PBS's GREAT PERFORMANCES AT THE MET to Feature 'La Cenerentola', 9/7

Joyce DiDonato sings the title role in Rossini's Cinderella story, La Cenerentola, with bel canto master Juan Diego Flórez as her dashing prince. Met Principal Conductor Fabio Luisi leads a cast that also includes Pietro Spagnoli in his Met debut as the servant Dandini, Alessandro Corbelli as Cenerentola's stepfather Don Magnifico, and Luca Pisaroni as Don Ramiro's tutor, Alidoro, on Great Performances at the Met Sunday, September 7 at 12 p.m. on PBS. (In New York, THIRTEEN will air the opera at 12:30 p.m.)

Joyce DiDonato has sung Angelina at major opera houses all over the world, including La Scala, the Bavarian State Opera, Houston Grand Opera, Paris's Théâtre du Châtelet, and Gran Teatre del Liceu in Barcelona. Angelina is her eighth role at the Met. Juan Diego Flórez is one of the world's foremost Rossini tenors, currently counting 17 of the composer's tenor roles in his repertory. He made his Met debut in 2002 as Count Almaviva in Il Barbiere di Siviglia, the same year he sang his first company performances of Don Ramiro in La Cenerentola.

Soprano Deborah Voigt hosts the broadcast.

La Cenerentola was originally seen live in movie theaters on May 10 as part of the groundbreaking The Met: Live in HD series, which transmits live performances to more than 2,000 movie theaters and performing arts centers in 66 countries around the world. The transmission reached a record-breaking 15 million viewers.

Great Performances at the Metis a presentation of THIRTEEN Productions LLC for WNET, one of America's most prolific and respected public media providers.

Throughout its 40 year history on public television, Great Performances has provided viewers across the country with an unparalleled showcase of the best in all genres of the performing arts, serving as America's most prestigious and enduring broadcaster of cultural programming. Now in its fifth decade, the series has been the home to the greatest artists in the areas of drama, dance, musical theater, classical and popular music, providing many with their very first television exposure.

Corporate support for Great Performances at the Metis provided by Toll Brothers, America's luxury home builder®. Major funding for the Met Opera presentation is provided by Mercedes T. Bass Charitable Corporation, with additional funding by the National Endowment for the Arts. This Great Performances presentation is funded by the Irene Diamond Fund, the Anna-Maria and Stephen Kellen Arts Fund, The Philip and Janice Levin Foundation, The Agnes Varis Trust, and public television viewers. For the Met, Barbara Willis Sweete directs the telecast. Jay David Saks is Music Producer, Mia Bongiovanni and Elena Park are Supervising Producers, and Louisa Briccetti and Victoria Warivonchik are Producers. Peter Gelb is Executive Producer. For Great Performances, Bill O'Donnell is Series Producer; David Horn is Executive Producer.

Visit Great Performances online at www.pbs.org/gperf for additional information on this and other Great Performances programs.

About WNET
As New York's flagship public media provider and the parent company of THIRTEEN and WLIW21 and operator of NJTV, WNET brings quality arts, education and public affairs programming to over 5 million viewers each week. WNET produces and presents such acclaimed PBS series as Nature, Great Performances, American Masters, PBS Newshour Weekend, Charlie Rose and a range of documentaries, children's programs, and local news and cultural offerings available on air and online. Pioneers in educational programming, WNET has created such groundbreaking series as Get the Math, Oh Noah! and Cyberchase and provides tools for educators that bring compelling content to life in the classroom and at home. WNET highlights the tri-state's unique culture and diverse communities through NYC-ARTS, Reel 13, NJTV News with Mary Alice Williams and MetroFocus, the multi-platform news magazine focusing on the New York region. WNET is also a leader in connecting with viewers on emerging platforms, including the THIRTEEN Explore iPad App where users can stream PBS content for free.

About the Met
Under the leadership of General Manager Peter Gelb and Music Director James Levine, the Met has a series of bold initiatives underway that are designed to broaden its audience and revitalize the company's repertory. The Met's 2013-14 season features six new productions, including Tchaikovsky's Eugene Onegin, conducted by Valery Gergiev and directed by Deborah Warner in her Met debut; the U.S. premiere of Nico Muhly's Two Boys, conducted by David Robertson and directed by Bartlett Sher; Verdi's Falstaff, conducted by Levine and directed by Robert Carsen; Strauss's Die Fledermaus, conducted by Adam Fischer and directed by Jeremy Sams; Borodin's Prince Igor, conducted by Gianandrea Noseda and directed by Dmitri Tcherniakov in his Met debut; and Massenet's Werther, conducted by Alain Altinoglu and directed by Richard Eyre.

Building on its 82-year-old radio broadcast history-heard over the Toll Brothers-Metropolitan Opera International Radio Network-the Met uses advanced media distribution platforms and state-of-the-art technology to reach audiences around the world. The Met: Live in HD, the Emmy and Peabody Award-winning series of live performance transmissions to movie theaters around the world, returns for its eighth season in 2013-14 with ten live transmissions. Met Opera on Demand, a subscription service, makes selections from the company's extensive video and audio catalog of full-length performances available to the public online in exceptional, state-of-the-art quality. Metropolitan Opera Radio on Sirius XM broadcasts live performances from the Met stage three times a week during the opera season and the Met offers free live audio streaming of performances on its website once a week during the opera season.

Synopsis:

http://metopera.org/metopera/season/synopsis/la-cenerentola?customid=773

Website: http://www.pbs.org/wnet/gperf/

Facebook: http://www.facebook.com/GreatPerformances

Twitter: @GPerfPBS

Photo Credit: Ken Howard/Metropolitan Opera

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