La Mami is the critically-acclaimed second feature documentary from Spanish-born director Laura Herrero Garvín.
Cinema Tropical and Habanero present the U.S. theatrical release of the Mexican film La Mami, the critically-acclaimed second feature documentary from Spanish-born director Laura Herrero Garvín (The Swirl). A potent, observational exploration of female fortitude and solidarity, La Mami opens on Thursday, April 7 at Maysles Cinema in New York City, followed by other U.S. cities.
Winner of the Cinema Tropical Award for Best Film, and a favorite at numerous international film festivals including IDFA, MoMA Doc Fortnight, SXSW, Zurich, San Sebastian, DocsLisboa, and Morelia, La Mami takes us inside the ladies' bathroom-turned-cloakroom of a legendary Mexico City nightclub, the Cabaret Barba Azul. Inside the fluorescently-lit upstairs refuge we meet Doña Olga, known as "La Mami" to the dancers and hostesses of the discotheque below, who keeps watch over the dressing room while remaining a tough-loving confidante and vigilant protector of the girls themselves.
La Mami has worked in the cabaret world for more than 45 years: as a party girl, a waitress, and a seller of songs. Now that her body has aged, she takes care of the mythical Barba Azul Cabaret from her nightly post in the cloakroom. When newcomer Priscilla arrives, Herrero Garvín's camera quietly observes as the other girls introduce her to the SECRETS OF the night and La Mami takes her under her wing, offering much needed advice and comfort to combat the crude machismo that surrounds them. In their world, La Mami warns, "men are only good for two things: for nothing, and for money."
Textural, empathetic, and shot completely from the female perspective, Herrero Garvín upends the tropes of the popular cabaretera subgenre of Mexican cinema of yesteryear to craft an exquisite and non-glamourous look into the real stories of women doing what they have to in order to provide for their families, pay for crippling medical expenses, and carve a path for themselves and their loved ones despite unforgiving circumstances.
La Mami is both a heartfelt and intimate portrait of Doña Olga and the girls from Cabaret Barba Azul and a perceptive study of labor and collective fatigue which tacitly points to the myriad sacrifices that mothers and caregivers choose to make on the daily. Above all, La Mami reminds us that at the core of group survival are emotional ties and community.
Confirmed dates (other cities will be announced soon):
April 7-13: Maysles Cinema, New York, NY
April 21: Cinema Tucsón at the Fox Tucson Theatre, Tucson, AZ
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