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Toronto Film Festival Unveils Festival's Canadian Feature Slate

By: Aug. 09, 2017
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Canada's filmmaking future is in good hands! The Toronto International Film Festival® unveiled today the 26 titles that make up the Festival's Canadian feature slate. Featuring a crop of provocative first features, this year's diverse and varied Canadian
lineup boasts one of the highest numbers of feature directorial debuts ever, as well as one of the highest numbers of films from Western Canada in recent years. Over 30% of the titles have a first-time feature director, while seven out of nine are TIFF alumni.

This year's Canadian slate is bolstered by a number of titles from Canadian Festival veterans. Among these titles are: Alanis Obomsawin's Our People Will Be Healed; Alan Zweig's There is a House Here; Simon Lavoie's The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes); Mina Shum's Meditation Park; Robin Aubert's vérité zombie flick Les Affamés; Ingrid Veninger's Porcupine Lake; Pat Mills' high school misfit comedy Don't Talk to Irene; Oscar nominee Kim Nguyen's
Eye on Juliet; Adam MacDonald's Pyewacket; celebrated director Denis Côté's Ta peau si lisse (A Skin So Soft); and Jennifer Baichwal and Nicholas de Pencier's previously announced Long Time Running.

Among the Canadian first features at the 2017 Festival are: Sadaf Foroughi's AVA, a superbly crafted drama about an Iranian teenager at a pivotal crossroad; Ian Lagarde's All You Can Eat Buddha, which follows a man's surreal impact on vacationers at a Cuban resort; Carlos and Jason Sanchez's A Worthy Companion, a psychological thriller about obsession and trauma; TRAILER PARK BOYS star Cory Bowles' Black Cop, an arresting satirical exploration of police-community relations; Kathleen Hepburn's powerful
family drama Never Steady, Never Still; Grayson Moore and Aidan Shipley's Cardinals, a disturbing look at the impact of a convicted murderer's return to her community; Wayne Wapeemukwa's Luk'Luk'I, a look at the denizens of an impoverished Vancouver neighbourhood; and Molly McGlynn's Mary Goes Round, about an addiction counsellor struggling with her own issues.

Two exciting titles making their World Premieres at the Festival are Mary Harron's Alias Grace, based on the award-winning novel by Margaret Atwood, written by Sarah Polley and starring Sarah Gadon, Anna Paquin and Paul Gross; and Sean Menard's The Carter
Effect, on how NBA All-Star Vince Carter made an impact on Toronto.

Rounding out the programme are Kyle Rideout's winning comedy about eccentricity and high school Public Schooled; Tarique Qayumi's powerful Afghanistan-set drama BLACK KITE; and Matt Embry's shocking and poignant MS doc Living Proof.

The slate also features performances by multiple Canadian and international stars, including Sandra Oh; Sheila McCarthy; Don McKellar; Russell Peters; Evan Rachel Wood; Geena Davis; Sarah Gadon; Sarah Julia Stone; Scott Thompson; Judy Greer;
Afghanistan's most prominent rising star Haji Gul; and beloved Chinese actress Cheng Pei-Pei.

"It is exciting to see a new wave of Canadian first-time feature directors play with genres and take risks," said Steve Gravestock, Senior Programmer, TIFF. "This year's lineup has a truly international feel to it, too, with a number of features shot all over the globe - something that also speaks to the boldness of many of the filmmakers included in the slate."

"We are thrilled to have a lineup with such a rich diversity of voices and perspectives," said Magali Simard, Programmer and Theatrical Senior Manager, TIFF. "Not only are different regions of the country represented, but so are multiple age groups,
backgrounds, languages and filmmaking styles. This lineup showcases the incredible wealth of talent currently at work in Canada."

All 25 Canadian feature films at the Festival are eligible for the Canada Goose Award for Best Canadian Feature Film. All nine Canadian feature directorial debuts are eligible for the City of Toronto Award for Best Canadian First Feature Film. This year's Canadian awards jury is composed of Mark Adams, Artistic Director of the Edinburgh International Film Festival; Canadian documentarian and Hillman Prize winner Min Sook Lee (Migrant Dreams); and artist and filmmaker Ella Cooper, who is also the founder of Black Women Film! Canada.

The 42nd Toronto International Film Festival runs from September 7 to 17, 2017.

SPECIAL PRESENTATIONS Eye on Juliet Kim Nguyen, Canada North American Premiere

MASTERS

Our People Will Be Healed Alanis Obomsawin, Canada World Premiere

TIFF DOCS

The Carter Effect Sean Menard, Canada/USA World Premiere

Living Proof Matt Embry, Canada World Premiere

There is a House Here Alan Zweig, Canada World Premiere

DISCOVERY A Worthy Companion Carlos Sanchez, Jason Sanchez, Canada World Premiere

All You Can Eat Buddha Ian Lagarde, Canada World Premiere

AVA Sadaf Foroughi, Iran/Canada/Qatar World Premiere

Black Cop Cory Bowles, Canada World Premiere

Cardinals Grayson Moore, Aidan Shipley, Canada World Premiere

Luk'Luk'I Wayne Wapeemukwa, Canada World Premiere

Mary Goes Round Molly McGlynn, Canada World Premiere

Never Steady, Never Still Kathleen Hepburn, Canada World Premiere

CONTEMPORARY WORLD CINEMA

BLACK KITE Tarique Qayumi, Canada/Afghanistan World Premiere

Don't Talk to Irene Pat Mills, Canada World Premiere

Les Affamés Robin Aubert, France/Canada World Premiere

Meditation Park Mina Shum, Canada World Premiere

Porcupine Lake Ingrid Veninger, Canada World Premiere

Public Schooled Kyle Rideout, Canada World Premiere

Pyewacket Adam MacDonald, Canada World Premiere

The Little Girl Who Was Too Fond of Matches (La petite fille qui aimait trop les allumettes) Simon Lavoie, Canada World Premiere

PRIMETIME

Alias Grace Mary Harron, Canada/USA World Premiere

WAVELENGTHS PROTOTYPE

Blake Williams, Canada North American Premiere

Ta peau si lisse (A Skin so Soft) Denis Côté, Canada/Switzerland North American Premiere

Previously announced Canadian features at the Festival include Jennifer Baichwal and Nicholas de Pencier's Long Time Running (Gala) and Seth A. Smith's The Crescent (Midnight Madness).



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