STG Presents Glasser With Special Guest Beat Connection, 11/7

Seattle Theatre Group (STG) presents Glasser, with special guest Beat Connection, on Sunday, November 7, 2010 at 9:00pm at the Crocodile.

Glasser is the one-woman orchestra of Cameron Mesirow. Her debut album, Ring, is a singular work. It moves like the wake of a small boat in a still lake: each song its own, but leading to, and becoming, the next. In doing so it builds on the tradition of classic albums like Van Morrison's AstrAl Weeks, Joni Mitchell's Blue, and R. Kelly's Trapped In the Closet song-cycle: albums that as a whole create stories that are bigger than the sum of their individual songs.

Glasser entered public consciousness in 2009 with her debut EP, Apply, on True Panther, and a UK-only 12" on the Young Turks label. The intimate, luxurious music resonated widely, despite being made by Cameron, alone and in airplanes and shoe stores, on Garage Band. Her EPs and live shows earned her attention from producers Van Rivers and the Subliminal Kid (who co-produced a few tracks and the transitions on this album) and opening tour slots with the XX, Jonsi, and Delorean.

With Ring, however, Cameron worked for months with producer Ariel Rechtshaid to re-imagine her musical arrangements, incorporating organic instrumentation like strings, woodwinds, bass, and a wide array of percussion into her once-sparse recordings. Her simple, minimal melodies and rapturous vocals are perfectly complimented by the album's maximalist arrangements. The voice becomes a focal instrument, delivers abstract stories and sounds that drench the music in emotion without resorting to narrative clichés.
Ring is named for chiastic, or "ring", structure, an idea borrowed from the oral tradition. In it, ideas are paired in a symmetric order, often leading bidirectionally toward a central idea. Cameron structured the album similarly, with no set beginning or end, with its songs representing fluctuating and often contradictory emotional states.

In "Treasury of We," she claims, "We're all the same/Set apart by different names," then in "Mirrorage" says "we live alone...how can I trust in you?" Perhaps she is asking a lover, perhaps any person at all, or perhaps she's asking Nature itself, another character in Ring. "Ain't it odd how we mimic nature indoors, when nature is far more vivid to endure?" she asks, adding, "So where's the comfort there? What's real can be anywhere." It offers fantasy ("Hollowed a log to ride...Behind a beast with a liquid hide"), hope ("Let me grow with you/And I will cut all the blooms/To decorate your room"), pain ("The clouds were dust, raining on us/There was a phantom me in a bed of love").

In Glasser there exists, side by side, the optimism of a woman captivated by creation and travel, as well as the anxiety that accompanies nomadism and change. Of this duality, the New York Times said "these are beautiful songs, both sweet and abstract, deeply felt and anodyne." Somehow, in Glasser's efforts to make sense of her world, she has made an album with the universal lure of both a lullaby and a hymn.

Tickets: $10.00 in advance, $12.00 day of show, not including applicable fees. Tickets are on sale Friday, September 24, 2010 at 10am online at TheCrocodile.com. More info can be found at STGPresents.org.

About STG
Seattle Theatre Group is the 501 (c)(3) non-profit arts organization that operates the historic Paramount and Moore Theatres in Seattle, Washington. Our mission is to make diverse performing arts and education an integral part of our region's cultural identity while keeping these two landmark venues alive and vibrant. STG presents a range of performances from Broadway, off-Broadway, dance and jazz to comedy, concerts of all genres, speakers and family shows - at both historic theatres in Seattle and venues throughout the Puget Sound and Portland, Oregon.

 

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