sue Matsuki's 2021 cabaret outing provided this writer with a great morning of entertainment - one worth writing about....
BWW CD Review: David Sabella's Debut Solo Album TIME HEALS Is A Tonic For The Times
by Stephen Mosher - December 29, 2021
The live recording of David Sabella's musical cabaret PANDEMIC RELIEF is an auspicious start to his recording career....
BWW Review: ERIN BODE Presents Birdland Theater With Perfect Holiday Gift - A Magnificent Musical Program
by Stephen Mosher - December 28, 2021
With her clarion vocals and the majestic music of four virtuosos, Erin Bode made the holiday season even brighter for Birdland....
BWW CD Review: Nicole Henry's TIME TO LOVE AGAIN Is An Album to Love, and It Arrived Just In Time
by Stephen Mosher - December 28, 2021
Jazz artist Nicole Henry gathered together some special artists to make a special album that will make the days ahead easier and more fun. Put it on repeat....